Million Dollar Baby (2004)

About this LoRA

Million Dollar Baby 2004

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word mllndllrbb2004 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"mllndllrbb2004, A solitary figure, seen from behind, stands in a dimly lit gym, bent slightly forward as if preparing to strike or having just thrown a punch at a red hanging punching bag. The setting is an industrial-style space with exposed white-painted brick walls, wooden flooring, and visible pipes along the left side; a large, dark shadow cast by the person stretches across the wall. The lighting is stark and directional, illuminating the figure and wall while plunging the periphery into deep shadow, suggesting late afternoon or early evening. Dominant colors are muted grays, off-whites, and blacks, punctuated by the red of the punching bag and the warm brown of the floor. The camera is positioned at a medium distance, capturing the subject in a slightly low angle that emphasizes the looming"

"mllndllrbb2004, A vintage two-tone sedan, maroon and dark gray, is parked at an angle in a narrow alleyway beside a row of metal roll-up garage doors. The scene is framed from a low, slightly tilted perspective, emphasizing the car’s profile against a backdrop of weathered brick walls, utility poles, and large green and black trash bins. The lighting is dim and golden, suggesting late afternoon or early evening, casting long shadows and highlighting the dusty, gritty texture of the surroundings. Dominant colors are muted earth tones—browns, grays, and faded reds—with the car’s paint providing a subtle contrast."

"mllndllrbb2004, An older man in a dark polo shirt and khaki pants leans into the driver’s side of a silver sedan, appearing to adjust or inspect something inside the vehicle, while the car’s hood is open in the foreground. The scene is set at a vintage-style gas station with retro yellow and red pumps, and a classic orange-and-white truck parked nearby; hay bales are stacked in the background, suggesting a rural or small-town roadside location. Warm, golden sunlight bathes the scene, indicating late afternoon, casting long shadows and highlighting the reflective surfaces of the cars. The dominant colors are earthy yellows, reds, and muted metallics, contrasted by the man’s dark shirt. The camera is positioned at a medium close-up, angled slightly from behind the man, focusing on his"

"mllndllrbb2004, A weathered man with a grizzled beard and visible facial scars stares downward with a somber expression, his head slightly bowed as if in contemplation or exhaustion. He is situated in a confined, utilitarian space with metallic lockers lining the background, suggesting a prison or institutional setting. The lighting is dim and cool-toned, casting deep shadows across his face and highlighting the texture of his skin and clothing, implying a late-night or overcast atmosphere. Dominated by muted greys, blues, and dark browns, the scene feels gritty and oppressive. The camera frames him in a tight close-up, angled slightly from below, emphasizing his weary presence and the weight of his surroundings."

"mllndllrbb2004, A man in a dark fedora leans over another man seated in a boxing ring, his gloved hand resting near the injured man’s face, suggesting a moment of confrontation or aftermath. The setting is a dimly lit, gritty boxing gym with visible ropes, a faded Coca-Cola sign, and industrial metal beams in the background. The lighting is low and directional, casting deep shadows and highlighting the blood streaks on the seated man’s face, indicating a nighttime or late-evening scene. Dominant colors are muted grays, blacks, and the dull yellow of the seated man’s shirt, contrasted by the red of the soda can. The camera is positioned at a low angle, emphasizing the looming presence of the standing man and the vulnerability of the seated one."

"mllndllrbb2004, A woman lies in a hospital bed, appearing unwell or unconscious, while a person in a cap holds a clipboard and speaks to her, possibly a nurse or visitor. Another individual wearing a straw hat and a visible tattoo stands nearby, observing the scene, while a third person in dark clothing is seen from behind, looking into the room. The setting is a sterile hospital room with medical equipment, including an IV stand and monitors, visible in the background. The lighting is cool and clinical, with natural light filtering through a window, suggesting daytime. Dominant colors are muted blues, whites, and grays, creating a somber atmosphere. The camera is positioned outside the room, looking in through a doorway, framing the scene from a slightly low angle that emphasizes the observer’s perspective."

"mllndllrbb2004, A young girl and a medium-sized dog with a brown and tan coat sit inside a vintage orange and white vehicle, both looking out the open passenger-side window as if observing something outside. The scene is framed from the perspective of a retro-style gas pump, with its chrome nozzle and yellow-and-red body partially obscuring the view, while the pump’s display shows pricing details. Warm, golden sunlight bathes the scene, suggesting late afternoon, casting soft highlights on the car’s paint and the pump’s metal surfaces. The dominant colors are the rich orange of the car, the creamy white trim, and the yellow of the gas station equipment, contrasted by the muted tones of the girl’s hair and the dog’s fur. The camera is positioned at eye level, creating an intimate, observational angle that"

"mllndllrbb2004, A vintage, two-tone brown and gray sedan is parked at an angle on a quiet residential street, its headlights off and windows reflecting the ambient light. The setting features a row of attached garages with beige roll-up doors, a red brick wall, and modest single-story homes with gray shingled roofs, while utility poles and wires stretch overhead. The lighting suggests late afternoon or early evening, casting a warm, slightly hazy glow over the scene with long shadows. Dominant colors are earthy browns, muted grays, and beige tones, punctuated by the red brick and greenery in the background. The camera is positioned at a low, slightly angled perspective, capturing the car in profile as it sits parked beside a concrete driveway, with the street receding into the distance."

"mllndllrbb2004, A boxer in green and white satin shorts with “MAGGIE” embroidered on the waistband stands poised, her hands wrapped in white tape, as a gloved hand reaches toward her. The dimly lit, shadowy setting suggests a private training space, with a red Everlast boxing glove and a blue trash can visible in the background. The lighting casts strong contrasts, highlighting the sheen of the shorts and the texture of the hand wraps against deep blacks. The frame is tightly cropped, focusing on the midsection and upper legs, emphasizing the athlete’s readiness and the intimate, focused atmosphere."

"mllndllrbb2004, from inside a vehicle, a hand grips the steering wheel as the car glides past a vintage, light-beige pickup truck with its hood open, parked in front of a modest, single-story house with teal-trimmed windows. The scene unfolds under bright, hazy daylight, casting soft shadows and bathing everything in warm, golden tones, with the asphalt and faded building walls reflecting the sun. The composition is framed through the windshield, with the rearview mirror visible at the top, grounding the viewer in the driver’s perspective as the truck and surrounding foliage—tall cypress trees and shrubs—pass by in motion."

"mllndllrbb2004, inside a gritty, industrial-style boxing gym, a man in a black shirt and fedora bends over near a raised ring platform, while another man in a sleeveless top and gloves stands nearby, facing a coach or trainer. The space is filled with gym equipment, including weight benches, barbells, and a mop bucket, with a few other individuals in the background either training or resting. The lighting is dim and natural, suggesting late afternoon or early evening, casting soft shadows across the worn wooden floor and faded walls. Dominant colors are muted earth tones—browns, grays, and faded blues—with the black of athletic gear providing contrast. The camera is positioned over the shoulder of a man in a dark t-shirt, looking into the scene, creating an immersive, observational perspective."

"mllndllrbb2004, An older man leans against a wall in a long, sterile hospital corridor, watching as a group of three people walks away toward the bright exit at the far end. The hallway is lined with doors, framed artwork, and wall-mounted handrails, with a wheelchair parked near the center. Cool, clinical lighting from overhead fixtures casts sharp reflections on the glossy floor, suggesting daytime. The dominant colors are muted blues, whites, and grays, with the man’s dark shirt and gray pants contrasting against the pale walls. The camera is positioned at eye level, capturing the scene from a medium distance that emphasizes the depth of the corridor and the man’s solitary, contemplative stance."

"mllndllrbb2004, two fighters stand in a boxing ring, facing each other as a referee stands between them, preparing for a match. The ring is surrounded by red ropes and a green canvas floor, with spectators seated in dimly lit bleachers under a banner reading “EAST LA CLUB.” The scene is illuminated by focused overhead lights, casting deep shadows and creating a high-contrast, dramatic atmosphere typical of an indoor evening event. The dominant colors are the red of the ropes, the green of the mat, and the dark silhouettes of the crowd and foreground, framed from a high vantage point that emphasizes the ring as the central focus."

"mllndllrbb2004, A man in a green clerical robe with a white collar stands in a dimly lit interior space, his gaze directed slightly off-camera with a serious, contemplative expression. Behind him, a dark bulletin board is partially visible, adorned with scattered papers and notes, while a fluorescent light fixture casts a cool, narrow beam overhead. The lighting creates strong contrast, highlighting his face and shoulders against the shadowed background, suggesting an indoor scene during daytime. The dominant colors are muted greens, whites, and deep shadows, framed in a tight close-up that emphasizes his facial features and the solemn atmosphere."

"mllndllrbb2004, A solitary figure with white hair sits in the front row of a quiet, modern church, their back to the camera, appearing contemplative or waiting. The interior features rows of dark wooden pews stretching toward a simple altar adorned with flowers and a crucifix, flanked by green curtains and framed religious images on the walls. Stained glass windows along the right side cast colorful, fragmented light onto the dark blue carpeted aisle, suggesting late afternoon or early evening. The dominant colors are muted browns, cool blues, and soft whites, with accents of green and vibrant hues from the stained glass. The camera is positioned at eye level from the back of the nave, creating a long, immersive perspective that emphasizes the emptiness and stillness of the space."

"mllndllrbb2004, inside a boxing ring, a referee in a white shirt and black pants is actively separating two fighters, one in black shorts and the other in blue-trimmed gear, as they appear to be in a heated exchange. The ring is surrounded by ropes in red, white, and blue, with spectators visible in the dimly lit arena behind, some holding cameras. Bright overhead lights illuminate the ring’s canvas and the figures within, contrasting with the darker audience area. The dominant colors are the neutral tones of the ring and referee’s attire, accented by the fighters’ gear and the vibrant ropes. The camera is positioned low and close to the ring’s edge, offering a dynamic, immersive perspective that emphasizes the tension and immediacy of the moment."

"mllndllrbb2004, A weathered brass service bell rests on a dark, worn wooden surface, its metallic surface reflecting soft, directional light that highlights scratches and patina. To the left, a person’s hand, clad in a dark sleeve and wearing a watch, hovers near the bell’s clapper mechanism, suggesting imminent action. The scene is lit with muted, natural tones, casting deep shadows and emphasizing the aged textures of the wood and metal. Dominant colors are dark browns and muted golds, with the camera positioned overhead at a slight angle, focusing tightly on the bell and the hand’s proximity."

"mllndllrbb2004, two men sit across a cluttered wooden desk in a dimly lit office, engaged in a transaction involving cash; one extends a hand holding a bill while the other reaches toward a stack of bills in a cash register. Behind them, large windows with multiple panes reveal a bright, sunlit street scene with pedestrians and urban structures, creating a contrast between the interior’s shadowy tones and the exterior’s daylight. The dominant colors are muted browns, dark blacks, and the greenish hue of the window frames, with the stark white of the cash and the pale yellow of the notepad adding contrast. The camera is positioned at eye level, capturing the interaction from a medium shot that emphasizes the table’s cluttered surface and the men’s focused, tense posture."

"mllndllrbb2004, A person stands in profile, reaching toward a clothing rack inside a dimly lit closet, their hand grasping a hanger with a garment. Above the rack, several shoeboxes are stacked on a shelf, and the walls are plain and unadorned. The lighting is low and focused, casting deep shadows and highlighting the silhouette of the figure against the brighter interior, suggesting late evening or nighttime. Dominant colors are muted—dark tones of the clothing and jacket, contrasted with the pale beige of the walls and the orange-brown of the shoeboxes. The camera is positioned at a medium distance, slightly angled from the side, capturing the person’s upper body and the closet’s contents in a confined, intimate space."

"mllndllrbb2004, two boxers are locked in a tense clinch near the ropes of a boxing ring, with one fighter in dark trunks and the other in light-colored shorts, while a referee in a white shirt observes closely from the side. The ring is surrounded by a crowd of spectators in a dimly lit arena, with a glowing neon sign reading “Las Vegas Arena” visible in the background, flanked by red, white, and blue banners. The lighting is focused on the ring, casting sharp shadows and highlighting the fighters’ muscular forms against the darker surroundings, suggesting an evening or nighttime event. The dominant colors are the red and white of the ropes, the dark tones of the fighters’ attire, and the warm glow of the neon sign, all framed from a low angle that emphasizes the intensity of"

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 273 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.