Burn After Reading (2008)

About this LoRA

Burn After Reading 2008

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word brnaftrrdn2008 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"brnaftrrdn2008, A woman with a short blonde bob and wide, expressive eyes is engaged in an intense conversation with a man whose back is to the camera, revealing only his graying hair and beard. They are outdoors in a park-like setting, with blurred trees and soft daylight filtering through the foliage, suggesting a late afternoon or early evening. She wears a magenta cardigan over a patterned scarf, and the scene is framed in a tight over-the-shoulder shot that emphasizes her reaction and the intimacy of the moment. The dominant colors are warm earth tones contrasted with the vibrant magenta of her top, and the lighting is natural and diffused, casting gentle shadows on her face."

"brnaftrrdn2008, A dark sedan is parked on a tree-lined urban street, its rear window reflecting the green canopy above, while a second car sits just behind it, its driver-side window partially visible. The scene is framed from behind the first car, with the camera angled slightly upward, capturing the wet, rain-speckled glass and the brick buildings flanking the sidewalk. Soft, diffused daylight filters through the trees, casting a muted, earthy tone over the scene, with dominant shades of deep green, gray, and brown. The license plate is partially visible, and the overall composition suggests a quiet, contemplative moment in a residential neighborhood."

"brnaftrrdn2008, A black racing-style seat is mounted on a custom-built metal frame with exposed bolts and tubular supports, suggesting a work-in-progress vehicle or simulator setup. In the background, a person in a gray suit stands near a cluttered workshop filled with tools, a red tool chest, and wooden stools, indicating an active garage or fabrication space. The lighting is dim and focused, casting strong shadows and highlighting metallic surfaces and leather textures, implying an indoor setting during evening or night. Dominant colors are dark grays, blacks, and muted browns, with accents of silver from the metal frame and red from the tool chest. The camera is positioned at a low angle, looking slightly upward at the seat and frame, emphasizing the industrial construction and creating a sense of scale and detail."

"brnaftrrdn2008, A man in a dark suit sits slumped on a sidewalk, head bowed and hands resting on the pavement, while another man in a checkered shirt and dark trousers walks past him, seemingly indifferent. The scene unfolds on a residential street lined with brick and white clapboard houses, a white picket fence, and parked cars, with scattered autumn leaves covering the pavement. Soft, diffused daylight suggests late afternoon, casting gentle shadows and highlighting muted tones of gray, black, and earthy browns. The camera is positioned at a low angle, capturing the contrast between the standing figure’s motion and the seated figure’s stillness, emphasizing the quiet tension of the moment."

"brnaftrrdn2008, A solitary figure in a dark suit walks away down a long, narrow hallway, their back to the camera, moving steadily toward a distant doorway. The corridor is lined with white walls, recessed ceiling lights casting a cool, even glow, and a deep blue carpet that stretches into the vanishing point. Red exit signs and framed notices are visible along the walls, while the perspective is low and centered, emphasizing the length and quiet isolation of the space. The dominant colors are muted whites, deep blues, and the dark tones of the suit, creating a somber, institutional atmosphere."

"brnaftrrdn2008, A sleek black sedan, identifiable by its Chevrolet emblem and Maryland license plate reading “2DM S29,” is captured mid-motion on a wet, leaf-strewn street, with its headlights on and a faint reflection of trees visible on its glossy surface. To its right, a teal-colored sedan is partially visible, suggesting traffic or a parked line. The scene is set in an urban environment with blurred trees and street infrastructure in the background, under overcast, diffused lighting that suggests late afternoon or early evening. The dominant colors are dark metallics of the cars contrasted with muted earth tones of the pavement and foliage, framed from a low, slightly angled perspective that emphasizes the vehicles’ profiles and the damp road surface."

"brnaftrrdn2008, A bald man in a dark jacket and shorts is crouched on the deck of a wooden sailboat, arms outstretched as if reacting to something sudden, with seagulls scattering around him. The boat is moored in a harbor with calm blue water, a white motor yacht visible in the background, and a rocky breakwater lining the shore under a pale blue sky. The scene is bathed in bright, natural daylight, casting sharp shadows and highlighting the warm browns of the wood and the cool tones of the water and sky. The camera is positioned low and close to the deck, capturing the man’s dynamic posture and the motion of the birds in mid-flight, creating an immersive, slightly chaotic perspective."

"brnaftrrdn2008, A dark blue sedan is parked in front of a residential house, its windows reflecting the sky and surrounding trees. The house features a brick facade, a white-painted porch with columns, a dark wooden front door, and a white picket fence to the right, with a black metal staircase leading to an upper level. The lighting suggests late afternoon or early evening, casting soft shadows and giving the scene a muted, tranquil tone. Dominant colors are deep blue from the car, earthy reds and browns from the brick and siding, and crisp white from the trim and fence. The camera is positioned at a low, slightly angled perspective, capturing the car’s roofline and side profile as it frames the house behind."

"brnaftrrdn2008, A man in a red athletic shirt stands at a kitchen counter, leaning forward while holding a landline phone to his ear, his expression tense and focused. The kitchen features wooden cabinets, a beige refrigerator adorned with magnets and notes, and a cluttered countertop with a bowl, mug, and various small items. The scene is lit by a single overhead fluorescent fixture casting a warm, slightly dim glow, suggesting late afternoon or early evening. Dominant colors are earthy browns, beige, and the bright red of the shirt, contrasted by the dark tones of the dining chairs in the foreground. The camera is positioned at a medium distance, slightly angled from the side, capturing the man’s profile and the surrounding kitchen space with a shallow depth of field that blurs the foreground chairs."

"brnaftrrdn2008, A hand, adorned with a thin gold bracelet, gently rests on a white CD case lying open on a dark gray desk, its green inner edge catching the light. In the background, a brown leather desk organizer holds a pen and a notepad, suggesting a professional or administrative setting. The lighting is soft and directional, casting subtle shadows and highlighting the textures of the skin, leather, and plastic, indicating an indoor scene during daytime. The dominant colors are muted—grays, browns, and the stark white of the CD case—with the green trim providing a small, sharp contrast. The camera is positioned at a low, close-up angle, focusing tightly on the hand and CD case, creating an intimate and deliberate composition."

"brnaftrrdn2008, A quiet residential street is viewed from inside a car, with the dashboard and windshield frame in the foreground, suggesting a stationary or slow-moving perspective. Red brick row houses with white-trimmed doorways and black wrought-iron stair railings line the street, partially obscured by the bare branches of a large tree and a brick wall topped with vintage-style lanterns. The lighting is soft and diffused, indicating an overcast day or late afternoon, casting muted shadows and giving the scene a subdued, autumnal tone. Dominant colors are earthy reds and browns of the brickwork, contrasted with the dark green of the tree foliage and the gray pavement scattered with fallen leaves. The camera is positioned low, looking outward through the windshield, creating an immersive, observational viewpoint."

"brnaftrrdn2008, A man in a green shirt and blue jeans is standing in a hallway, holding a long, metallic pole with a red tip, seemingly adjusting or inspecting something near a white door. The hallway features dark hardwood floors, a white-painted wall adorned with three framed illustrations of cats in circular designs, and a black railing with white balusters visible in the foreground. The lighting is soft and even, suggesting an indoor daytime scene with no harsh shadows. Dominant colors are muted tones of beige, brown, and gray, contrasted by the man’s blue jeans and the red tip of the pole. The camera is positioned from an elevated angle, looking down from a staircase, giving a clear view of the man and the hallway’s layout."

"brnaftrrdn2008, A person in a dark suit is captured mid-motion, reaching out toward a window seat adorned with colorful cushions, suggesting a moment of sudden movement or urgency. The setting is an interior hallway with a polished wooden floor, flanked by a dark, ornate metal railing on the right and a wall with framed artwork on the left, leading toward a brightly lit window at the far end. The lighting is high-contrast, with strong natural light flooding in from the window, casting deep shadows along the hallway and highlighting the textures of the wood and metal. Dominant colors are muted neutrals—grays, browns, and blacks—with pops of warm yellow and purple from the cushions. The camera is positioned low to the ground, looking up the hallway, creating a sense of depth and emphasizing the railing"

"brnaftrrdn2008, A person lies motionless on a beige patterned carpet, their legs extended and feet clad in dark socks, suggesting a sudden, still moment. Nearby, a small handgun rests on the floor, while a dark wooden dresser with silver knobs and a partially open closet door frame the scene. Natural light streams in from a window on the right, casting soft shadows and indicating daytime, with muted tones of beige, brown, and gray dominating the room. The camera is positioned low and slightly off-center, framed through a partially open white door, creating a voyeuristic, intimate perspective."

"brnaftrrdn2008, A man in a dark suit with a stained shirt and tie walks briskly alongside another man in a red polo shirt, both moving through the interior of a fitness center. Behind them, a reception desk displays merchandise, and a large sign reads “HARDBODI FITNESS CENTER.” The space is brightly lit with natural light streaming through large windows, suggesting daytime, and the floor reflects the overhead lighting. Dominant colors include the deep green of the walls and furniture, contrasted with the red polo and neutral tones of the suit. The camera captures them in a medium shot from a slightly low angle, emphasizing their forward motion through the space."

"brnaftrrdn2008, A person in a red shirt is actively exercising on a Cybex elliptical machine, arms extended in motion, with earphones in, suggesting they’re listening to music or a workout program. The setting is a well-lit, spacious gym with industrial-style ceiling lights, visible weight racks, exercise balls, and other patrons in the background, including one standing near a glass partition. The lighting is bright and even, typical of an indoor fitness facility during daytime hours, with dominant colors of red from the shirt, gray and black from the equipment, and muted green and white from the walls and structural elements. The camera is positioned at eye level, slightly angled to capture the elliptical in the foreground while keeping the gym’s activity in the background, creating a sense of immersion in the workout environment."

"brnaftrrdn2008, A man in a dark suit and white shirt sits inside a car, holding a crumpled white tissue to his nose while his other hand rests on the car’s roof. The vehicle’s interior is dimly lit, with soft natural light filtering through the window, suggesting late afternoon or early evening. Outside, blurred greenery and a passing vehicle hint at motion, while the muted tones of brown, gray, and white dominate the scene. The camera captures a close-up, angled slightly from the side, focusing on the man’s profile and the intimate, somber moment."

"brnaftrrdn2008, A weathered, beige Mercedes-Benz 240D Turbo Diesel sedan is parked at an angle on a brick-paved street, its rear bumper dented and license plate reading “6F-28P4,” suggesting recent impact or neglect. Behind it, a set of stone steps with ornate black iron railings ascends toward a brick building, while fallen autumn leaves scatter across the pavement and puddles reflect the muted daylight. The scene is bathed in soft, diffused light, likely late afternoon, casting long shadows and highlighting the car’s faded paint and chrome trim against the earthy tones of the surroundings. The camera captures the vehicle from a low, rear three-quarter angle, emphasizing its aged condition and the urban residential context."

"brnaftrrdn2008, A hand holds a silver Motorola flip phone, its screen lit with a call-in interface displaying “Katie Calling” and options to “ANSWER” or “IGNORE,” dated 17/9/08 under the Cingular carrier. The background is softly blurred, revealing a wooden surface and a blue object out of focus, suggesting an indoor, personal space. Warm, ambient lighting casts gentle highlights on the phone’s metallic casing, with dominant tones of silver, teal, and brown. The camera is tightly framed on the phone, angled slightly upward to emphasize the screen’s content and the user’s interaction."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 235 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.