Primer (2004)

About this LoRA

Primer 2004

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word prmr2004 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"prmr2004, A man in a white shirt stands on a rooftop, leaning slightly forward with his gaze directed downward, seemingly lost in thought or observing something near his feet. The setting is an urban rooftop cluttered with large, industrial air conditioning units and ventilation stacks, with a distant cityscape of low-rise buildings and greenery visible under a hazy, overcast sky. The lighting is flat and diffused, suggesting either early morning or late afternoon, casting muted tones across the scene dominated by grays, whites, and dark metallics. The camera is positioned at a low angle, partially obscured by the machinery in the foreground, creating a sense of confinement and emphasizing the isolation of the figure against the sprawling city backdrop."

"prmr2004, A lone, weathered chain-link fence runs parallel to a cracked asphalt road, separating a barren, overgrown strip of land from a distant industrial complex. A few sparse, struggling plants poke through the dry grass beside the fence, while a single utility pole stands sentinel on the far side of the road, where a parked vehicle is barely visible. The scene is bathed in a hazy, sepia-toned light, suggesting late afternoon or early evening, casting long, muted shadows across the pavement. Dominated by earthy browns and faded greens, the frame is captured from a low, angled perspective that emphasizes the fence’s imposing length and the desolate, quiet atmosphere of the roadside."

"prmr2004, in a dimly lit, green-tinted laboratory, a person in a light blue shirt and black apron stands with their back to the camera, holding a small object in gloved hands, while another individual in the background drinks from a red cup near a white door. The room is cluttered with shelves holding tools, a toolbox, and scattered papers on a workbench, suggesting an active workspace. The lighting casts a cool, artificial glow, with shadows emphasizing the utilitarian nature of the environment. Dominated by shades of green, gray, and white, the scene is framed from a low angle, focusing on the foreground figure’s hands and creating a sense of immediacy and observation."

"prmr2004, A hand gently reaches toward a single, dark chocolate muffin resting on a white plate with a green floral rim, with crumbs scattered around its base. The scene is set on a light wooden surface, suggesting a casual, homey environment, and the warm, soft lighting implies late afternoon or early evening. Dominated by rich browns and creamy whites, the composition is tightly framed from a slightly elevated angle, focusing on the tactile interaction between the hand and the muffin."

"prmr2004, A man in profile, wearing a white disposable hairnet and a light blue collared shirt, appears to be speaking or listening intently, his mouth slightly open. The setting is a bright, sterile environment, likely a controlled industrial or laboratory space, with a plain white background that suggests cleanliness and focus. The lighting is even and diffused, casting soft shadows and indicating an indoor, daytime scene. Dominant colors are white and light blue, with the texture of the hairnet and fabric adding subtle detail. The camera frames him tightly in a close-up side shot, emphasizing his facial expression and the context of his attire."

"prmr2004, A man in a white shirt and dark tie stands inside a garage, looking down and slightly away from the camera, with his hands in his pockets. The garage is cluttered with wooden planks leaning against the wall, a workbench with tools and a yellow hose, and a wall-mounted clock. Outside, through the open garage door, a suburban street with trash bins and a wooden fence is visible under warm, golden-hour lighting that casts a soft, sepia-toned glow over the entire scene. The dominant colors are muted yellows, browns, and off-whites, with the camera positioned at eye level, capturing the man in a medium shot framed by the garage’s overhead structure."

"prmr2004, A group of men in light-colored shirts and ties stand near a glowing, turquoise pool at night, their attention focused on something out of frame. String lights in warm yellow and scattered colored bulbs illuminate the background, while a bright spotlight reflects off the water’s surface. The scene is framed from a low angle, emphasizing the pool’s curve and the dim, atmospheric glow against the dark sky, with dominant hues of teal, black, and golden yellow."

"prmr2004, two individuals in white shirts are carefully lifting and adjusting a large, transparent rectangular panel mounted on a wooden frame, which appears to be part of a scientific or engineering apparatus. The setting is a cluttered garage or workshop, with a partially open garage door in the background, a workbench holding tools and electronic components, and a chain-operated overhead light hanging from the ceiling. The lighting is artificial and slightly dim, casting a greenish-yellow hue over the scene, suggesting an indoor environment during evening or night. Dominant colors are muted greens, grays, and browns, with the white shirts of the individuals standing out. The camera is positioned at a high angle, looking down on the scene, with a blurred foreground object partially obstructing the view, creating a sense of depth and immersion in"

"prmr2004, in a dimly lit, cozy living room, two men are lounging in armchairs—one reclined with a beer bottle, the other seated upright eating dessert—while a third person stands in the background near a doorway, appearing to adjust their hair. The space features warm, ambient lighting from a table lamp, exposed brick walls, a wooden side table with another beer bottle, and a vintage television set. The dominant colors are earthy browns, muted creams, and deep shadows, suggesting an evening or nighttime setting. The camera is positioned at eye level, capturing the scene through a shallow depth of field that blurs the foreground glassware and emphasizes the relaxed, intimate atmosphere."

"prmr2004, A person in a red shirt and dark pants walks away from the camera, their right hand slightly raised as if gesturing or adjusting something. The scene is set at night on a dimly lit, textured pavement, with a faint, warm glow illuminating the lower half of the figure and casting a long shadow behind them. The lighting is low and atmospheric, with muted tones of red, black, and beige dominating the frame. The camera is positioned at a low angle, capturing the subject from the waist down, emphasizing motion and the gritty, grainy texture of the environment."

"prmr2004, two men in white shirts and ties are collaboratively assembling or repairing a large, flat-screen television, with one holding a panel upright while the other adjusts components near the back. The scene is set in a workshop or lab environment, with tools, wires, and a wooden workbench visible, and a vintage-style CRT monitor sitting nearby. The lighting is dim and green-tinted, suggesting an indoor space with artificial illumination, possibly during evening or night. Dominant colors are muted greens, grays, and whites, with the camera positioned at a low angle, partially obscured by a blurred foreground object, creating a sense of depth and focus on the task."

"prmr2004, A minimalist credits screen displays a clean, monochromatic list of crew roles and names against a gradient gray background, with bold black text sharply contrasting the muted tones. The layout is vertically aligned, framed by thin borders, and positioned centrally within a tight, static shot that emphasizes typography over imagery. Soft, even lighting suggests a studio or digital rendering environment, with no discernible time of day or physical setting beyond the abstract background. Dominant colors are grayscale, ranging from light to dark gray, creating a sleek, modern aesthetic. The camera is framed in a direct, head-on angle, focusing entirely on the text without any environmental distractions."

"prmr2004, A close-up captures a pair of hands gripping a black, textured telephone receiver, with one hand steadying the base while the other holds the handset, suggesting an urgent or intense conversation. The background is softly blurred, revealing a red and white interior, possibly a vintage office or home, with a coiled black cord trailing from the phone. The lighting is warm and slightly dim, casting soft shadows and giving the scene a nostalgic, indoor ambiance. Dominant colors are muted reds, off-whites, and skin tones, contrasted by the dark phone. The camera is tightly framed on the hands and phone, emphasizing the tactile interaction and creating a sense of intimacy or tension."

"prmr2004, A stack of loose, slightly crumpled papers rests atop a wooden surface, with a few dark smudges or stains visible on the top sheet. In the background, a pegboard wall with evenly spaced holes is partially visible, along with a dark, vertical object that appears to be a rolled-up item or a container. The lighting is dim and warm, casting soft shadows and suggesting an indoor setting during evening or low-light conditions. The dominant colors are muted browns and off-whites, with deep shadows adding contrast. The camera is positioned at a low angle, capturing the papers in the foreground with a shallow depth of field that blurs the background slightly."

"prmr2004, A hand grips a brass valve on the top of a white propane tank, twisting it as a black hose connects to the fitting. The tank’s metal valve and red safety tag are visible against the dim, shadowy background, suggesting an indoor or low-light setting. The lighting is subdued and focused, casting soft highlights on the hand and tank while leaving the surroundings in darkness. Dominant colors are muted whites, metallic bronzes, and deep blacks, with a slight greenish tint from the ambient light. The camera is tightly framed from above, looking down into the tank’s opening, emphasizing the action of connecting or disconnecting the gas line."

"prmr2004, A young person with light-colored hair is captured in profile, gazing intently toward the left side of the frame, their expression focused and slightly tense. They are seated in a dimly lit environment, possibly an outdoor nighttime setting, with blurred, indistinct shapes in the background suggesting a crowd or dense foliage. The lighting is low and warm, casting soft highlights on their face while leaving the surroundings mostly in shadow, creating a moody, intimate atmosphere. The dominant colors are deep browns, blacks, and muted yellows, with the subject’s skin and hair catching the faint glow. The camera is positioned at a close, slightly low angle, emphasizing the subject’s contemplative posture and isolating them from the obscured background."

"prmr2004, A person’s hands are carefully inserting a white, cylindrical device into a slot on a metallic, ribbed console, with a coiled cable trailing from the device. The setting appears to be an indoor, utilitarian space, possibly a control room or lab, with a blurred background suggesting a workbench or panel. The lighting is dim and focused, casting soft shadows and giving the scene a muted, warm tone with dominant greys, blacks, and off-whites. The camera is tightly framed in a close-up, angled slightly downward, emphasizing the precision of the action and the texture of the console’s surface."

"prmr2004, two men in light-colored shirts and dark trousers stand beside a white pickup truck parked in a grassy field, one holding binoculars to his eyes while the other stands nearby. The setting is rural, with trees and tall grasses in the background, and a fence post visible on the right. The sky is bathed in a deep, warm orange glow from a low sun near the horizon, casting a reddish hue over the entire scene. The dominant colors are shades of orange, red, and muted green, with the white truck providing contrast. The camera is positioned at a low angle, capturing the subjects and vehicle in a wide shot that emphasizes the expansive, open landscape."

"prmr2004, A man in a light blue shirt and striped tie stands in a cluttered workshop, gesturing toward a wooden workbench where electronic components and wires are laid out. Behind him, a large metal cabinet with a circular fixture sits on a stand, while a white box and stacked wooden planks lean against the green-painted walls. The lighting is flat and even, suggesting an indoor setting with artificial illumination, casting soft shadows. Dominant colors are muted greens, grays, and browns, with the man’s shirt and tie providing contrast. The camera is positioned at eye level, capturing the scene in a medium shot that emphasizes the man’s interaction with the equipment."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 244 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.