Shooter (2007)

About this LoRA

Shooter 2007

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word shtr2007 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"shtr2007, A close-up portrait captures a man with a weathered face, mustache, and a slight smile, gazing directly at the viewer with a calm, introspective expression. He wears a light-colored collared shirt beneath a brown jacket, set against a dimly lit background featuring blurred bookshelves and indistinct objects, suggesting a quiet, private interior space. The lighting is low and directional, casting soft shadows across his face and highlighting his skin texture, while the dominant colors are earthy browns, muted beiges, and deep blacks. The camera is tightly framed on his upper torso and face, creating an intimate, focused composition that draws attention to his expression and the subtle details of his attire."

"shtr2007, A group of armed personnel in tactical gear are moving swiftly around a parked black helicopter on a wet tarmac, while another helicopter sits in the background and a lone figure sprints across the frame. The scene unfolds under a bright, overcast sky with scattered clouds, casting soft, diffused light that creates strong silhouettes and reflections on the damp ground. Dominated by dark tones of black and gray, with muted earthy accents from the runway and distant horizon, the composition is captured from a low, wide-angle perspective that emphasizes the scale of the aircraft and the urgency of the movement."

"shtr2007, A hooded figure stands in a dim, cluttered shipyard or dockside workshop, holding a rifle aimed downward at a person lying motionless on the wooden floor, bound with rope. The setting is filled with industrial debris—coiled ropes, metal scaffolding, wooden planks, and a stool—suggesting disuse or abandonment. Harsh, directional light streams in from an opening at the far end, casting deep shadows and creating a high-contrast, moody atmosphere. The dominant colors are muted grays, browns, and blacks, punctuated by the pale fabric of the fallen person’s clothing. The camera is positioned at a low angle, looking up slightly at the standing figure, emphasizing the tension and isolation of the scene."

"shtr2007, A large crowd of people, seen from behind, gathers on a grassy lawn to watch a formal event taking place on a raised platform adorned with multiple international flags. The setting is an urban plaza bordered by modern and traditional buildings, with the audience standing attentively under soft, diffused daylight that suggests late afternoon. Dominant colors include the muted greens of the grass, the varied tones of casual summer clothing, and the red, white, and blue of the flags. The camera is positioned at eye level within the crowd, creating an immersive perspective that emphasizes the scale of the gathering and the collective focus toward the stage."

"shtr2007, A focused individual with long, matted dreadlocks peers intently through the scope of a rifle, their face tense and eyes locked on a distant target. The setting appears to be a rugged, earth-toned environment, possibly a jungle or desert, with blurred foliage and natural debris in the foreground. Dim, diffused lighting suggests either dawn or dusk, casting soft shadows and highlighting the grit on the person’s skin. Dominant colors are muted browns, greens, and ochres, blending with the camouflage gear and surroundings. The camera is tightly framed, positioned at eye level with the subject, emphasizing the intensity of their gaze and the immediacy of the moment."

"shtr2007, A person in a dark suit and tie lies motionless on a sunlit sidewalk, viewed from a low-angle perspective that frames their torso and legs in the foreground. The setting is an urban street beneath a large blue-painted steel overpass, with weathered brick buildings, parked cars, and a lone pedestrian walking in the distance. Bright, direct sunlight casts sharp shadows, indicating midday, while the dominant colors are muted grays and blues of the infrastructure, contrasted with the warm beige of the pavement and the green of roadside weeds. The camera’s close, ground-level framing creates an immersive, almost voyeuristic viewpoint, emphasizing the stillness of the figure against the quiet activity of the street."

"shtr2007, A convoy of police vehicles with flashing lights speeds down a multi-lane highway under a large overpass, their headlights cutting through the bright daylight. Overhead green highway signs indicate directions to East 30, 130, 38, and 70, as well as South 676 toward Camden and Waterfront, with “KEEP LEFT” and “KEEP RIGHT” instructions. The scene is bathed in harsh, direct sunlight casting long shadows across the asphalt, suggesting midday. Dominant colors are the gray of the concrete and road, punctuated by the green of the signs and the red and white of the traffic lights. The camera is positioned low and centered on the road, creating a sense of forward motion as the vehicles approach."

"shtr2007, A dark-furred dog stands at attention, gazing upward through the vertical bars of a black wrought-iron gate, its head tilted as if focused on something beyond. The gate, with its pointed finials, frames the scene against a blurred, overcast background of a stone wall and distant architecture, suggesting an urban or institutional setting. The lighting is flat and diffused, casting muted tones across the scene—dominated by grays, blacks, and the dull beige of the wall—with no strong shadows, indicating an overcast day. The camera is positioned at eye level with the dog, capturing its back and head in a medium shot that emphasizes its stillness and the barrier between it and the world beyond."

"shtr2007, A weathered stone building corner, adorned with ornate carvings and statues, stands under a pale, overcast sky. The architectural details include a decorative cornice, shield-like emblems, and tall, narrow windows, with a small bird perched on the roofline. The lighting is soft and diffused, casting muted gray and beige tones across the facade, suggesting late afternoon or early evening. The camera is angled upward, capturing the building’s imposing upper structure and emphasizing its classical design against the hazy sky."

"shtr2007, A man in a white shirt and tie stands in a dimly lit, cluttered surveillance room, intently examining a handheld device while gesturing with his other hand. Multiple monitors behind him display the same scene: a man in a suit speaking at a podium outdoors, flanked by others in formal attire, with brick architecture visible in the background. The room is filled with pinned photographs and maps, suggesting an investigative or monitoring operation. The lighting is cool and artificial, casting shadows on the walls and giving the scene a tense, late-night atmosphere. Dominant colors are muted grays, blacks, and the stark white of the man’s shirt, contrasted by the red accents on the podiums on screen. The camera frames the man in a medium shot, slightly angled to capture both his focused"

"shtr2007, inside a dimly lit, cluttered ship’s hold, a tense confrontation unfolds as one man in a light shirt raises a weapon while another kneels on the floor, seemingly subdued. A third man in a dark suit stands nearby, observing, while a fourth leans against a wall with arms crossed, all surrounded by ropes, nets, and wooden fixtures typical of a maritime interior. The lighting is stark and directional, casting deep shadows and highlighting the wet, reflective floor, suggesting either early morning or late evening. Dominated by muted browns, grays, and the dull yellow of the shirt, the scene is framed from a slightly low angle, emphasizing the confined space and the gravity of the moment."

"shtr2007, A solitary figure in dark clothing stands in a snowy clearing, bent slightly forward as if examining or interacting with a fallen, snow-dusted tree stump nearby. The scene is framed by dense, towering evergreen trees that dominate the foreground and background, with a sloping snowbank visible behind the figure. The lighting is flat and diffused, suggesting an overcast day, casting muted shadows and giving the entire scene a cool, grayish tone with deep greens and whites. The camera is positioned at a low, wide angle, emphasizing the vastness of the forest and the isolation of the person within it."

"shtr2007, A dark helicopter hovers low between towering skyscrapers, its rotors spinning as it navigates the dense urban canyon. The setting is a sprawling metropolis with a mix of glass-clad modern towers and older stone buildings, including a prominent clock tower visible in the distance. The scene is bathed in the warm, hazy glow of late afternoon sun, casting long shadows and creating a lens flare near the top center. Dominant colors are muted grays, deep blues, and golden highlights from the sunlight, contrasting with the dark silhouette of the helicopter. The camera is positioned high above, looking down at a steep angle, emphasizing the scale of the city and the precariousness of the aircraft’s flight path."

"shtr2007, two figures are engaged in a physical struggle on a rocky, forested slope, with one person appearing to restrain or overpower the other. The terrain is uneven and littered with stones and sparse green vegetation, flanked by moss-covered tree trunks and a steep, sunlit embankment to the right. Dappled sunlight filters through the canopy, casting sharp shadows and highlighting the rough textures of the ground and foliage, suggesting late afternoon. The dominant colors are earthy browns, muted greens, and grayish whites of the rocks, with the figures’ clothing blending into the natural palette. The camera is positioned at a high angle, looking down on the scene, emphasizing the isolation and intensity of the confrontation within the rugged wilderness."

"shtr2007, two armed individuals in tactical gear are moving cautiously across a wooden porch, one advancing toward a screen door while the other scans the area with a rifle. The setting is a rustic cabin with exposed wooden siding, a brick chimney, and a neatly stacked pile of firewood beside the porch railing. Warm, directional sunlight filters through trees in the background, casting long shadows and highlighting the textures of wood and brick, suggesting late afternoon. The dominant colors are earthy browns, muted greens from the foliage, and the gray of the metal railing and hanging triangular tool. The camera is positioned at eye level, capturing the scene from a slightly wide angle that emphasizes the tension and spatial depth of the porch and surrounding environment."

"shtr2007, A man with a beard and a baseball cap gazes intently forward, his expression serious and focused, as if engaged in a tense conversation or confrontation. Behind him, a rustic log cabin wall with a dark window frames the scene, while a neatly stacked pile of firewood covered in a cloth sits to his left. The lighting is dim and natural, suggesting late afternoon or early evening, casting soft shadows across his face and the surrounding environment. Dominant colors are earthy browns, muted greens, and gray tones, creating a grounded, naturalistic atmosphere. The camera is tightly framed on his face, capturing a close-up that emphasizes his intense expression and the subtle textures of his skin and clothing."

"shtr2007, A weathered man with a grizzled beard and intense gaze sits in a dimly lit room, his eyes fixed upward as if lost in thought or reacting to something unseen. Behind him, a dark wooden bookshelf stands against a wall, with a striped chair and a cluttered desk visible in the shadowy background, suggesting a lived-in, personal space. The lighting is low and directional, casting deep shadows and highlighting the texture of his skin and clothing, with warm tones from a window on the left contrasting against the cool, muted greys and browns of the interior. The camera frames him in a tight close-up, emphasizing his expression and the intimate, contemplative mood of the scene."

"shtr2007, A lone car travels down a straight, empty asphalt road that stretches toward a distant range of snow-capped mountains, its headlights faintly visible against the gloomy horizon. The surrounding landscape is a vast, arid plain of dry, golden-brown grasses, flanked by sparse vegetation and a faint fence line on the right. The sky is overcast with heavy, gray clouds, casting a cool, diffused light that bathes the scene in muted blues and grays, with stark white highlights on the mountain peaks. The camera is positioned low and centered on the road, creating a symmetrical, immersive perspective that emphasizes the road’s endless stretch and the isolation of the journey."

"shtr2007, A small group of figures in dark uniforms is moving cautiously along a sun-dappled forest trail, their forms silhouetted against the bright patches of light filtering through the canopy. The setting is a dense, verdant woodland with tall, slender trees—some with pale bark—lining a gently sloping, grassy path, while fallen logs and scattered rocks dot the earth. Bright, direct sunlight illuminates the scene, casting long, sharp shadows and indicating a midday hour, with the dominant colors being deep greens, earthy browns, and patches of golden sunlight. The camera is positioned at a low, wide angle, capturing the expansive forest floor and the figures’ movement through the natural terrain."

"shtr2007, A black vehicle speeds beneath a multi-level concrete overpass, kicking up dust as it passes, while three figures stand silhouetted on the upper walkway, observing. The setting is an urban underpass with tall residential buildings in the background, flanked by sparse vegetation and a yellow safety post in the foreground. Bright daylight illuminates the scene, casting sharp shadows and highlighting the dusty, earthy tones of the ground against the gray concrete and muted greens of the foliage. The camera is positioned at a low angle, looking up through the underpass, emphasizing the scale of the structure and the motion of the vehicle."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.