Miami Vice (2006)

About this LoRA

Miami Vice 2006

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word mmvc2006 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"mmvc2006, A white twin-engine aircraft is captured mid-flight, banking slightly as it flies low over a dense, green forested landscape. Below, a narrow river or stream winds through the terrain, bordered by a visible embankment, while the coastline with turquoise water and a sandy shore appears in the lower right. The lighting suggests late afternoon or early evening, casting soft shadows and giving the scene a muted, earthy tone dominated by greens, browns, and the white of the plane. The camera is positioned high above, looking down at a slight angle, emphasizing the plane’s proximity to the ground and the expansive natural environment."

"mmvc2006, A hand holds a modified digital camera, its lens replaced with a thin metallic rod and wires connected to its body, suggesting a custom-built device for surveillance or recording. In the background, a coiled, reflective cable lies on a wooden surface, alongside loose multicolored wires and a small black component, indicating a workspace for electronics assembly. The lighting is dim and focused, casting soft shadows and highlighting the metallic and plastic textures, with a muted color palette dominated by browns, grays, and the silver of the camera. The camera angle is tight and close-up, emphasizing the intricate details of the modified device and the careful handling by the person."

"mmvc2006, A police cruiser is parked under a large, illuminated overpass at night, with a person standing near its open door, appearing to be either entering or exiting. The scene is set in an urban environment, with another car visible further down the road and chain-link fencing lining the area. The lighting is dominated by a cool blue hue emanating from the underpass’s structural lights and ambient city glow, casting long shadows and bathing everything in a moody, nocturnal tone. The camera is positioned at a low angle, capturing the imposing scale of the overpass and the quiet tension of the moment."

"mmvc2006, A white SUV is captured mid-motion, its front wheel kicking up a cloud of gravel and dust as it drives forward on a dark, uneven surface. The vehicle’s headlights and ambient light cast sharp, high-contrast shadows across its body and the surrounding area, suggesting a nighttime or low-light setting. The camera is positioned low to the ground, emphasizing the motion and texture of the gravel while framing the vehicle’s front fender, wheel, and lower bumper in sharp detail against a dim, industrial-looking background. Dominant colors are muted grays and whites, punctuated by the metallic sheen of the alloy wheel and the dark tones of the surrounding environment."

"mmvc2006, A black Mercedes-Benz E300 sedan is parked on a narrow urban street, viewed from behind as it sits between ornate, weathered buildings with intricate architectural details. The scene is bathed in bright, clear daylight under a pale blue sky with scattered white clouds, casting sharp shadows and highlighting the contrast between the sleek car and the aged facades. The dominant colors are deep black from the vehicle, muted beige and gray tones of the buildings, and the vivid blue of the sky. The camera is positioned low, looking upward along the street, emphasizing the height of the buildings and creating a sense of confinement within the alleyway."

"mmvc2006, A man in a blue pinstripe shirt, wearing a headset, is looking downward with a somber expression, suggesting deep concentration or distress. The setting appears to be an indoor office or control room, with blurred background elements hinting at monitors or equipment. The lighting is dim and cool-toned, casting shadows across his face and emphasizing the mood of seriousness or tension. Dominant colors are shades of blue and gray, with the dark headset contrasting against his shirt. The camera frames him in a tight close-up, angled slightly from the side, focusing on his facial expression and upper torso."

"mmvc2006, A group of men stands outside a white, rounded-front building with a partially open door, while one man in a gray shirt leans against a black SUV nearby. The setting is an urban street lined with adjacent buildings—one blue with a “CUT RATE LIQUOR” sign and another pink with a mural of a saint—alongside parked vehicles and a chain-link fence. The lighting is flat and diffused, suggesting late afternoon or early evening under an overcast sky, with dominant colors of white, blue, and pink contrasting against the dark SUVs. The camera is positioned at eye level, capturing the scene in a wide shot that emphasizes the street’s architecture and the men’s casual, stationary presence."

"mmvc2006, A person sits inside a sleek, dark-colored car, their profile visible through the tinted window as they appear to be driving or paused on a city street. The car’s glossy surface reflects the surrounding urban environment, including buildings and trees, while a white strap with black lettering crosses the frame diagonally. Bright, natural daylight illuminates the scene, casting sharp shadows and highlighting the contrast between the dark vehicle and the lighter surroundings. The dominant colors are deep blacks and grays of the car, accented by the pale tones of the driver’s shirt and the sunlit pavement. The camera is positioned at a low, angled shot from outside the vehicle, emphasizing the car’s aerodynamic lines and the motion blur of the background."

"mmvc2006, A sleek, two-door coupe with a two-tone paint job—black hood and white body—is parked on gravel at night, its headlights glowing with a bright, circular halo effect. The driver is seated inside, partially visible through the open window, while the background is dark and indistinct, suggesting an abandoned or industrial area with faint, out-of-focus machinery. The scene is lit by the car’s own headlights and ambient artificial light, casting sharp highlights on the glossy paint and chrome wheels, with deep shadows dominating the surroundings. The camera captures a low-angle, three-quarter side view, emphasizing the vehicle’s aggressive stance and aerodynamic lines."

"mmvc2006, A computer screen displays a language selection interface with “Spanish” highlighted in a dropdown menu, alongside buttons labeled “Translation,” “Options,” and “Language Options,” with the cursor hovering over “OK.” The background reveals a partially visible email settings window with fields for “Password Key” and server information, suggesting a configuration or security setup. The screen is bathed in a cool, bluish ambient light, typical of older CRT monitors, with a muted palette dominated by grays and blues. The camera is positioned at a slight downward angle, capturing the screen’s interface in a tight, centered frame that emphasizes the user’s interaction with the software."

"mmvc2006, A group of people, including medical staff in green scrubs and a person in a black shirt, are walking down a narrow, brightly lit hospital corridor, moving toward a door at the end. The walls are stark white with recessed lighting above, and a dark-framed window or panel is visible on the right. The scene is illuminated by overhead fluorescent lights, casting a clinical, even glow with minimal shadows, suggesting daytime. Dominant colors are white, green, and black, with muted tones from the clothing and surroundings. The camera is positioned over the shoulder of someone in the foreground, looking down the hallway, creating an immersive, forward-moving perspective."

"mmvc2006, A woman with dark hair pulled back loosely, wearing large gold hoop earrings and a white collared shirt, gazes intently toward someone or something just out of frame to her left. The setting appears to be an indoor space with muted, warm tones, possibly a dimly lit room with soft, diffused lighting that casts gentle shadows across her face, suggesting late afternoon or evening. The background is softly blurred, with indistinct shapes and earthy browns and creams dominating the palette, while the camera frames her in a tight close-up, emphasizing her focused, contemplative expression."

"mmvc2006, three men are seated in a dimly lit room, engaged in an intense conversation; the central figure gestures emphatically while speaking, his expression animated, while the others listen with focused attention. Behind them, large windows reveal a hazy, overcast sky, suggesting late afternoon or early evening, and the walls are plain and textured. The lighting casts cool blue and gray tones across the scene, with shadows deepening the mood. The camera frames them in a medium shot from a slightly low angle, emphasizing their expressions and the tension of the moment."

"mmvc2006, A heavily tattooed, bald man is seen from behind, leaning into an open refrigerator, his arms extended as if searching for something inside. The fridge interior is lit by a cool, fluorescent glow, revealing shelves stocked with milk cartons, a glass jar, and soda cans, while the digital clock above reads “00:00.” The dominant colors are muted whites and grays of the appliance, contrasted with the dark, intricate green and black tattoos covering his back and arms. The camera is positioned at a low angle, capturing the man’s upper body and the fridge’s contents in a tight, immersive frame."

"mmvc2006, A middle-aged man with a visible bruise and scratch above his left eyebrow, wearing black-rimmed glasses and a gray collared shirt, is engaged in a conversation with someone off-camera to his right. The setting appears to be an indoor office or institutional space, with a whiteboard featuring faint markings and a clock visible in the blurred background. The lighting is cool and even, suggesting an interior scene during daytime, casting soft shadows on his face. Dominant colors are muted grays and whites, with the man’s dark skin tone and black glasses providing contrast. The camera frames him in a tight close-up, angled slightly from the side, emphasizing his facial expression and the injury."

"mmvc2006, A person is stepping out of a sleek black luxury sedan parked on a multi-lane highway at night, with the car’s headlights glowing brightly. The setting is an elevated urban roadway, flanked by concrete barriers and illuminated by streetlights, with other vehicles visible in the background and a distant highway sign. The scene is bathed in the warm glow of artificial lighting against the dark night sky, with dominant colors of deep black, muted grays, and golden-yellow highlights from the lights. The camera is positioned at a low, slightly angled perspective, emphasizing the car’s imposing front grille and the person’s movement toward the open door."

"mmvc2006, multiple security camera feeds are displayed on monitors in a dimly lit control room, capturing various scenes including a person sitting in a doorway and a crowded, chaotic interior with people moving and interacting. Stacks of papers rest on shelves above the monitors, and the screens are labeled with camera identifiers like “CAM5” and “CAM6.” The lighting is low and yellowish, casting shadows and creating a tense, nocturnal atmosphere. Dominant colors are dark grays, blacks, and muted yellows, with the monitors glowing faintly. The camera is positioned at a low angle, looking up slightly at the monitors, with foreground elements partially obscuring the view, suggesting an observer’s perspective from within the control room."

"mmvc2006, A woman with dark, curly hair is captured in a close-up, her gaze fixed intently on someone just out of frame to her left, suggesting a moment of serious or emotional dialogue. She wears a textured, golden-yellow garment with a soft collar, and the background is softly blurred, hinting at an indoor, dimly lit space with warm, muted tones. The lighting is low and directional, casting gentle shadows across her face and emphasizing the intimacy of the scene, likely set during evening or night. The frame is tightly cropped, focusing on her expression and the subtle tension in her posture, with a shallow depth of field that isolates her from the surrounding environment."

"mmvc2006, A person wearing a headset and glasses is seated inside a cockpit, gazing out over a sprawling cityscape illuminated by countless twinkling lights below. The scene is set at night, with the interior dimly lit, casting shadows across the individual’s face while the distant urban glow provides a warm, bokeh-lit backdrop. Dominant colors are deep blacks and muted grays inside the cockpit, contrasted by the vibrant yellows, whites, and reds of the city lights. The camera frames the subject in a tight close-up from a side profile, emphasizing their focused expression and the vast, glowing expanse visible through the window."

"mmvc2006, A dark, blurred silhouette of a person is captured mid-motion, seemingly running or moving quickly through a snowy, nighttime urban environment. The background reveals streaks of distant streetlights and faint building outlines, suggesting motion blur from a handheld camera. The scene is dominated by deep blacks and muted grays, punctuated by the cold white glow of snow and the faint red and green glows of distant traffic or signage. The camera is positioned at a low, slightly tilted angle, enhancing the sense of urgency and disorientation."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.