Yes Man (2008)

About this LoRA

Yes Man 2008

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word ysmn2008 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"ysmn2008, An elderly man in a light-colored suit stands alone on a stage, gazing toward the right side of the frame, seemingly addressing an unseen audience. The scene is lit with soft, directional stage lighting that highlights the speaker while casting the foreground audience in shadow, suggesting an indoor evening event. Dominant colors are muted beige, gray, and blue, with the stage’s neutral tones contrasting against the dark silhouettes of the crowd. The camera is positioned at audience level, looking up slightly, creating an intimate yet formal perspective that emphasizes the speaker’s solitary presence."

"ysmn2008, A group of people stands near a heavy wooden door framed by brickwork, with one individual in a dark jacket stepping forward to enter, while others linger behind, observing. The door features a sign indicating “Happy Hour 5PM–8PM,” and a warm, ambient light from a hanging lantern above casts a soft glow on the textured stone wall and nearby greenery. The scene is dimly lit, suggesting late afternoon or early evening, with dominant earthy tones of brown, muted orange, and deep charcoal. The camera is positioned over the shoulder of one person, creating an immersive, slightly low-angle perspective that draws focus to the doorway and the group’s movement toward it."

"ysmn2008, A man in a dark suit and patterned tie sits at a desk, leaning forward with his right fist clenched and extended toward the viewer, conveying intensity or emphasis. Behind him, a modern office setting includes a multi-line phone, a potted plant, and glass partitions with natural light filtering through, suggesting daytime. The lighting is soft and even, casting gentle shadows, with dominant colors of charcoal, burgundy, and muted beige. The camera is positioned over the shoulder of another person, framing the man’s face and gesture in a medium close-up, creating a sense of direct confrontation or serious dialogue."

"ysmn2008, A person with long, dark hair, wearing a glossy black jacket, stands at a gas pump, their back to the camera as they appear to be in the process of refueling. The setting is a dimly lit gas station at night, with the pump’s digital display showing a price of $20.00 and 5.918 gallons dispensed, alongside labels for “EC UNLEADED REGULAR” and “EC UNLEADED PLUS.” The scene is bathed in cool blue tones from ambient lighting, contrasted by the warm glow of overhead spotlights and the orange backlighting of the pump’s screen. The camera is positioned over the shoulder of the person, framing them in a medium shot that emphasizes the pump and the surrounding nighttime environment."

"ysmn2008, A person in a blue shirt and brown pants is partially visible, leaning out of an arched window on the second floor of a red brick building, appearing to look down or adjust something. The building features multiple arched and rectangular windows with white trim, some with curtains, and a terracotta-tiled roofline; a few windows on the lower level are boarded or covered. The scene is lit by soft, even daylight, suggesting midday or early afternoon, with a pale blue sky visible above. The dominant colors are the warm reds and browns of the brick, contrasted with the white architectural details and the blue sky. The camera is angled upward from street level, capturing the building’s facade in a wide, horizontal composition that emphasizes its architectural symmetry."

"ysmn2008, A woman with dark, tousled hair and bangs, wearing a purple hoodie over a patterned top, looks intently at a man whose back is to the camera, suggesting an intimate or serious conversation. They stand on a white-railed rooftop overlooking a sprawling urban landscape with dense residential buildings and greenery below. The scene is bathed in bright, natural daylight, indicating midday, with soft shadows and clear visibility. The dominant colors are earthy tones from the cityscape, contrasted by the woman’s purple clothing and the man’s light-colored shirt. The camera frames them in a medium close-up, angled slightly from the side, emphasizing their facial expressions and the emotional weight of the moment."

"ysmn2008, in a warmly lit, upscale interior resembling a boutique or gift shop, three individuals are gathered around a central table: one woman leans over a large open binder, another stands nearby holding scissors poised to cut something, while a third woman stands with one hand on a bookshelf, observing with a thoughtful expression. The space is filled with dark wooden shelves stocked with books, decorative boxes, and ornate lamps, including one with a black-and-gold leaf pattern, while white floral arrangements add softness to the corners. The lighting is ambient and golden, suggesting late afternoon or early evening, casting soft shadows and highlighting the rich browns, deep teal, and cream tones of the decor and clothing. The camera frames the scene from a medium-wide angle, capturing the group’s interaction and the surrounding environment with"

"ysmn2008, A woman in a dark coat and tall boots stands poised with a shotgun, flanked by a man in a brown jacket and ear protection, both appearing ready to shoot at a skeet range. Behind them, a green-roofed structure labeled “RJ’s Skeet and Shoot” shelters spectators seated on benches, while others stand or bend over equipment on the grassy field. The scene is bathed in warm, low-angle sunlight casting long shadows, suggesting late afternoon. Dominant colors include the vibrant green of the roof, earthy browns and greens of the grass and clothing, and the muted tones of the metal fencing. The camera captures a wide, eye-level shot that encompasses the entire range, emphasizing the open space and the group’s focused activity."

"ysmn2008, A man and a woman stand side by side, viewed from behind, gazing out over a hazy mountain landscape at sunset. The man wears a dark jacket with a light-colored collar, while the woman has her hair tied up and wears a light tank top with thin straps; both are positioned near a railing with blurred trees and distant hills in the background. Warm, golden light bathes the scene, casting soft highlights on their hair and shoulders, suggesting late afternoon or early evening. The dominant colors are muted earth tones—soft browns, creams, and dusky purples—with the sky glowing pale orange near the horizon. The camera is framed from behind the subjects, capturing them in a medium shot that emphasizes their shared contemplative moment against the vast, tranquil backdrop."

"ysmn2008, A group of people stands in a loose circle on a grassy lawn, facing a central figure who appears to be leading them through a coordinated movement or dance, with some individuals gesturing or mirroring motions. Behind them, a large, white classical-style building with a domed observatory structure and decorative friezes dominates the background, flanked by lampposts and trees under a clear sky. The scene is bathed in warm, golden sunlight, suggesting late afternoon, casting long, distinct shadows across the grass. The dominant colors are earthy greens and browns of the lawn and clothing, contrasted with the bright white of the building and the soft blue of the sky. The camera is positioned at eye level, capturing the group in a wide shot that emphasizes both the participants and"

"ysmn2008, A man in a gray suit, white pinstriped shirt, and maroon-striped tie stands in the foreground, looking directly at the camera with a subtle, confident expression. Behind him, a busy, modern hallway is filled with blurred figures walking in various directions, suggesting a corporate or transit environment with glass walls and neutral-toned flooring. The lighting is bright and even, typical of an indoor office or airport terminal during daytime. Dominant colors are muted grays, whites, and browns, with a touch of warmth from the woman’s orange top in the background. The camera uses a shallow depth of field, keeping the man sharply in focus while rendering the background softly out of focus, emphasizing his presence."

"ysmn2008, A split-screen credits frame features a vibrant, brush-stroked gradient of teal, green, and yellow on the left, contrasting with a textured black background on the right where colorful, gradient text lists “Associate Producers” and names. The left side includes partial text reading “URES Presentation.” with ink splatters, while the right side has glowing, rainbow-hued lettering against a dark, speckled backdrop. The lighting is high-contrast, with the left side brightly illuminated and the right side deeply shadowed, suggesting a stylized, modern credits sequence. The dominant colors are electric teal, lime green, and black, with accents of purple and multicolored gradients in the text. The frame is horizontally oriented, with a jagged, painterly divide running diagonally from top"

"ysmn2008, A group of pedestrians crosses a busy street in front of a modern hotel, with cars including a red pickup and a silver SUV moving through the intersection. The hotel facade features a large banner reading “YES! IS THE NEW NO!” and displays the name “RENAISSANCE HOTEL,” flanked by palm trees and flags. The scene is bathed in warm, golden sunlight, suggesting late afternoon, with long shadows cast across the pavement and buildings. Dominant colors include the beige and glass tones of the hotel, the green of hedges, and the reds and whites of vehicles, contrasted against the blue sky. The camera is positioned at street level, capturing the bustling urban environment with a wide-angle view that includes both foreground activity and the architectural backdrop."

"ysmn2008, in a well-lit, upscale interior resembling a boutique or catalog showroom, three individuals are gathered around a central table, examining open binders and documents; one woman gestures toward the materials while another leans in closely, and a third stands nearby with a hand on a bookshelf, appearing observant. The space is lined with dark wooden shelves stocked with neatly arranged books and decorative items, including floral arrangements and patterned lamps, under warm, ambient lighting that suggests daytime. Dominant colors include deep browns, muted greens, and cream tones, contrasted by the red-brown tiled floor. The camera captures the scene from a medium-wide angle, positioned slightly to the side, allowing a clear view of the interaction and the surrounding curated environment."

"ysmn2008, A vintage orange Volvo sedan, with a sleek two-door coupe design and aftermarket alloy wheels, is captured mid-turn at a street intersection, its driver and passenger visible through the windows. The scene unfolds in a sunlit parking lot bordered by manicured shrubs and tall evergreen trees, with other modern cars parked in the background and a hillside rising behind them. Warm, golden-hour sunlight bathes the car and surroundings, casting long shadows and highlighting the vehicle’s glossy paint and chrome details. The camera frames the car in a side profile, slightly angled to emphasize its motion and classic lines against the urban landscape."

"ysmn2008, inside a rustic barn filled with hay bales and farming equipment, a person is helping another individual who appears to be struggling with a heavy object, possibly a toolbox or case, as they bend together in a moment of physical assistance. The setting is a dimly lit, weathered wooden barn with open doors revealing a green tractor and silo outside, suggesting a rural, working farm environment. The lighting is subdued and natural, filtering in from the doorway, casting soft shadows and indicating late afternoon or early evening. Dominant colors are earthy browns, muted greens from the machinery, and dark wood tones, creating a grounded, tactile atmosphere. The camera is positioned at eye level, capturing the scene from a medium distance, allowing the viewer to absorb both the interaction and the surrounding cluttered, authentic"

"ysmn2008, A man in a dark jacket and shirt walks purposefully toward the camera across a wet, reflective cobblestone courtyard. Behind him, a modern building with geometric overhangs and warm, ambient lighting stands beside lush, shadowy tropical foliage, while a red car is parked under a covered entrance. The scene is set at night, with the wet pavement catching the glow of surrounding lamps and creating a moody, cinematic atmosphere dominated by deep blues, blacks, and warm amber highlights. The camera is positioned low and centered, capturing the man’s approach head-on with a wide shot that emphasizes the depth and scale of the environment."

"ysmn2008, A woman in a dark coat with red trim stands before a roped-off display, observing a mannequin dressed in a patterned dress and headset, positioned beside vintage telephone switchboards and wall-mounted equipment. The setting is a museum-like exhibit dedicated to early telecommunications, with wooden floors, light blue walls, and informational plaques, illuminated by soft, even indoor lighting that suggests daytime. Dominant colors are muted browns, dark blues, and cream, with the red trim on the coat providing a subtle contrast. The camera frames the scene from a medium distance, capturing the woman’s profile and the full context of the exhibit behind her."

"ysmn2008, A person in a tan shirt sits at a wooden desk inside a glass-walled office, casually eating a pastry while looking toward the right, with one hand resting on the keyboard. The office contains a nameplate reading “NORMAN STOKES,” a printer, a framed abstract painting, and a small golden cat figurine atop a cabinet; a black tufted chair sits outside the glass partition. The scene is lit with soft, even indoor lighting, suggesting midday, and the dominant colors are warm browns, muted grays, and beige tones. The camera is positioned outside the office, looking in through the glass, capturing a medium shot that frames the desk and the person’s upper body."

"ysmn2008, A man in a plaid shirt and worn jacket leans against a brick pillar outside a house, while another man in a suit sits in the open doorway, strumming an acoustic guitar with intense expression. The setting is a red-brick building with white-trimmed arched windows and doorways, suggesting a residential or institutional structure. Natural daylight illuminates the scene, casting soft shadows and highlighting the earthy tones of the brick and the muted colors of the clothing. The dominant colors are reds and browns of the brickwork, contrasted with the gray of the jacket and the dark wood of the guitar. The camera is positioned at a low angle, looking up slightly, which emphasizes the figures against the architectural backdrop and adds a sense of immediacy and drama."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 263 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.