Inside Man (2006)

About this LoRA

Inside Man 2006

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word insdmn2006 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"insdmn2006, A uniformed officer stands alert beside a large, open-back armored truck parked on a city street, its rear compartment revealing a dark interior with a bright light source inside. The setting is an urban sidewalk flanked by modern buildings with glass facades and storefronts, including one with a visible “PIZZA” sign and a banner with repeated red text. Bright daylight illuminates the scene, casting sharp shadows and highlighting the metallic gray of the truck and the officer’s dark uniform, contrasted against the neutral tones of the surrounding architecture. The camera is positioned at eye level, capturing the officer and truck in a medium shot that emphasizes the scale of the vehicle and the officer’s vigilant stance."

"insdmn2006, two men sit side by side in a dimly lit, gritty interior, their expressions tense and focused as they stare directly ahead, suggesting a moment of high stakes or confrontation. The background is a textured, muted wall, possibly concrete or brick, with soft shadows hinting at a confined space. The lighting is low and directional, casting deep shadows on their faces while illuminating their collared shirts — one in a pale blue checkered pattern, the other in stark white with a loosened tie — creating a stark contrast. The color palette is desaturated, dominated by cool grays, muted blues, and off-whites, enhancing the somber, suspenseful mood. The camera is positioned at eye level, framing them tightly in a medium close-up that emphasizes their facial expressions and the weight of"

"insdmn2006, A police officer in a tactical vest labeled “NYPD-ESU” is escorting a handcuffed individual through a doorway into an outdoor area, while another uniformed officer stands guard in the background. The setting appears to be a police station or secure facility, with a metal door frame, a countertop holding stacked paper cups and an open ledger, and a wall-mounted speaker visible inside. The lighting is even and diffused, suggesting an overcast day or interior illumination, casting soft shadows. Dominant colors are muted blues, grays, and blacks, with the beige of the outdoor pavement contrasting subtly. The camera is positioned at eye level, framed from behind the escorting officer, creating a sense of movement and focus on the transition from interior to exterior space."

"insdmn2006, two individuals are seated in a dimly lit, utilitarian office space, both looking upward with expressions of focused attention, as if reacting to something on a screen or monitor. Behind them, a wall-mounted Dell monitor displays a grainy, outdoor scene, while horizontal blinds partially obscure a window to the left, casting narrow slivers of light across the room. The dominant colors are cool blues and grays, punctuated by the white shirt and striped tie of the person on the right and the dark uniform of the person on the left. The camera is positioned at a medium close-up angle, capturing the upper torsos and faces of the subjects, emphasizing their engaged expressions and the tense atmosphere of the moment."

"insdmn2006, A close-up portrait of a man with visible facial injuries—bruising, cuts, and dried blood—suggests he has recently endured physical conflict. He stares directly forward with a grim, weary expression, his face illuminated by a harsh, directional light that casts deep shadows against a muted, dark green, textured background. The lighting implies an indoor, possibly dimly lit or clandestine environment, with dominant tones of green, black, and flesh tones, creating a tense, gritty atmosphere. The camera is tightly framed on his face, emphasizing his emotional and physical state."

"insdmn2006, A person in dark clothing, holding a rifle, stands facing a wall of metal safety deposit boxes inside a secure vault room. To the left, another figure is partially visible behind vertical bars, near a desk illuminated by a single warm-toned lamp. The scene is dimly lit, with overhead lights casting a cold, metallic glow on the vault’s surfaces, suggesting nighttime or a controlled, isolated environment. Dominant colors are muted grays, blacks, and the warm yellow of the lamp, contrasting with the cool steel of the vault. The camera is positioned at eye level, framed through the bars, creating a sense of observation and confinement."

"insdmn2006, A man and a woman sit facing each other on separate wooden benches in a grand, arched hallway, engaged in conversation with the woman resting her chin on her hand. The setting features ornate, vaulted ceilings with blue and gold decorative patterns, marble walls and floors, and a tall, lit floor lamp to the left. The lighting is soft and warm, emanating from the lamp and natural light filtering through distant windows, suggesting late afternoon or early evening. Dominant colors are creamy whites, deep browns of the benches, and muted blues and golds in the ceiling. The camera frames the scene from a low, wide angle, emphasizing the architectural depth and symmetry of the corridor."

"insdmn2006, two uniformed officers in tactical gear cautiously advance through a dimly lit warehouse aisle, weapons drawn and scanning the surroundings. The space is lined with tall metal shelves packed with cardboard boxes, plastic-wrapped goods, and stacked supplies, including visible Dell-branded packaging and stacks of disposable cups. Overhead fluorescent lights cast a cold, sterile glow, creating sharp shadows and a tense atmosphere, suggesting an operation occurring under artificial illumination at night or in a closed facility. Dominated by muted greys, blacks, and the dull browns of cardboard, the scene is framed from a low angle, emphasizing the officers’ alert posture and the looming, cluttered shelves that narrow the corridor ahead."

"insdmn2006, A group of uniformed officers, some in tactical gear and others in standard uniforms, are actively managing a crowd of civilians in an urban alleyway, with several individuals on the ground and others standing or moving under control. The setting is a narrow street flanked by tall, light-colored buildings with barred windows, and a police bus and a white utility vehicle are visible in the background, suggesting a high-security or emergency operation. The lighting is dim and atmospheric, with artificial streetlights casting a warm glow against the cool, muted tones of the environment, indicating late afternoon or early evening. The dominant colors are shades of gray, blue, and black, punctuated by the white of the vehicles and the occasional flash of orange from safety cones. The camera is positioned at eye level, capturing the scene from"

"insdmn2006, emergency responders and police officers are gathered outside a commercial building, with some personnel standing alert while others move through the scene, cordoned off by bright orange tape that reads “NO ACCESS! WITHOUT HEAVY DUTY VEST & HELMET.” The setting is an urban sidewalk in front of a glass-fronted storefront, with visible signage and a fire escape ladder nearby, under natural daylight that casts sharp shadows, suggesting midday. Dominant colors include the vivid orange of the caution tape, the dark blues and blacks of police uniforms, and the muted grays and browns of the pavement and building facade. The camera is positioned at a low, eye-level angle, capturing the scene from behind the tape, emphasizing the restricted access and the presence of authority."

"insdmn2006, A police officer leans out of the driver’s side of a black SUV, appearing to interact with someone or something just out of frame, while another NYPD cruiser with flashing red lights is parked nearby. The scene unfolds on a narrow city street lined with parked cars, including a silver SUV and a dark sedan, under the hazy glow of late afternoon sun that casts long shadows and creates a warm, golden rim light. The dominant colors are muted grays and blacks of the vehicles and pavement, contrasted by the bright white and blue of the police car and the vivid red of its emergency lights. The camera is positioned at a low, slightly angled perspective from behind the SUV, emphasizing the confined urban space and the sense of urgency conveyed by the flashing lights and the officer’s focused posture."

"insdmn2006, A person in a full white protective suit with a face mask and yellow-striped vest steps into a dimly lit office, their foot resting on the torso of someone lying motionless on the floor. The room features dark wood paneling, a frosted glass partition, and framed documents on the wall, with a desk holding papers and a telephone. The lighting is low and focused, casting deep shadows and suggesting an indoor scene during evening or night. Dominant colors are muted browns, blacks, and the stark white of the suit, contrasted by the yellow stripes. The camera is positioned at eye level, capturing the scene through a doorway, emphasizing the tension and isolation of the moment."

"insdmn2006, A figure in a white uniform and mask strides forward through a grand, marble-floored lobby, their motion blurred as they step over a cloud of smoke rising from the floor. Several people lie motionless on the ground nearby, while another masked individual stands in the background near an ornate table, holding a device. The setting is a spacious, classical interior with tall arched windows, decorative columns, and vintage-style pendant lights casting warm, ambient illumination. The dominant colors are muted earth tones—beiges, grays, and browns—with stark white from the uniforms and metallic gold accents from fixtures. The camera is positioned low to the ground, emphasizing the smoke and the imposing figure’s movement, creating a sense of urgency and disorientation."

"insdmn2006, A tense, close-up interaction unfolds between two men, one partially obscured by a white fabric mask and dark sunglasses, while the other, seen in profile, appears to be speaking or confronting him. The setting is dimly lit, likely indoors, with a blurred background suggesting the presence of other people and muted, neutral tones. The lighting casts sharp shadows, emphasizing the intensity of the moment, and the dominant colors are subdued—beige, black, and skin tones—with a hint of yellow from a reflective vest. The camera frames the scene tightly, focusing on the profiles and expressions, creating an intimate and suspenseful atmosphere."

"insdmn2006, A group of uniformed officers in tactical gear are gathered in a narrow warehouse aisle, focused on a large, crumpled black bag on the floor, with one officer bending over to inspect its contents while others stand nearby, observing or assisting. The setting is a dimly lit storage room lined with tall metal shelves packed with cardboard boxes and supplies, illuminated by overhead fluorescent lights casting a cool, sterile glow. The dominant colors are muted blues and grays, with the dark uniforms and black bag contrasting against the pale flooring and shelving. The scene is framed from a doorway perspective, looking into the space with a shallow depth of field that emphasizes the officers and the bag while blurring the background shelves."

"insdmn2006, A close-up of a black Sprint-branded flip phone displaying its speed dial menu, with entries like “P. Hammond,” “Mom,” and “Home” visible on a greenish-tinted screen. The phone is held upright against a softly blurred, dark background, suggesting an indoor or dimly lit environment. The lighting casts a cool, muted glow on the device, emphasizing the screen’s glow and the phone’s matte casing, while the camera’s tight framing isolates the phone’s interface as the central focus."

"insdmn2006, A solitary figure sits hunched at a desk behind heavy metal bars, illuminated by a single lamp casting a warm glow in an otherwise dim, institutional space. The setting is a stark, enclosed room with a barred door and a second set of bars visible in the background, suggesting a secure or restricted area. The lighting is low and moody, with deep shadows dominating the foreground and muted tones of gray and black, punctuated by the warm yellow of the lamp. The camera is positioned at eye level, framed through the bars, creating a sense of confinement and observation."

"insdmn2006, A man in a light blue shirt and baseball cap walks confidently down a city sidewalk, carrying a bag, while another pedestrian moves away in the background. The scene is viewed from inside a car, with the driver’s hand on the steering wheel and the rearview mirror reflecting part of the driver’s face; a silver sedan is parked nearby, and a red stop sign stands at the corner. Bright daylight illuminates the urban environment, casting sharp shadows on the pavement and highlighting the contrast between modern glass-fronted buildings and older stone architecture. The dominant colors are muted grays and beiges of the buildings, accented by the blue of the man’s shirt and the red of the stop sign. The camera is positioned at eye level from within the vehicle, creating an immersive, observational perspective."

"insdmn2006, three individuals are gathered around a large, flat surface, intently examining a grid of nine small, square photographs pinned to it. The setting appears to be a stark, institutional room with a plain, gray wall and a checkered floor visible in the corner, suggesting a formal or investigative environment. The lighting is dim and directional, casting deep shadows across the figures and emphasizing the contrast between the bright, illuminated photos and the darkened surroundings. Dominant colors are muted grays and blacks, punctuated by the white shirts of two individuals and the dark tones of the third’s clothing. The camera is positioned overhead, looking down at a high angle, which creates a sense of surveillance or scrutiny over the scene."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.