Johnny English (2003)

About this LoRA

Johnny English 2003

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word jhnnyengls2003 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"jhnnyengls2003, A digital mission interface displays a 3D wireframe cityscape, with two figures highlighted in red—one rappelling down a skyscraper labeled “SAUVAGE” and another standing atop its roof. The scene is rendered in a high-tech HUD style, featuring glowing green and orange lines, with adjacent buildings including a “CITY HOSPITAL” and agent profiles on the right. The lighting is artificial and neon, suggesting a nighttime or simulated environment, dominated by dark backgrounds contrasted with vibrant orange, green, and red digital elements. The camera is fixed in a top-down, wide-angle view, framing the entire digital map and interface elements around the central action."

"jhnnyengls2003, A man in a dark suit is crouched low, leaning forward with hands on the edge of a circular, exposed stone floor opening, appearing to inspect or investigate something within. Behind him stands a large, modern, metallic cylindrical structure topped with a red-draped object, set against the backdrop of a stone-walled, arched interior suggestive of a historic or institutional building. The scene is lit with focused, dramatic lighting that casts sharp shadows, emphasizing the contrast between the sleek metal and the aged stone, with red carpeting framing the floor opening. The dominant colors are deep reds, metallic silver, and muted stone grays, creating a tense, mysterious atmosphere. The camera is positioned at a low angle, capturing the man’s intense focus and the scale of the structure behind him."

"jhnnyengls2003, A close-up of a circular, metallic showerhead with water streaming down in clear, vertical columns, capturing the motion and texture of the falling water. The background is a muted, textured wall, likely stone or concrete, suggesting a rustic or utilitarian bathroom setting. The lighting is dim and focused, highlighting the sheen of the metal and the translucence of the water, with no discernible time of day. Dominant colors are muted grays and browns, with the silver of the showerhead and the clear water providing contrast. The camera is positioned directly below the showerhead, offering a tight, immersive framing that emphasizes the falling water and the circular form of the fixture."

"jhnnyengls2003, A man in a dark suit leans out of the driver’s side of a car, his expression tense as he looks toward something off-camera, his hand gripping the door frame. The scene is set in a dimly lit parking garage, with faint blue light filtering through distant windows and casting shadows across the concrete walls and vehicle. The lighting is low and moody, dominated by cool blues and deep shadows, suggesting nighttime. The camera is positioned at a low angle, capturing the man’s face and upper torso through the car’s open window, emphasizing his focused, alert posture."

"jhnnyengls2003, A person on a red motorcycle is stopped on a city sidewalk, while another individual walks past in the foreground, partially obscuring the view. Behind them, two white delivery vehicles with “YO! SUSHI” branding and red-orange accents are parked near a stone building with large windows and a wooden door. The scene is viewed through a glass pane with a circular logo etched on it, suggesting an interior perspective. The lighting is soft and diffused, indicating an overcast day, and the dominant colors are muted grays and browns of the architecture, contrasted by the bright red motorcycle and the white delivery vehicles. The camera is framed from inside, looking outward through a window, creating a layered, slightly blurred composition that emphasizes motion and urban activity."

"jhnnyengls2003, three robed clerics stand solemnly in a grand, stone-walled cathedral, their ornate vestments featuring intricate gold and red embroidery, with one wearing a patterned hood that obscures their face. Behind them, a man in formal ceremonial robes with a heavy chain stands slightly apart, while the background reveals Gothic arches and a dark wooden pulpit. The scene is lit with soft, diffused natural light, suggesting late afternoon, casting gentle shadows across the stone and fabric. Dominant colors are cream, gold, and deep red, contrasted with the stark black and white of the ceremonial robe on the left. The camera frames the group in a medium shot, centered on the central cleric, emphasizing their stillness and the solemnity of the moment."

"jhnnyengls2003, An elderly man in ornate red and gold ceremonial vestments holds his face with both hands, his wide eyes and tense expression conveying shock or distress as he stares intently at another person in a white shirt standing before him. The setting appears to be an indoor, formal space, possibly a church or chapel, with soft, warm lighting that highlights the rich textures of the garments and the solemn atmosphere. Dominant colors are deep red, gold embroidery, and the stark white of the other person’s attire, contrasted against a dark, out-of-focus background. The camera frames the scene in a tight close-up, focusing on the emotional intensity of the man’s face and the physical gesture of his hands gripping his cheeks, emphasizing the moment’s gravity."

"jhnnyengls2003, A sleek black sports car with a visible yellow license plate “OY02 USH” drives away down a narrow rural road, its rear end centered in the frame as it moves into the distance. The setting is a lush, green countryside with rolling hills in the background, flanked by dense trees and wild grasses along the roadside, under a soft, overcast sky that diffuses the light evenly. The dominant colors are muted greens and grays, with the car’s dark body contrasting against the natural tones. The camera is positioned at a low, rear-facing angle, tracking the car’s movement down the road, creating a sense of motion and solitude."

"jhnnyengls2003, A vintage black Jaguar sedan with a chrome grille and roof rack is positioned prominently in traffic, flanked by a green Renault and a blue hatchback, all appearing to be stationary or moving slowly in a congested urban street. Behind them, a large blue and red commercial vehicle with partially visible yellow lettering looms in the background, suggesting a busy roadside or city environment. The lighting is diffused and even, indicating an overcast day, with muted tones of black, green, blue, and gray dominating the scene. The camera is framed at a low, slightly angled perspective, capturing the front grilles and license plates of the vehicles, emphasizing their proximity and the density of the traffic."

"jhnnyengls2003, A man in a dark pinstripe suit, white shirt, and black tie stands centered in a formal, dimly lit room, his expression serious and his gaze directed slightly upward. Behind him, a large framed landscape painting hangs on a pale yellow wall, flanked by a white fireplace mantel with a small statue and a wall-mounted sconce with two white shades. To the left, a tall lamp with a pleated white shade rests on a dark wooden side table beside a vintage clock. The lighting is warm and subdued, suggesting late afternoon or early evening, casting soft shadows and highlighting the rich textures of the suit and furnishings. The dominant colors are muted earth tones—beiges, browns, and dark greys—with accents of white from the lampshades and fireplace. The"

"jhnnyengls2003, A man in a formal black tuxedo with a bow tie stands beside a large, cylindrical metallic vault, his gaze directed upward and to the side as if observing something out of frame. The setting is an opulent, dimly lit corridor with arched stone ceilings, red velvet drapes, and a red carpeted floor, suggesting a grand, possibly ceremonial or secure location. The lighting is focused and dramatic, casting soft shadows and highlighting the reflective silver surface of the vault and the man’s attire, with warm ambient tones contrasting against the cool metallic sheen. The camera frames the scene from a medium shot, capturing the man’s full figure alongside the imposing vault, emphasizing the scale and tension of the moment."

"jhnnyengls2003, A person is partially visible on the left, standing near a wall-mounted cabinet, while another figure is seated at a desk on the right, obscured by the blinds. The setting is an office interior with horizontal blinds covering the window, a tall metal filing cabinet, a wooden desk with papers, and a small green container atop the cabinet. The lighting is dim and artificial, suggesting late afternoon or evening, casting muted shadows across the scene. Dominant colors are neutral grays, beige, and dark browns, with the blinds creating strong linear patterns across the frame. The camera is positioned outside the blinds, looking in, creating a voyeuristic, slightly voyeuristic perspective with the blinds acting as a visual barrier."

"jhnnyengls2003, A person in a loose white shirt is seen from behind, pushing open a white paneled door with a brass handle and keyhole, their body partially obscured by the door’s frame. The setting is an interior hallway with cream-colored walls, white baseboards, and a small black intercom button mounted on the wall beside the door. The lighting is soft and even, suggesting an indoor daytime scene with no harsh shadows. Dominant colors are off-white, cream, and muted gold from the door hardware. The camera is positioned at eye level, capturing the subject’s action from a medium shot that emphasizes the door and the person’s movement toward it."

"jhnnyengls2003, A man in a dark gray turtleneck sweater, with black straps of a backpack over his shoulders, stands outdoors with a furrowed brow and a focused, slightly concerned expression, looking down at another person whose head is partially visible in the lower-left foreground. The background is a soft, overcast sky with faint clouds, and blurred green foliage hints at a natural, open-air setting. The lighting is diffused and even, suggesting a cloudy daytime scene, with muted tones of gray, blue, and earthy green dominating the palette. The camera frames the man in a medium close-up, angled slightly from below, emphasizing his facial expression and upper body."

"jhnnyengls2003, A person in dark clothing is running toward a staircase in a dimly lit underground parking garage, their motion captured mid-stride as they ascend. The setting features parked cars on the left, a blue and white wall with directional signage reading “LOWER 6” and “LOWER LEVEL,” and a red fire hose reel mounted on a pillar to the right. Fluorescent lights cast a stark, cold glow over the concrete floor, with shadows stretching across the space, suggesting late evening or night. Dominant colors are muted grays and blacks of the concrete and vehicles, contrasted by the bright blue signage and the red hose reel. The camera is positioned at a low angle, looking slightly upward toward the person and the staircase, emphasizing the depth of the garage and the urgency of the movement."

"jhnnyengls2003, A man in a dark suit and lavender tie stands with his eyes closed and mouth slightly parted, appearing deeply immersed in a solemn moment, possibly singing or praying. He is surrounded by a crowd of formally dressed attendees, including a woman in a black hat to his left and another in a white coat and tiara behind him, suggesting a ceremonial or religious gathering. The lighting is soft and warm, casting gentle highlights on his face and creating a reverent atmosphere, likely indoors during daytime. Dominant colors are muted tones of black, white, and lavender, with subtle accents of red and gold in the background attire. The camera frames him in a tight close-up, emphasizing his expression and emotional state, while the blurred background draws focus to his personal experience within the larger event."

"jhnnyengls2003, A person in dark clothing stands with a handgun pointed toward a door, while another figure moves into frame from behind, partially obscured and in silhouette. The setting is a modern, sterile corridor with vertical frosted glass panels emitting cool, diffused light, and a door featuring circular porthole-style windows. The lighting is dim and atmospheric, dominated by cool blues and grays, with the door’s metallic frame catching faint reflections. The camera is positioned over the shoulder of the foreground figure, creating a tight, immersive perspective that emphasizes tension and focus on the door ahead."

"jhnnyengls2003, A low-angle shot captures the lower legs and feet of two individuals standing on a concrete curb, their dark trousers and polished black shoes sharply defined against the gritty pavement. A blurred hand gesture in mid-motion suggests an interaction or confrontation, while the background hints at a dimly lit urban street with a vehicle’s tire partially visible. The scene is bathed in cool, artificial light casting long shadows, indicating nighttime or deep twilight, with dominant tones of black, gray, and muted yellow from the curb’s edge. The tight framing emphasizes the tension and grounded presence of the figures, focusing attention on their stance and the implied drama."

"jhnnyengls2003, A man in dark clothing stands with arms outstretched, appearing to assert control over two others on the floor—one kneeling and the other lying prone—suggesting a moment of confrontation or dominance. The setting is a sleek, modern interior with glossy black tiled floors, a low glass coffee table, a dark sofa, and a lit lamp casting warm light against cool blue ambient lighting along the walls and baseboards. Large, vertically ribbed windows or panels dominate the background, reflecting the artificial glow, while a black office chair and a desk with a distinctive geometric logo are visible to the right. The dominant colors are deep blacks, cool blues, and warm beige from the lamp, creating a high-contrast, cinematic atmosphere. The camera is positioned at a low angle, capturing the scene from slightly below eye"

"jhnnyengls2003, A sleek black sports car speeds through a London street, its motion blurred as it exits a subterranean car park entrance marked “SPECIAL SECURITY SECTION CAR PARK.” Behind it, the iconic Gothic architecture of the Houses of Parliament rises, with the Elizabeth Tower’s clock face visible, while a red double-decker bus glides in the background. The scene is bathed in soft, diffused daylight under a pale blue sky, with lush green trees framing the left and right edges. The dominant colors are the deep black of the car, the beige stone of the historic buildings, and the vibrant red of the bus, contrasted against the muted gray pavement and green foliage. The camera is positioned at street level, capturing the car’s movement in the foreground while framing the grand, imposing architecture behind it"

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.