Jumper (2008)

About this LoRA

Jumper 2008

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word jmpr2008 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"jmpr2008, A person lies on their back on a bed, holding a can to their mouth as if drinking, surrounded by scattered cash, bottles, and a red helmet. The room is cluttered and dimly lit, with shadows dominating the space and a single light source casting a focused glow on the figure and nearby objects. The dominant colors are muted grays, blacks, and browns, punctuated by the red of the helmet and the greenish hue of the currency. The camera is positioned overhead at a steep angle, looking down into the cramped, disordered space, emphasizing the chaotic environment."

"jmpr2008, A massive, weathered sphinx statue sits prominently in the center of a vast desert landscape, its lion’s body and human head partially eroded by time, surrounded by ancient stone ruins and pathways. The scene is bathed in the warm, golden light of late afternoon, casting long shadows across the sandy terrain and highlighting the textures of the sandstone blocks and crumbling walls. The dominant colors are earthy tones of beige, tan, and ochre, with small figures of people and vehicles visible at the edges, emphasizing the monument’s immense scale. The camera captures the scene from a high, wide-angle perspective, offering a sweeping overview of the archaeological site and its surrounding desert expanse."

"jmpr2008, A young man with a bruised eye and a slightly open mouth appears to be engaged in a serious conversation, his gaze fixed on someone just out of frame. He’s seated in a dimly lit bar or lounge, with blurred background figures and colorful bokeh lights—yellow, pink, and green—suggesting festive or ambient decor. The lighting casts soft shadows on his face, emphasizing the bruise and his expression, while the warm tones of the scene contrast with the cool, muted background. The camera frames him in a tight close-up, angled slightly from the side, drawing focus to his emotional state and the intimate setting."

"jmpr2008, A man in a dark jacket and white shirt stands beside a white taxi on a wet cobblestone street, looking toward a woman in a black leather jacket and boots who is engaged in conversation with another person. The scene unfolds in a bustling urban square with parked cars, including a Mercedes, and pedestrians moving about near classical-style architecture and potted trees. The lighting is soft and diffused, suggesting late afternoon or early evening under overcast skies, casting muted tones across the damp pavement. Dominant colors are earthy browns, grays, and blacks, punctuated by the white of the taxi and the occasional pop of color from clothing or signage. The camera is positioned at eye level, capturing a medium shot that frames the interaction between the figures while including surrounding activity and architectural context."

"jmpr2008, A person in dark clothing is ascending a narrow staircase, their silhouette partially illuminated by a wall-mounted light fixture above them. The setting is an indoor stairwell with textured, off-white walls, a dark wooden railing, and a large, multi-paned window revealing a deep blue night sky. The lighting is dim and focused, casting strong shadows and creating a moody, atmospheric tone, with dominant colors of muted beige, deep blue, and black. The camera is positioned at a low angle, looking upward along the staircase, emphasizing the ascent and the isolation of the figure within the confined space."

"jmpr2008, A person in dark clothing is running across a snow-covered yard toward a house, their posture suggesting urgency or fear. The setting is a residential property at night, with bare trees casting long shadows, a swing set visible to the left, and a porch with railings and a lit doorway on the right. The lighting is dim and cool-toned, dominated by blue and gray hues from the moonlit snow and faint interior lights, creating a tense, isolated atmosphere. The camera is positioned at a low angle, capturing the scene from a wide shot that emphasizes the vastness of the snowy yard and the looming house."

"jmpr2008, A person with long hair, seen from behind, walks through a busy urban street, partially obscuring a silver Mercedes-Benz parked nearby. The background reveals a blue bus or tram, traffic signs, and other vehicles, suggesting a bustling city environment. The lighting is diffused and cool, indicating an overcast day or late afternoon, with muted tones of blue, gray, and white dominating the scene. The camera is positioned at eye level, capturing the motion blur of the walking figure and the surrounding vehicles, creating a sense of movement and urban anonymity."

"jmpr2008, A lone figure in dark clothing is sprinting through a dim, crumbling interior hallway, their right hand gripping a bright flashlight that cuts through the haze of dust and debris kicked up by their movement. The setting is a dilapidated building with cracked concrete floors, peeling walls, and a closed door to the right, illuminated only by the flashlight and a single overhead fluorescent panel casting a cold, greenish glow. The dominant colors are muted grays, blacks, and the stark white of the flashlight beam, creating a tense, claustrophobic atmosphere. The camera is positioned low and slightly behind the runner, capturing the motion blur and chaotic dust cloud to emphasize urgency and disorientation."

"jmpr2008, uniformed officers in dark blue jackets and peaked caps are managing a crowd behind red-and-white striped barricades, with one officer actively adjusting a barrier while others stand watch. The scene unfolds on a cobblestone plaza beside a weathered brick wall and a tall metal gate with yellow-tipped bars, suggesting a controlled entry point to a historic or institutional site. Natural daylight illuminates the scene, casting soft shadows and indicating a clear day, likely midday or early afternoon. Dominant colors include the deep blue of the uniforms, the stark red and white of the barriers, and the earthy tones of the brick and cobblestones. The camera is positioned at eye level, capturing a wide-angle view that emphasizes the orderly flow of people and the authoritative presence of the officers."

"jmpr2008, A solitary figure stands atop the weathered, fragmented apex of a massive stone pyramid, appearing to survey the vast desert expanse below. The structure’s stepped, sandy-yellow blocks are eroded and uneven, with the surrounding landscape stretching into a hazy horizon of dunes and low ridges under a pale, overcast sky. The diffuse, muted lighting suggests either early morning or late afternoon, casting soft shadows and emphasizing the warm ochre and beige tones of the stone and sand. The camera is positioned at a low angle, looking upward along the pyramid’s slope, which emphasizes its monumental scale and the smallness of the human presence against it."

"jmpr2008, A sleek, dark gray sedan with custom alloy wheels is captured in motion at night, its headlights piercing the darkness as it drives along a quiet residential street. The car’s glossy paint reflects the glow of its own lights, while the background reveals blurred trees and a curb, suggesting a suburban neighborhood. The scene is dominated by deep shadows and the stark contrast of the bright white and amber headlights, casting long, defined shadows on the asphalt. The camera is positioned at a low, slightly angled perspective, emphasizing the vehicle’s forward momentum and imposing silhouette against the dark, leaf-strewn pavement."

"jmpr2008, A man in dark clothing is lunging forward through murky water, reaching toward a woman seated nearby, her face contorted in distress as she looks toward him. The scene is set in a ruined interior space, with debris, broken furniture, and a collapsed staircase visible in the background, suggesting recent destruction. The lighting is dim and moody, casting deep shadows and highlighting the wet surfaces, indicating an overcast or nighttime setting. Dominant colors are muted grays, browns, and blacks, punctuated by the woman’s white top. The camera is positioned at a low angle, partially obscured by a dark foreground element, creating a sense of immediacy and confinement."

"jmpr2008, A woman in a dark blazer and patterned scarf stands with arms outstretched, gesturing toward the ancient, moss-covered ruins behind her, which feature rows of arched openings and weathered brickwork. She is positioned near a black metal railing on a gravel path, with the massive, tiered structure of the amphitheater rising behind her. The scene is lit by soft, diffused daylight, suggesting late afternoon or early evening, casting gentle shadows across the stone. Dominant colors are earthy browns, muted grays, and the dark tones of her attire, contrasted by the white and black of her scarf. The camera frames her in a medium shot, slightly low angle, emphasizing the grand scale of the ruins while keeping her expressive gesture as the focal point."

"jmpr2008, A man in a dark jacket and a woman in a white shirt stand facing each other in a warmly lit living room, appearing to be in the middle of a serious conversation. The room features a floral-patterned sofa with decorative pillows, a coffee table with magazines and glasses, a bookshelf filled with books and photos, and a bicycle leaning against the wall. Sunlight streams through a large window with bamboo blinds, casting a soft glow over the yellow walls adorned with framed motivational phrases and a collage of personal photos. The dominant colors are earthy yellows, greens, and browns, with pops of red from the bicycle and a coral armchair. The camera is positioned at eye level, capturing the two figures in a medium shot that emphasizes their interaction within the cozy, lived-in space."

"jmpr2008, A close-up view reveals a pile of casino chips—mostly gold with one prominent green chip and a single silver coin—spilling from a dark, open compartment. A partially visible photograph with bold lettering rests atop the chips, while stacks of cash peek from the right edge, suggesting a hidden stash. The scene is dimly lit with a focused, warm glow that highlights the metallic sheen of the chips against the deep shadows, implying nighttime or a concealed interior. The dominant colors are rich golds, deep blacks, and muted reds, framed from a low, angled perspective that emphasizes the cluttered, secretive nature of the contents."

"jmpr2008, A young person with dark, wet, curly hair is captured in profile, gazing intently off-screen with a focused, serious expression. They are wearing a textured gray knit sweater over a light blue collared shirt, and the background suggests a cluttered, dimly lit interior space with indistinct metallic or wooden structures. The lighting is low and cool-toned, casting deep shadows across the face and emphasizing the moisture in their hair, suggesting a nighttime or enclosed, poorly lit environment. The camera frames the subject tightly in a close-up shot, angled slightly from the side to highlight their contemplative demeanor and the texture of their clothing."

"jmpr2008, A flooded urban area is shown from an elevated perspective, where several overturned and submerged vehicles—mostly white buses—are scattered across murky brown water, with small groups of people wading or standing atop the wreckage. In the background, a partially submerged industrial-style building and a tree on a higher bank are visible, while the foreground includes the edge of a viewing platform or window frame. The lighting is flat and overcast, suggesting a gloomy daytime scene, with muted tones of brown, gray, and faded white dominating the palette. The camera is positioned at a high angle, looking down on the chaotic scene, framed by dark vertical edges that suggest the image is being viewed through a screen or window."

"jmpr2008, A dimly lit corridor with textured walls, illuminated by a single fluorescent tube casting a greenish glow, reveals a figure crouched low near the floor, partially obscured by shadow. The setting appears to be an industrial or institutional space, with visible pipes overhead and a doorway leading to a brighter, cluttered room in the background. The lighting is stark and artificial, suggesting an interior scene at night or in a poorly lit environment, with dominant hues of green and gray. The camera is positioned low and close to the wall, creating a confined, voyeuristic perspective that emphasizes the oppressive atmosphere."

"jmpr2008, A heavy-duty mechanical arm, likely part of a demolition tool, is forcefully breaking through a brick wall, sending a shower of bright orange sparks and crumbling masonry flying outward. The setting is an urban exterior, with the wall’s exposed brickwork and a green hose coiled nearby suggesting a work site or construction zone. The lighting is flat and diffused, indicating an overcast daytime scene, with the sparks providing the only strong contrast against the muted browns and grays of the bricks and surrounding structures. The camera is positioned at a low angle, looking upward along the wall’s surface, emphasizing the destructive force and motion of the impact."

"jmpr2008, A blurred interior scene captures a fast-moving perspective, likely from a vehicle or handheld camera, passing by a cluttered kitchen counter. The setting includes a bamboo blind overhead, a potted plant with green leaves, stacked mugs with orange and white stripes, and indistinct kitchenware and containers. The lighting is warm and diffused, suggesting daytime, with soft highlights reflecting off surfaces. Dominant colors are earthy browns, muted greens, and pops of red and orange from the objects. The frame is tightly cropped and horizontally oriented, emphasizing motion blur that streaks the background and foreground into abstract streaks of color and shape."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.