Skip to content
Sign in Sign up

Explore › Movies › Eastern Promises (2007)

Eastern Promises (2007)

MovieKrea 2
Eastern Promises (2007) sample 1
Eastern Promises (2007) sample 2
Eastern Promises (2007) sample 3
Eastern Promises (2007) sample 4
Eastern Promises (2007) sample 5
Eastern Promises (2007) sample 6
Eastern Promises (2007) sample 7
Eastern Promises (2007) sample 8
Eastern Promises (2007) sample 9
Eastern Promises (2007) sample 10
Eastern Promises (2007) sample 11
Eastern Promises (2007) sample 12
Eastern Promises (2007) sample 13
Eastern Promises (2007) sample 14

About this LoRA

Eastern Promises 2007

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word estrnprmss2007 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"estrnprmss2007, two men stand on a narrow metal walkway atop a building, one with his back to the camera in a dark suit, the other leaning against the railing barefoot, smoking a cigarette while looking down. The setting is an urban rooftop alleyway, flanked by brick buildings with fire escapes and weathered rooftops, under overcast, diffused daylight that casts soft shadows. Dominant colors are muted grays, blacks, and the dull brown of aged brick, with the greenish-gray of the roof tiles adding contrast. The camera is positioned at eye level, capturing the scene from behind the first man, creating a sense of observation and tension."

"estrnprmss2007, A lone figure walks across a wet, reflective street in front of a grand, stone-faced hospital building adorned with festive Christmas lights and a decorated tree above the entrance. The scene is set at night, with the building’s illuminated windows and street lamps casting a warm glow against the cool, dark tones of the wet pavement and surrounding architecture. The dominant colors are deep blues and grays of the night, contrasted by the reds and golds of the holiday decorations and the soft yellow of the lights. The camera is positioned at street level, slightly angled to capture the building’s imposing facade and the movement of the pedestrian, with a partial obstruction on the right framing the shot."

"estrnprmss2007, A pair of weathered hands gently arranges pink rose petals in a faceted red glass bowl, positioned beside an open white takeout box and a basket of colorful cherries. The scene is set on a metallic countertop, with a stack of red-and-white patterned cards nearby, under warm, soft lighting that suggests late afternoon or indoor illumination. Dominated by rich pinks, deep reds, and muted metallic tones, the composition is tightly framed from a slightly elevated angle, focusing on the tactile interaction with the flowers."

"estrnprmss2007, A person in a black helmet and jacket crouches beside a vintage-style black motorcycle on a wet urban street, appearing to inspect or adjust something near the engine. Behind them, a row of parked scooters and motorcycles lines the curb, with a classic black car and storefronts adorned with holiday garlands in the background. The scene is overcast, with diffused lighting reflecting off the damp asphalt, and the dominant colors are muted grays, blacks, and metallic tones, punctuated by the yellow license plates. The camera is positioned at a low angle, close to the ground, emphasizing the motorcycle and the crouching figure while framing the street scene in the background."

"estrnprmss2007, A person with curly hair, seen from behind, gently cradles a swaddled infant nestled within a large black bag or carrier, their hand resting protectively on the baby’s chest. The scene unfolds beside a body of water, where scattered white reflections shimmer on the dark, rippling surface, suggesting an overcast or twilight setting. The lighting is dim and moody, casting deep shadows and emphasizing the contrast between the dark outerwear and the soft pink hue of the baby’s blanket. The camera frames the subject in a tight, over-the-shoulder shot, focusing on the intimate, quiet moment against the somber, watery backdrop."

"estrnprmss2007, A man in a black shirt and apron is leaning over a stainless steel counter in a commercial kitchen, arranging food on trays, with his right hand reaching toward a dish of vegetables. The setting is a professional kitchen filled with large industrial ovens with red handles, stacked racks, and a prominent ventilation hood overhead; various prepared dishes, glassware, and a bottle of liquor are visible on the counter. The lighting is bright and functional, casting sharp shadows and highlighting the metallic surfaces, suggesting daytime. Dominant colors are the silver of the stainless steel, the black of the man’s clothing, and the red accents from the oven handles and some food items. The camera is positioned at a medium distance, capturing the man from the side and slightly behind, emphasizing his interaction with the food and the scale"

"estrnprmss2007, A woman in a light blue blouse and beige skirt holds a baby dressed in a white lace outfit, standing near a colorful playpen in a cozy, lived-in living room. The room features patterned sofas, a lit table lamp casting a warm glow, framed photos, and curtains framing a window that suggests late afternoon or early evening light. The dominant colors are muted greens, beige, and soft pastels, contrasted by the bright red, yellow, and blue of the playpen. The camera is positioned at eye level, capturing a medium shot that emphasizes the tender interaction between the woman and the baby while including key elements of the domestic space."

"estrnprmss2007, A woman in light blue scrubs stands in profile near a wooden door, her gaze directed toward the right side of the room, suggesting she is observing or waiting. The setting is a dimly lit hospital room, featuring a dark blue upholstered chair with wooden legs, a window with closed horizontal blinds, and a hospital bed partially visible in the foreground under a green sheet. The lighting is subdued and cool, casting soft shadows and indicating an indoor scene likely during evening or night. Dominant colors are muted blues, greys, and the warm brown of the door, creating a somber, clinical atmosphere. The camera is positioned at a medium distance, capturing the subject and her immediate surroundings in a slightly elevated, wide-angle shot that emphasizes the quiet, confined space."

"estrnprmss2007, in a warmly lit, cozy dining room with bamboo-patterned wallpaper, one person stands by the table arranging items while another sits calmly reading a book. The table is set with a glass of wine, a bowl of nuts, and decorative placemats, with a wooden shelf holding plants and framed photos in the background. Natural light streams through a glass-paneled door, suggesting late afternoon, and the scene is dominated by earthy tones—browns, creams, and muted greens—with soft, diffused lighting. The camera captures a medium shot from a slightly elevated angle, framing the interaction and the intimate, lived-in atmosphere of the space."

"estrnprmss2007, three men sit side by side on a wooden bench in a dimly lit locker room, facing a row of dark wooden lockers, one of which is open. The space is illuminated by two round, warm-toned ceiling lights casting soft shadows, suggesting an indoor, possibly late afternoon or evening setting. The dominant colors are deep browns and blacks from the lockers and leather jackets, contrasted by the pale white shirt of the bald man on the right. The camera is positioned behind the men, capturing them from a medium shot that emphasizes their posture and the surrounding environment."

"estrnprmss2007, A man in a black trench coat and sunglasses stands near a pole, arms crossed, observing a scene on a wet urban street. Nearby, a woman with blonde hair leans over a black motorcycle parked beside a damaged car, while a silver Bentley with license plate GX56 LKJ is parked nearby. The setting is a city street lined with brick buildings and pedestrians, under overcast, diffused daylight that casts soft shadows. Dominant colors are muted grays, blacks, and the red brick of the buildings, with the silver car providing a bright contrast. The camera is positioned at eye level, capturing a medium shot that includes both subjects and the surrounding street environment."

"estrnprmss2007, A group of men stands near the entrance of a red-brick building with arched doorways and windows, one appearing to be in conversation while others wait nearby. Parked along the wet pavement are several cars, including a black SUV, and a bicycle leans against a metal rack beside the curb. The overcast sky casts soft, diffused light across the scene, suggesting a cool, damp morning or afternoon. Dominant colors are the deep red of the brick, the gray of the pavement and sky, and the dark tones of the vehicles and clothing. The camera is positioned at street level, capturing the building’s facade and the sidewalk in a wide, slightly angled shot that emphasizes the urban setting."

"estrnprmss2007, A pair of heavy, dark wooden doors stands closed at the entrance of a stone building, flanked by ornate wall-mounted lanterns glowing warmly, each adorned with festive evergreen wreaths and red berries. The setting is nighttime, with the ambient light casting deep shadows and highlighting the textured stone facade and brass door handles, while a small plaque below the left lantern reads “Trans-Siberian Restaurant.” The dominant colors are muted grays and blacks of the architecture, contrasted by the warm golds of the lighting and the vibrant reds of the holiday decorations. The camera frames the scene tightly, centered on the doors, creating an intimate, slightly mysterious perspective that draws attention to the entrance’s quiet grandeur."

"estrnprmss2007, two young girls stand in a richly decorated room, each holding a violin and bow, poised as if preparing to play. The setting is an opulent interior with deep red tufted sofas, ornate dark wood paneling, and a patterned red carpet with gold floral motifs. Silver serving trays and decorative plant arrangements add to the formal ambiance, while warm, dim lighting suggests an evening gathering. The dominant colors are deep reds, burgundies, and golds, creating a luxurious and intimate atmosphere. The camera frames the girls from a medium distance, capturing their full figures and the surrounding decor with a slightly elevated angle."

"estrnprmss2007, A man with visible injuries cradles a small child wrapped in a white blanket, his face close to the child’s head in a tender, protective embrace. The scene unfolds at night, with blurred city lights glowing softly in the background, suggesting an urban rooftop or balcony setting. Warm, directional lighting highlights the man’s face and the child’s hair, casting deep shadows and creating a contrast with the dark surroundings. The dominant colors are muted tones of black, gray, and warm amber, with the white blanket providing a soft focal point. The camera frames the moment tightly from a low angle, emphasizing the intimacy and emotional weight of the interaction."

"estrnprmss2007, A group of people are walking and standing among weathered gravestones in a cemetery, with one individual raising their hand as if gesturing or speaking. In the background, a large modern building with blue and white panels and a metal truss structure looms over the scene, contrasting with the historic gravestones and bare winter trees. The lighting is bright and clear, suggesting a sunny day, casting sharp shadows across the grassy ground. Dominant colors include the muted grays and browns of the stone and earth, punctuated by the blue of the building and the green of sparse grass. The camera is positioned at eye level, capturing the cemetery in a wide shot that includes both the foreground gravestones and the distant architecture, creating a layered composition."

"estrnprmss2007, A nurse in light blue scrubs holds a swaddled infant, standing with her back to the camera near a hospital crib. The setting is a neonatal intensive care unit, with medical monitors mounted on a metal stand, a windowed crib labeled with the number 8, and visible electrical outlets and tubing. The lighting is dim and clinical, suggesting late evening or night, with muted tones of blue, gray, and white dominating the scene. The camera is positioned over the shoulder of the nurse, framing her and the crib in a medium shot that emphasizes the quiet, focused moment."

Training

  • Base model: Krea 2 (trained on Raw)
  • Type: Style LoRA
  • Dataset: 252 images
  • Steps: 2000
  • Network rank / alpha: 32 / 32
  • Learning rate: 0.0002
  • Optimizer: adamw8bit
  • Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

  • Raw: ~30 steps, guidance 3.5
  • Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.

Synthetic and safe for work

This LoRA captures a visual style — colour, light, texture and framing. It is not made to replicate or generate any real person. All RKRRA content is safe for work (SFW).

More movies

  • MovieNew

    Transporter 3 (2008)

    €1
  • MovieNew

    Cloverfield (2008)

    €1
  • MovieNew

    Tropic Thunder (2008)

    €1
  • Movie

    Christopher Robin (2018)

    €1
  • Movie

    Rugrats in Paris The Movie (2000)

    €1
  • Movie

    REC (2007)

    €1
  • Movie

    Rush Hour 3 (2007)

    €1
  • Movie

    Rush Hour 2 (2001)

    €1