Ip Man (2008)

About this LoRA

Ip Man 2008

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word ipmn2008 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"ipmn2008, in a cluttered, industrial warehouse filled with overturned furniture and debris, a man in a dark coat stands facing two adversaries—one wielding a long wooden pole, the other in a brown jacket—suggesting an imminent confrontation. The space is lit by warm, hanging pendant lights that cast soft shadows across the dusty floor, where several figures lie motionless, hinting at prior violence. The dominant colors are muted grays, browns, and faded greens, with the concrete floor and metal pillars reinforcing the gritty, abandoned atmosphere. The camera is positioned at eye level, capturing the tense standoff from behind the central figure, immersing the viewer in the scene’s raw, chaotic energy."

"ipmn2008, in a dimly lit, austere room with barred windows and worn wooden walls, two men sit on the floor facing each other, one in a brown uniform kneeling and the other in dark robes seated cross-legged, with a tray of food placed between them. The scene is illuminated by a single, low-angle light source casting long shadows, suggesting late afternoon or early evening, and the dominant colors are muted browns, grays, and deep blacks, enhancing the somber mood. The camera is positioned at a low angle, capturing the interaction from behind the kneeling figure, emphasizing the tension and isolation of the moment."

"ipmn2008, A close-up of an ornate, black wrought-iron gate with swirling, decorative scrollwork dominates the foreground, silhouetted against a pale, overcast sky. Bare tree branches and faint power lines weave through the background, suggesting a quiet, possibly urban or suburban setting during late afternoon or early evening. The lighting is soft and diffused, casting the metal in deep shadow while the sky glows with muted purples and grays, enhancing the moody, still atmosphere. The camera is angled upward, emphasizing the gate’s intricate design and the stark contrast between the dark metal and the hazy, cool-toned backdrop."

"ipmn2008, A martial artist in a white, loose-fitting top and dark pants stands in a focused stance beside a wooden wooden dummy, hands positioned in a defensive or preparatory gesture. The setting is a dimly lit, traditional-style interior with dark wood paneling, a heavy wooden door, and a window with textured glass that allows faint natural light to filter in, suggesting late afternoon or early evening. The dominant colors are muted browns, deep grays, and the stark white of the practitioner’s clothing, creating a contrast that emphasizes the figure. The camera is positioned at a low angle, slightly to the side, capturing the subject and the dummy in a medium shot that emphasizes their posture and the surrounding architectural details."

"ipmn2008, A man in a dark fedora and coat stands with his back to the camera, holding a vibrant bouquet of orange and purple flowers, engaging with three people in front of him at a bustling flower stall. The stall is overflowing with colorful blooms—red roses, yellow sunflowers, pink and purple chrysanthemums, and tropical birds of paradise—arranged in wooden crates and hanging baskets, with small wooden signs bearing Japanese characters. The scene is brightly lit with natural daylight, suggesting a sunny afternoon, casting soft shadows and highlighting the vivid hues of the flowers. The camera is positioned at eye level, capturing the interaction from behind the man, framing the lively floral display and the group’s expressions in a medium shot that emphasizes the richness of the setting."

"ipmn2008, A woman in a beige, vertically striped traditional blouse looks down with a gentle, contemplative expression, while a man in a light-colored collared shirt faces her, his profile visible as he appears to speak. They are positioned in front of a weathered, dark metal fence entangled with thin, dried vines or ropes, suggesting an outdoor or semi-enclosed rustic setting. The lighting is soft and directional, casting warm highlights on their faces against a cool, dimly lit background, indicating late afternoon or early evening. The dominant colors are muted earth tones—beige, gray, and dark brown—with the contrast between the warm light and cool shadows creating depth. The camera frames them in a medium close-up, angled slightly from the side, emphasizing their interaction and emotional intimacy."

"ipmn2008, A woman in a light-colored traditional blouse sits at a wooden table, focused on sewing or mending fabric, with a small wicker basket of tools beside her. Behind her, a man in a dark shirt stands near a doorway, while a child rests in a wooden baby carriage nearby. The room is dimly lit by a single oil lamp on the table, casting warm, soft light against the rough stone walls and wooden furniture, suggesting evening or night. The dominant colors are muted earth tones—beiges, browns, and dark greens—with the lamp’s glow providing a gentle contrast. The camera is positioned at eye level, capturing the scene in a medium shot that emphasizes the quiet domestic activity and the intimate, rustic atmosphere."

"ipmn2008, A woman in a white blouse sits at a table adorned with a lace tablecloth, floral arrangements, and porcelain teaware, her back to the viewer as she faces a man in a dark robe standing before a crowd. Behind them, a group of men in muted-toned clothing stands in a formal, attentive line within a richly decorated room featuring ornate wooden furniture, patterned tile floors, and decorative vases with dried botanicals. Natural light streams in from an arched doorway at the far end, illuminating the scene with a warm, golden glow that contrasts with the shadowed interior. The dominant colors are earthy browns, deep blacks, and soft whites, punctuated by the pastel hues of the flowers and ceramics. The camera is positioned at eye level, capturing the"

"ipmn2008, A man with a short haircut and a weathered expression stands in the foreground, his hands clasped tightly as he looks intently toward something off-camera, his face conveying urgency or concern. Behind him, a crowd of people in muted, earth-toned clothing watches with varying expressions, some blurred, suggesting a moment of collective attention or tension. The setting appears to be an indoor space with rough, unfinished brick walls and a narrow window letting in soft, diffused daylight, indicating a daytime scene. The dominant colors are browns, grays, and muted greens, contributing to a gritty, somber atmosphere. The camera is framed in a medium close-up, angled slightly from the side, focusing on the man’s face and upper body while keeping the crowd in the background to emphasize his emotional state"

"ipmn2008, A large, jubilant crowd of people, mostly men in traditional early 20th-century attire, raises their fists in unison, expressing collective triumph or solidarity, with some embracing and shouting. The scene unfolds in a narrow, densely packed urban alleyway flanked by wooden structures, small watchtowers, and signs with Chinese characters, suggesting a historical East Asian setting. The lighting is natural and diffused, indicating daytime with soft shadows, and the palette is dominated by muted earth tones—browns, grays, and faded greens—with occasional pops of white from clothing. The camera captures the scene from a slightly elevated, wide-angle perspective, emphasizing the scale and energy of the crowd while including the surrounding architecture to ground the moment in its environment."

"ipmn2008, A shattered ceramic planter lies overturned on a patterned tile floor, its broken shards and spilled soil scattered around a toppled wooden chair with a white cloth draped over it. The scene is set in a dimly lit, wood-paneled interior with ornate furniture, including a partially visible upholstered chair with a green floral pattern and tassels. Dust and debris hang in the air, suggesting recent violent disruption, under warm, ambient lighting that casts soft shadows across the octagonal blue-and-white tiles. The dominant colors are earthy browns, muted greens, and the cool tones of the tiled floor, framed from a low angle that emphasizes the chaos and scale of the destruction."

"ipmn2008, A person with long, dark hair leans out from the driver’s side of a vintage, weathered automobile, gazing intently into a dense thicket of bare branches. The vehicle’s front grille and rounded headlights are prominent in the foreground, while the background is filled with tangled, leafless shrubbery, suggesting a secluded, overgrown roadside. The scene is bathed in muted, diffused light, likely from an overcast day, casting soft shadows and emphasizing the monochromatic palette of grays and browns. The camera is positioned at a low, slightly angled perspective, focusing on the person’s profile and the car’s hood, creating a sense of immediacy and quiet tension."

"ipmn2008, A man in a dark coat stands facing a group of martial artists in white uniforms with black belts, while a soldier in uniform performs a high kick in the center, drawing attention. The scene unfolds in a dimly lit, spacious indoor hall with plain walls, a single window casting soft light from behind, and a fallen figure on the floor near the foreground. The palette is muted, dominated by grays, whites, and the earthy tones of the uniforms, creating a stark, tense atmosphere. The camera is positioned at eye level, capturing the group in a wide shot that emphasizes the spatial hierarchy and the confrontation between the central figure and the observers."

"ipmn2008, A man in a dark coat walks toward a grand, ornate building with arched entryways and classical detailing, while another figure stands to the left, holding a long, curved blade. The scene is set outdoors in a garden or courtyard, framed by trees and shrubs, with the building’s stone facade catching the warm glow of late afternoon or early evening light. The sky is bright and washed out, casting soft shadows and highlighting the contrast between the dark clothing and the lighter architectural elements. The camera is positioned behind the central figure, creating a sense of forward motion and anticipation as he approaches the imposing structure."

"ipmn2008, A tense confrontation unfolds in a richly decorated traditional wooden hall, where a man in a dark uniform stands facing another in a maroon robe, gesturing as if in argument, while several onlookers in muted-toned attire watch from the sides and a balcony above. The space is adorned with intricate wooden carvings, hanging lanterns casting warm, golden light, and a beaded curtain partitioning the area, with potted plants adding green accents. The scene is lit by ambient interior lighting, suggesting late afternoon or evening, with deep browns, maroons, and golds dominating the palette. The camera captures the moment from a slightly elevated angle, framing the central figures and the surrounding crowd to emphasize the gravity of the interaction."

"ipmn2008, A figure in dark, worn clothing is captured mid-motion, kicking upward with force, sending a cloud of dust or debris into the air. The setting is a dim, industrial interior with exposed brick walls, large multi-paned windows letting in diffused daylight, and hanging pendant lights casting warm glows against the shadowy background. The dominant colors are muted grays, browns, and deep blacks, punctuated by the yellow-orange of the artificial lights. The camera is positioned low, looking up at the figure, emphasizing the dynamic movement and the gritty, enclosed atmosphere."

"ipmn2008, two individuals lie closely together on a dark surface, one with short dark hair and the other with a shaved head, both wearing white shirts; the person on the right appears to be holding or supporting the other. The setting is minimal, with only the white fabric of their clothing and the black background visible, suggesting an intimate or confined space. The lighting is dim and cool-toned, casting sharp shadows and highlighting the contours of their faces and necks, indicating a nighttime or low-light environment. Dominant colors are monochromatic shades of white and black, with subtle gray undertones. The camera is positioned overhead at a slight tilt, capturing the subjects in a close-up, angled frame that emphasizes their proximity and the emotional or physical tension between them."

"ipmn2008, A person peeks cautiously through a partially open, ornate wooden door, their face partially visible as they peer into the room beyond. The setting is an interior space with traditional brick walls, a small potted plant with pink blossoms resting on a dark wooden side table, and intricate decorative tilework near the ceiling. Warm, natural light streams in from the left, casting soft shadows across the polished wood panels and highlighting the golden-brown tones of the door and surrounding walls. The camera is positioned at eye level, framing the scene tightly around the door’s opening to emphasize the secretive, suspenseful moment."

"ipmn2008, A green military jeep with a canvas top and a red-white emblem on its side drives through a gritty, industrial yard, kicking up dust as it moves past workers and heavy machinery. The setting is a dilapidated factory or mine complex, with rusted metal carts, towering steel structures, and scattered debris under a dim, overcast sky that casts flat, muted light across the scene. Dominated by shades of gray, olive green, and rust, the frame is captured from a low, slightly angled perspective that emphasizes the scale of the industrial environment and the motion of the vehicle."

"ipmn2008, A crowd of civilians, many raising clenched fists in unison, confronts a line of soldiers holding rifles, their expressions tense and defiant. The scene unfolds in a narrow, weathered urban street lined with wooden and brick buildings, with barricades and debris hinting at recent conflict. The lighting is flat and diffused, suggesting an overcast day, casting muted shadows and emphasizing the earthy browns, dull greens, and faded grays of the clothing and surroundings. Shot from a low, immersive angle within the crowd, the camera captures the intensity of the moment, focusing on the backs and profiles of the civilians while keeping the soldier in the foreground as a looming, watchful presence."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.