No Country for Old Men (2007)

About this LoRA

No Country For Old Men 2007

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word ncntryfrol2007 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"ncntryfrol2007, A car drives down a quiet, tree-lined residential street, with a vintage sedan parked on the right side and a few other vehicles visible in the distance. The scene is framed from inside the moving vehicle, looking forward through the windshield, with the dashboard and steering wheel partially visible at the bottom. Sunlight filters through the lush green canopy, casting dappled shadows on the asphalt, suggesting a warm, late afternoon. The dominant colors are earthy greens, muted browns, and the faded beige of the parked car, with a soft, golden light enhancing the nostalgic atmosphere. The camera maintains a steady, forward-facing perspective, capturing the gentle curve of the road ahead and the tranquil suburban environment."

"ncntryfrol2007, A person lies motionless on a sunlit asphalt surface, their torso stained with a large, dark bloodstain across the chest and waist, with scattered droplets nearby. The individual wears faded blue jeans and a light-colored, rumpled shirt, and their dark hair is disheveled as they rest face-down, arms partially extended. The scene is bathed in harsh, direct daylight, casting sharp shadows and highlighting the gritty texture of the pavement, suggesting midday. Dominant colors are muted grays and browns of the road, contrasted with the stark red of the blood and the pale fabric of the shirt. The camera is positioned at a low, slightly tilted angle, emphasizing the person’s vulnerability and the starkness of the environment."

"ncntryfrol2007, two men in light-colored uniforms and wide-brimmed hats stand in a vast, arid desert landscape, one mounted on a brown horse while the other stands beside him, both gazing toward a distant cluster of vintage vehicles parked on the dry terrain. The setting is a sun-drenched, rolling plain dotted with sparse shrubs and dry grasses, under a bright, clear sky that casts sharp, defined shadows, suggesting midday. The dominant colors are earthy tones—beiges, tans, and muted browns—with the white hats and light uniforms contrasting against the dusty ground. The camera frames them from behind at a medium distance, capturing their stillness and the expansive, desolate horizon ahead, emphasizing the isolation and quiet tension of the moment."

"ncntryfrol2007, A woman with shoulder-length brown hair sits at a diner table, her expression tense as she faces a man whose back is to the camera; they appear to be in the middle of a serious conversation. The setting is a retro-style diner with red vinyl chairs, white tablecloths, and a stone wall in the background, while through the large windows, vintage cars are parked outside under a bright, overcast sky. The lighting is natural and diffused, casting soft shadows and emphasizing the muted tones of beige, white, and red. The camera is positioned over the man’s shoulder, framing the scene in a medium shot that focuses on the emotional tension between the two figures."

"ncntryfrol2007, A weathered man with gray hair is seen in the rearview mirror, his gaze directed forward with a contemplative or weary expression, as if lost in thought while driving. The setting is a sunlit, slightly blurred street with other vehicles and indistinct buildings visible through the windshield, suggesting motion and an urban or suburban environment. Warm, golden-hour lighting bathes the scene, casting soft highlights on the man’s face and creating a hazy, nostalgic atmosphere dominated by beige, cream, and muted earth tones. The camera is positioned from the passenger’s perspective, tightly framed on the rearview mirror, emphasizing the man’s reflection and creating a sense of intimacy and introspection."

"ncntryfrol2007, A middle-aged man in a light-colored uniform with a visible shoulder patch stands in a narrow, tiled corridor, his expression tense and focused as if engaged in a serious conversation or confrontation. The setting is utilitarian, with white subway tiles lining the walls and fluorescent lights casting a cool, even glow from the ceiling, suggesting an institutional or public space. The color palette is muted, dominated by off-whites, pale greens, and the beige of the uniform, creating a somber, clinical atmosphere. The camera frames him in a medium close-up, angled slightly upward, emphasizing his weathered face and the gravity of the moment."

"ncntryfrol2007, A vehicle is moving past a roadside motel, its large, illuminated sign reading “MOTEL” in bold blue letters against a pale yellow background, with a smaller red-lit “FREE WIFI” panel below. The motel building stretches horizontally in the background, featuring a low-slung, single-story structure with a dark roof and evenly spaced windows, while a vintage red car and a pickup truck are parked nearby. The sky is overcast with heavy, muted gray clouds, suggesting late afternoon or early evening, and the scene is lit by a single glowing streetlamp and the motel’s sign, casting a cool, dim ambiance. The dominant colors are desaturated blues, grays, and earthy browns, with the yellow and red of the sign providing the only bright contrast. The frame is"

"ncntryfrol2007, A small herd of antelope grazes and moves slowly across a vast, arid savanna, kicking up dust as they navigate the sparse, dry terrain. In the foreground, weathered, dark-brown rocks jut out from the earth, framing the scene, while the horizon stretches endlessly under a pale, hazy sky. The lighting is bright and direct, casting long, sharp shadows across the ground, suggesting midday or early afternoon. The dominant colors are earthy tones—ochre, tan, and muted browns—with occasional green shrubs dotting the landscape. The camera is positioned at a low, wide angle, emphasizing the scale of the open plain and the isolation of the animals within it."

"ncntryfrol2007, A woman in a floral-patterned dress stands beside a vintage silver taxi with its headlights on, parked at night in front of a building labeled “OFFICE LOBBY.” The scene is illuminated by the taxi’s bright headlights, ambient streetlights, and the glowing green sign of the building, casting sharp shadows on the pavement. The dominant colors are deep blues and blacks of the night, contrasted with the warm yellow of the lights and the muted tones of the dress and car. The camera frames the woman and the taxi in a medium shot, centered and slightly low, emphasizing the stillness and isolation of the moment."

"ncntryfrol2007, A young person rides a bicycle down a quiet suburban street, passing a vintage green station wagon with a shattered rear window, while another individual walks behind them. The scene is set in a tree-lined neighborhood with a white picket fence and parked cars visible in the background, under a partly cloudy sky that suggests late afternoon. Warm, golden sunlight casts long shadows across the asphalt, highlighting the earthy tones of the surroundings and the faded green of the car. The camera captures the moment from a medium distance, slightly angled to follow the cyclist’s movement, emphasizing the motion and the contrast between the stillness of the neighborhood and the activity in the foreground."

"ncntryfrol2007, A lone figure walks away from the camera down a dimly lit urban sidewalk at night, carrying a briefcase in one hand and a long, curved object in the other. The scene is framed from behind a building’s corner, with warm, amber-toned light spilling from a nearby doorway and streetlamps casting pools of illumination on the pavement. The dominant colors are deep shadows contrasted with the golden glow of artificial lighting, and the camera’s low-angle perspective emphasizes the figure’s solitary movement through the quiet, empty street."

"ncntryfrol2007, A man in a cowboy hat, light-colored shirt, and blue jeans walks purposefully across a paved area, carrying a dark duffel bag over his shoulder and holding a red object in his hand. He is passing in front of a single-story, beige brick building with large windows reflecting the overcast sky and parked cars; a sign reading “ROOMS 30-42” with an arrow points toward the right. The lighting is flat and diffused, suggesting an overcast day, with muted tones of beige, gray, and blue dominating the scene. The camera is positioned at a medium distance, capturing the man in full stride as he moves from left to right, framed by the building’s architecture and a partial view of a covered walkway on the right."

"ncntryfrol2007, two men in sheriff’s uniforms stand side by side in a sun-drenched desert, their expressions contrasting—one stern and contemplative, the other smiling slightly—as if engaged in a quiet conversation. Behind them, a vintage pickup truck towing a white trailer and a police cruiser with flashing lights are parked on dusty terrain, suggesting a law enforcement presence in a remote area. The lighting is harsh and direct, casting sharp shadows and indicating midday under a clear, pale blue sky. Dominant colors are earthy beige and tan from the uniforms and landscape, accented by the muted green of the truck and the white of the trailer. The camera frames them in a medium shot, capturing their upper bodies and the vehicles behind, with a shallow depth of field that keeps the focus on the men while softly blurring"

"ncntryfrol2007, A lone figure in a wide-brimmed hat stands on a sunbaked, rocky hilltop, holding a briefcase, while another person lies motionless beneath the shade of a large, gnarled tree. Two distinct trees — one smaller and rounded, the other larger and sprawling — anchor the composition against a vast, pale sky. The scene is bathed in bright, direct sunlight, casting sharp shadows and emphasizing the arid, earthy tones of the terrain. Dominated by muted greens of the foliage, dusty browns and ochres of the ground, and a hazy, pale blue sky, the frame is captured in a wide, horizontal shot that emphasizes the isolation and scale of the landscape."

"ncntryfrol2007, A crime scene tape stretches across the foreground, cordoning off two adjacent teal doors marked 114 and 112 on a white brick building, suggesting an investigation in progress. The scene is set at night under artificial lighting, casting stark shadows and illuminating the wet pavement below, which reflects the glow of a nearby light source. Dominant colors are the teal of the doors, the white of the brickwork, and the yellow of the caution tape, contrasted against the deep darkness of the surrounding environment. The camera is positioned low, looking up slightly, with the bottom edge of the frame partially obscured by a blurred foreground element, enhancing the sense of observation from a hidden or distant vantage point."

"ncntryfrol2007, A man reclines in a chair with his feet propped up on a bed, holding a telephone receiver to his ear as if engaged in a serious conversation. The room is a modestly furnished bedroom with wood-paneled walls, a tall floor lamp casting a warm glow, a wall-mounted light fixture, and a sink visible in the background. The lighting is dim and golden, suggesting late evening or night, with shadows pooling around the room’s corners. Dominant colors are earthy browns, muted reds, and cream tones, creating a somber, intimate atmosphere. The camera is positioned at a medium distance, capturing the man from a slightly low angle that emphasizes his relaxed yet focused posture."

"ncntryfrol2007, A solitary figure stands in the threshold of a modest, wood-paneled room, silhouetted against the bright outdoor light, their head bowed in quiet contemplation. The interior is cluttered with vintage furnishings: a patterned ironing board leans against the wall, a retro television sits atop a wooden coffee table beside a white plastic laundry basket, and a red mug rests on a nearby counter. The scene is bathed in warm, golden afternoon light streaming through a window with patterned curtains, casting long shadows and highlighting the earthy tones of the wood paneling and carpet. The camera frames the subject from a low, centered angle, emphasizing the doorway as a portal between the dim interior and the bright exterior."

"ncntryfrol2007, A man with dark, damp hair and a mustache sits in profile, gazing thoughtfully toward the right, his expression somber and contemplative. He is in a dimly lit room, likely a bedroom, with a blurred bed and pillow behind him, and warm, golden light casting soft shadows across his face and the surrounding space. The dominant colors are muted browns and yellows, creating an intimate, late-night atmosphere. The camera is tightly framed on his side profile, emphasizing his introspective mood and the quiet stillness of the moment."

"ncntryfrol2007, two uniformed officers stand near the entrance of a weathered mobile home, one leaning against the doorframe while the other sits on the steps, both appearing to be in conversation or observing their surroundings. The setting is a rural or semi-rural property, with a corrugated metal shed, a large metal trash can, and an old pickup truck partially visible in the foreground. The lighting is soft and diffused, suggesting an overcast day, casting muted shadows and contributing to a subdued, earthy color palette dominated by browns, faded greens, and grays. The camera is positioned at a low angle, emphasizing the truck’s front grille and headlights while framing the officers and the mobile home in the mid-ground, creating a sense of grounded realism."

"ncntryfrol2007, through the rearview mirror of a moving vehicle, two individuals are seen riding bicycles down a sunlit suburban street, their figures slightly blurred by motion. The scene is framed by the car’s interior, with the mirror’s reflective surface capturing a backdrop of leafy trees, a vintage car parked on the side, and a low residential fence. Warm, golden sunlight bathes the scene, casting long shadows and highlighting earthy tones of green, beige, and faded red. The composition is intimate and observational, anchored by the car’s interior frame and the mirror’s curved reflection."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.