Hulk (2003)

About this LoRA

Hulk 2003

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word hlk2003 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"hlk2003, A sleek, red-and-white aircraft is captured mid-flight, banking sharply just above the water, leaving a small splash trail below. It soars beneath a massive suspension bridge with towering steel pylons and intricate cablework, spanning a wide, choppy bay. In the background, rolling green hills and distant urban structures fade into a hazy blue sky, suggesting a late afternoon with soft, diffused light. The dominant colors are muted blues and grays of the water and sky, contrasted by the bridge’s metallic tones and the aircraft’s vibrant livery. The camera is positioned at a low angle, looking up toward the bridge and aircraft, emphasizing the scale of the structure and the dynamic motion of the plane."

"hlk2003, A group of military personnel and one civilian woman are gathered in a dimly lit, high-tech command center at night, focused on computer screens, laptops, and communication equipment. The setting is a mobile operations room with rugged tables cluttered with papers, binders, and portable gear, while background consoles glow with illuminated panels and blinking indicators. The lighting is low and functional, casting sharp shadows and emphasizing the green and black tones of the uniforms and equipment, contrasted by the blue glow of monitors. The camera captures a wide, slightly elevated angle, showing the organized chaos of the team as they work intently under the cover of darkness."

"hlk2003, A weathered man with a thick, salt-and-pepper beard and tousled hair leans in closely, his gaze fixed intently on someone just out of frame, suggesting a moment of earnest or emotional dialogue. The setting is dimly lit, likely indoors, with muted, earthy tones dominating the scene — deep blacks, grays, and faint browns — creating a somber, intimate atmosphere. The lighting casts soft shadows across his face, highlighting the texture of his skin and the intensity in his eyes, while the shallow depth of field blurs the background, keeping focus entirely on his expression. The camera frames him in a tight close-up, angled slightly from the side, enhancing the sense of personal connection and emotional weight in the moment."

"hlk2003, A military helicopter, painted in olive green and gray camouflage, hovers steadily against a pale sky streaked with soft, wispy clouds. Its main rotor spins rapidly, creating a blurred motion effect, while the tail rotor is visible at the rear, and faint markings, including a star insignia, are discernible on the fuselage. The scene is bathed in the warm, diffused light of either early morning or late afternoon, casting a gentle glow over the aircraft and the distant, hazy horizon. The camera captures the helicopter from a low, side-on angle, emphasizing its size and the motion of its blades against the expansive sky."

"hlk2003, A tense urban scene unfolds as heavily armed tactical units emerge from a black armored vehicle marked “S.W.A.T.”, advancing with purpose down a city street while civilians react in the background. The setting is a bustling downtown with vintage cable cars, parked police cruisers, and pedestrians caught in the unfolding action, framed by brick buildings and street signs under overcast, diffused daylight. Dominated by black, white, and muted grays, the palette is punctuated by the red of a nearby mailbox and the reflective sheen of police vehicles. The composition is a dynamic collage of shots — a close-up of a speeding patrol car, a wide-angle view of the street, and ground-level perspectives capturing the urgency and chaos — all conveying a high-stakes, cinematic moment."

"hlk2003, A dense, ancient forest thrums with life as thick canopies of moss-covered trees intertwine overhead, casting dappled shadows across the forest floor. Sunlight filters through the leaves in bright, scattered beams, illuminating patches of vibrant green ferns and undergrowth. The dominant hues are deep emerald and forest green, contrasted by the dark, textured bark of gnarled trunks. Shot from a low, immersive angle, the camera draws the viewer into the heart of the woodland, emphasizing the towering presence of the trees and the lush, untamed environment."

"hlk2003, A nighttime scene captures a large, wet military compound bustling with activity, where soldiers move among a dense array of armored vehicles, trucks, and helicopters parked in organized rows. Bright floodlights illuminate the area, casting sharp reflections on the damp pavement and highlighting the stark contrast between the glowing artificial lights and the deep black sky. The dominant colors are muted grays and dark greens of the military equipment, punctuated by the white and blue flashes of emergency lights from a police car. The camera is positioned high above, offering a wide-angle, bird’s-eye view that emphasizes the scale and organized chaos of the scene."

"hlk2003, A military helicopter, armed with external missile pods, hovers low against a clear blue sky, its rotors spinning rapidly. On the ground, two personnel in flight gear strain to pull a thick rope, likely for an aircraft recovery or tethering operation, while others stand in formation nearby. The scene is bathed in bright, direct sunlight, indicating midday, with the dominant colors being the beige of the aircraft and uniforms, contrasted against the deep blue sky and gray tarmac. The frame is split vertically, with the helicopter occupying the left side and the ground crew on the right, captured from a low, eye-level perspective that emphasizes the scale and intensity of the activity."

"hlk2003, in a dimly lit, high-tech command center, several individuals are seated at workstations, intently monitoring multiple glowing screens displaying maps, satellite imagery, and data readouts. The room is dominated by a large wall of monitors, with a central hexagonal table and dark, perforated console partitions, creating a focused, operational atmosphere. The lighting is low, with the primary illumination coming from the screens, casting a cool blue and green glow over the scene, suggesting a nighttime or underground setting. The dominant colors are dark grays and blacks, punctuated by the vibrant hues of the digital displays. The camera is positioned at a high angle, looking down into the room, emphasizing the scale of the control center and the concentration of the personnel."

"hlk2003, A person with long, dark hair is seated inside a vehicle, their head bowed and one hand raised to their forehead, suggesting distress or exhaustion. The interior of the car is dimly lit, with shadows dominating the frame, and the background reveals the silhouette of a car seat and window frame. The lighting is low and moody, casting deep shadows and highlighting only the contours of the hand and hair, with muted tones of black, gray, and faint skin tones. The camera is tightly framed on the subject’s upper body and head, capturing a close, intimate, and emotionally charged moment from a slightly elevated angle."

"hlk2003, A close-up view of a rugged, reddish-brown Martian surface, captured through a spacecraft’s targeting display, with faint green grid lines and red text indicating “TRACKING TARGET.” The surrounding control panel features labeled buttons like “TWSM,” “VSL LO,” and “TCS AACQ,” suggesting an active mission interface. The scene is illuminated by artificial cockpit lighting, casting a dim, focused glow over the terrain and controls, with deep blacks framing the edges. Dominant hues are earthy reds and browns of the surface, contrasted by metallic grays and glowing green accents of the console. The camera is angled slightly downward, emphasizing the terrain’s texture and the precision of the targeting system."

"hlk2003, A small, olive-green helicopter hovers low over calm, reflective water, its rotors spinning as it maneuvers near the base of a massive, smooth sandstone cliff face. The canyon walls rise steeply in warm tones of rust and peach, their layered textures and shadows cast by bright, direct sunlight suggesting midday. The water mirrors the cliffs and the helicopter’s silhouette, creating a serene yet dynamic scene framed from a slightly elevated angle that emphasizes the scale of the natural landscape against the small machine."

"hlk2003, A lone figure stands on a ruined rooftop, gazing out over a sprawling cityscape aglow with countless lights under a dark, starless sky. The foreground is littered with broken concrete and debris, while a metal railing and two cylindrical structures stand sentinel on the edge. The scene is bathed in the dim, artificial glow of distant urban illumination, casting deep shadows and emphasizing the contrast between the desolate foreground and the vibrant, distant metropolis. The camera is positioned at a high vantage point, looking down and across the city, creating a sense of isolation and scale. Dominant colors are deep blacks and grays, punctuated by the warm yellows and whites of city lights."

"hlk2003, A large suspension bridge spans a wide body of water, its steel towers and cables standing tall against a hazy sky, while a dramatic splash erupts from the water’s surface near the center of the frame. In the background, rolling hills and distant urban structures are visible under soft, diffused daylight, suggesting a calm midday scene. The dominant colors are muted blues and grays, with the water’s surface reflecting the sky and the bridge’s metallic structure. The camera is positioned at a low, wide angle, capturing the full expanse of the bridge and the splash, emphasizing the scale of the structure and the dynamic motion of the water."

"hlk2003, A formation of military helicopters, including one prominently in the center with visible crew and camouflage paint, flies low over a residential neighborhood with Victorian-style buildings. The scene is set under a clear, bright blue sky, suggesting midday sunlight that casts sharp shadows and highlights the metallic and painted surfaces of the aircraft. The dominant colors are the green and gray of the helicopters, contrasted against the pale facades of the houses and the deep blue of the sky. The camera is positioned at a low angle, looking upward, emphasizing the scale and movement of the helicopters as they pass overhead."

"hlk2003, A towering, muscular green figure in purple shorts strides forward through a shallow puddle on a paved sidewalk, its back to the viewer. In the background, a woman in casual attire walks down a wide concrete staircase flanked by lush greenery, flowering bushes, and trees, with a light-colored building visible behind her. The scene is bathed in bright, natural daylight, casting sharp shadows, suggesting midday. Dominant colors include the green of the foliage and the figure’s skin, the gray of the concrete, and the purple of the shorts, contrasted with bursts of red and purple flowers. The camera is positioned at a low, eye-level angle, capturing the figure’s imposing presence and the surrounding urban garden setting."

"hlk2003, A man with unkempt hair and a beard stands solemnly, facing another man who is seated in a chair with his head bowed, suggesting a moment of confrontation or introspection. Behind them looms a large, circular, metallic apparatus with intricate internal components, flanked by an empty chair, hinting at a high-tech or institutional setting. The scene is bathed in stark, directional lighting that casts deep shadows against a dark backdrop, creating a dramatic, late-night or isolated atmosphere. Dominant colors are cool blues and grays, contrasted by the muted browns of the standing man’s clothing and the metallic sheen of the machinery. The camera frames the scene from a medium distance, capturing both figures and the imposing machine in a balanced composition that emphasizes tension and scale."

"hlk2003, in a dimly lit laboratory, two individuals sit on stools at separate workstations, each holding a bottle and appearing to drink, suggesting a moment of pause or informal interaction amidst their work. The room is cluttered with scientific equipment, including microscopes, glassware, and shelves lined with bottles and books, with a “Current Biology” poster visible on the wall. The lighting is subdued, with overhead fluorescents and desk lamps casting focused pools of light, indicating late afternoon or evening. Dominant colors are muted browns and grays of the wooden cabinets and lab benches, contrasted by the dark clothing of the figures and the occasional bright accent from equipment or signage. The camera frames the scene from a medium-wide angle, capturing both subjects and the surrounding lab environment to emphasize the contrast between professional"

"hlk2003, A lone figure stands on a raised walkway, gazing toward a modern building complex at night, their silhouette partially illuminated by the glow from interior lights. The structure features a mix of glass and corrugated metal panels, with several windows glowing a cool greenish-blue, while a few people are visible near the entrance. The scene is dimly lit by ambient artificial lighting and spotlights, casting long shadows across the paved walkways and railings, with the dominant colors being deep blacks, muted grays, and the contrasting teal glow from within. The camera is positioned at a low angle, capturing the figure in profile against the expansive, angular architecture, emphasizing the quiet, isolated atmosphere."

"hlk2003, A man with dark, slightly damp hair, wearing a white button-up shirt, is hunched forward with his head bowed, suggesting deep concentration or distress. Behind him, a large, metallic circular structure with reflective surfaces and mechanical components looms in the background, hinting at a high-tech or industrial environment. The lighting is cool and directional, casting sharp shadows and highlighting the contours of his face and shirt, suggesting an interior space with artificial illumination during nighttime or in a dimly lit facility. Dominant colors are muted whites, grays, and dark tones, with the metallic sheen providing contrast. The camera is positioned at a low angle, looking slightly upward at the subject, emphasizing his posture and the imposing scale of the machinery behind him."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.