Slither (2006)

About this LoRA

Slither 2006

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word slthr2006 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"slthr2006, A lush green palm frond partially obscures the view of an elegantly appointed interior hallway, where a dark wooden console table holds a bronze lion figurine, two amber-toned vases, and a potted orchid. Behind the table, a large oval mirror reflects a floral arrangement and a closed door, set against patterned wallpaper with vertical stripes and ornate motifs. Warm, ambient lighting from a wall sconce and a distant ceiling fixture casts soft shadows, suggesting late afternoon or early evening. The dominant colors are earthy browns, deep greens, and cream, with accents of red from the reflected flowers. The camera is positioned at eye level, framed through the foreground foliage to create a layered, voyeuristic perspective."

"slthr2006, A person with dark, damp hair is partially obscured by dense, leafy greenery, peering through with a tense, anxious expression as if cautiously observing something unseen. The setting appears to be a dim, shadowy outdoor space at night, with a weathered wooden fence visible in the background, suggesting a secluded or abandoned location. The lighting is low and cool-toned, casting deep shadows and emphasizing the teal and dark green hues that dominate the frame. The camera is framed through the foliage, creating a voyeuristic, obstructed viewpoint that enhances the sense of mystery and unease."

"slthr2006, A shirtless figure in a flowing red garment stands on a porch, reaching toward a grotesque, fleshy mass that has burst through the house’s wall, sending splinters flying. The scene unfolds at night, illuminated by artificial light that casts stark shadows across the weathered wooden siding and surrounding foliage, with a dark, still pool in the foreground reflecting the chaos. Dominated by deep reds, muted browns, and the sickly pink of the exposed flesh, the frame is captured from a low angle, emphasizing the horror and scale of the destruction."

"slthr2006, A person leans over a cluttered desk, intently focused on an old computer terminal labeled “D200,” with their hand near a keyboard and a microphone. The workspace is dimly lit with a cool, bluish-green glow emanating from the monitor and ambient light, suggesting a late-night or isolated setting. Notable objects include a mug with “I ♥ Cats” printed on it, a second mug with a cartoon design, tangled cables, and a vintage-style keyboard. The dominant colors are dark teal, black, and muted silver, with the glow casting sharp highlights on the equipment. The camera is positioned at a low angle, close to the desk, creating an immersive, slightly voyeuristic perspective that emphasizes the clutter and the person’s concentration."

"slthr2006, A person lies prone on grassy ground, gripping a black leather holster with a textured, woven pattern, their hand positioned as if ready to draw a weapon. The scene is set outdoors at night, illuminated by a cool, bluish-green light that casts deep shadows and highlights the rough texture of the grass and the worn leather. The dominant colors are dark teal, black, and muted earth tones, creating a tense, cinematic atmosphere. The camera is positioned low and close, focusing sharply on the hand and holster while blurring the background, emphasizing the immediacy and gravity of the moment."

"slthr2006, A person in a dark uniform lies motionless on a blood-splattered wooden floor, surrounded by grotesque, fleshy organic growths that cling to the walls and ceiling. The dim, reddish lighting casts deep shadows, suggesting a confined, decaying interior space, possibly underground or within a ruined structure. The dominant colors are dark browns, deep reds, and muted grays, enhancing the grim, visceral atmosphere. The camera is positioned low and close, framing the scene from a slightly angled perspective that emphasizes the horror and isolation of the moment."

"slthr2006, A weathered windmill stands tall against a pale, overcast sky, its metal blades slightly blurred by motion, suggesting a gentle breeze. To the right, a large, dark silhouette of coiled ropes or thick cables hangs in the foreground, partially obscuring the view and adding a sense of depth and industrial weight. The lighting is soft and diffused, casting everything in muted tones of gray and steel blue, evoking a late afternoon or early evening mood. The camera is positioned low, looking upward, emphasizing the verticality of the windmill and the looming presence of the ropes, creating a stark contrast between mechanical utility and organic, tangled form."

"slthr2006, A man with light-colored hair and a red patterned scarf sits inside a vehicle, his face illuminated by a cool, dim light as he stares intently forward with a tense expression. The setting is nighttime, with the dark, blurred exterior visible through the window beside him, suggesting motion or a stationary position in a quiet, possibly isolated location. The dominant colors are deep blues and blacks, contrasted by the warm reds of his scarf and the muted tones of his jacket. The camera frames him in a tight close-up, angled slightly from the side, emphasizing his focused gaze and the shadows across his face."

"slthr2006, A small, light-furred animal lies motionless on a bed of wet, decaying leaves and twigs, its face partially obscured by dirt and debris, suggesting it has been there for some time. The scene is set in a dim, shadowy corner bordered by rough, stained stone walls, with scattered bones and organic matter adding to the grim atmosphere. The lighting is low and diffused, casting deep shadows and highlighting the earthy browns, muted grays, and dull ochres of the environment. The camera is positioned at a low angle, close to the ground, creating an intimate and unsettling perspective that emphasizes the stillness and decay."

"slthr2006, A person wearing a light blue t-shirt with “TROMAVILLE HEALTH CLUB” printed on the back is seen from behind, holding a white object while standing in front of a window, as viewed on a vintage CRT television. The TV sits on a wooden surface surrounded by everyday household items including a glass jar with handwritten labels, a colorful toy, and a small gift box, with a blue box fan and floral-patterned curtains visible nearby. The scene is lit with warm, ambient indoor lighting, suggesting late afternoon or early evening, and the dominant colors are muted tones of beige, blue, and brown, with the television screen casting a slightly cooler hue. The camera is positioned at eye level, framing the television as the central focus with a shallow depth of field that blurs the background slightly."

"slthr2006, A law enforcement officer, holding a handgun, confronts a figure with a grotesquely injured head, while a woman stands nearby in shock. The scene unfolds in a dimly lit, domestic interior, with patterned wallpaper, a doorway adorned with personal photographs, and bloodstains visible on the wall and doorframe. The lighting is low and moody, casting deep shadows and emphasizing the tension, suggesting nighttime or a poorly lit room. Dominant colors are muted browns, dark greens, and stark reds from the blood, creating a grim atmosphere. The camera frames the action from a medium shot, slightly angled to capture the confrontation and the expressions of horror and determination."

"slthr2006, A person is captured mid-air, leaping from the roofline of a house toward the dense, dark trees beyond. The house features a white porch with railings, an American flag hanging from the eave, and is surrounded by thick shrubbery and a white picket fence in the foreground. The scene is set at night under dim, cool-toned lighting that casts deep shadows, with the only illumination coming from within the house and faint ambient light highlighting the figure’s silhouette. Dominant colors are dark greens and blacks of the foliage, contrasted with the stark white of the house’s trim and fence. The camera is positioned at a low angle, looking up toward the roof, emphasizing the height and motion of the leap."

"slthr2006, A dark-furred animal lies motionless on a patch of dry, greenish-brown grass, its torso gruesomely torn open, exposing raw, glistening red muscle and viscera. The scene is lit by natural daylight, casting soft shadows and highlighting the wet sheen of blood pooling around the body and staining the grass. The camera is positioned overhead at a slight angle, emphasizing the visceral horror of the exposed interior against the muted earth tones of the surrounding terrain. Dominant colors are deep reds and browns, contrasted with the dull green of the grass."

"slthr2006, A two-story, pale yellow house with dark shutters and a wraparound porch stands behind a white picket fence, flanked by tall evergreen trees and bare deciduous trees, suggesting late autumn or early spring. A pickup truck is parked near the side of the house, and the scene is viewed from across a paved road, with the camera positioned at a low angle that emphasizes the fence and the house’s front facade. The lighting is soft and diffused under an overcast sky, casting muted tones across the landscape, with dominant colors of beige, green, and gray. The composition frames the house as the central subject, surrounded by natural elements and a quiet, rural atmosphere."

"slthr2006, A wall is densely covered with countless personal photographs, many pinned or taped haphazardly, creating a chaotic yet intimate collage of memories. At the center, a large, dark-framed mirror reflects the same photo-covered surface, doubling the visual density and creating a recursive, almost overwhelming effect. Warm, ambient light from two wall-mounted fixtures casts a soft glow, suggesting an indoor setting during evening or night. The dominant colors are earthy browns and muted golds from the wallpaper, contrasted with the varied hues of the photos. The camera is positioned at a slightly elevated angle, looking down at the wall, emphasizing the overwhelming scale and emotional weight of the displayed images."

"slthr2006, A group of people, including uniformed officers and civilians, are gathered in a cluttered, wood-paneled sheriff’s office, attentively listening to someone seated at a desk in the foreground. The room is filled with vintage office equipment, framed photos, a large map on the wall, and a “WANTED” poster board, suggesting a small-town law enforcement setting. Warm, ambient lighting casts a slightly yellowed glow, indicating an interior scene during daytime. Dominant colors are earthy browns, muted greens, and faded blues, with pops of red from a vest and a can. The camera is positioned over the shoulder of the person at the desk, looking out toward the group, creating an immersive, observational perspective."

"slthr2006, A woman in a light-colored long-sleeved shirt stands beside two uniformed officers, all facing a residential front door marked with the number 569. The scene unfolds at night, illuminated by the warm glow of porch lights and ambient street lighting, casting soft shadows across the darkened lawn and shrubbery. The dominant colors are muted greens, browns, and the pale blue-white of the woman’s clothing, contrasted by the dark uniforms. The camera is positioned at a medium distance, capturing the group from behind and slightly to the side, emphasizing their collective focus on the house entrance."

"slthr2006, A deer stands alert in a dense, shadowy forest, its head turned as if sensing movement, while a blurred human figure observes from the right foreground. The setting is a tangled woodland with bare branches and leaf-littered ground, framed by thin trunks and undergrowth. The lighting is dim and cool-toned, suggesting twilight or a heavily overcast night, casting deep blues and muted greens across the scene. The camera is positioned at eye level, with a shallow depth of field that keeps the deer in focus while rendering the observer and background softly out of focus."

"slthr2006, A quiet suburban house stands illuminated at night, its windows glowing warmly against the dark sky, suggesting life within. The two-story structure features a front porch with a lit entryway, flanked by shrubs and a neatly trimmed lawn, while an American flag flies on a pole to the left. The scene is bathed in dim, ambient light from porch lamps and interior windows, casting deep shadows across the yard and emphasizing the contrast between the dark exterior and the warm, inviting glow inside. Dominated by muted greens, deep blacks, and the soft yellow of interior lights, the frame is captured from a low, wide angle that emphasizes the house’s imposing presence and the stillness of the surrounding neighborhood."

"slthr2006, A reddish-brown front door with a six-pane glass window stands centered in a white wooden entryway, flanked by two tall, weathered wooden planks leaning against the doorframe. The house’s siding is light gray, and two brass lantern-style wall sconces hang symmetrically on either side, casting a warm glow against the muted tones. The scene is bathed in soft, diffused daylight, suggesting late afternoon or early evening, with the glass reflecting the silhouette of a tall evergreen tree. The camera is positioned straight-on at eye level, capturing the full height of the door and its architectural details, emphasizing the quiet, still atmosphere of the porch."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.