Déjà Vu (2006)

About this LoRA

Deja Vu 2006

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word djv2006 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"djv2006, A woman with dark, wavy hair smiles broadly, her face illuminated by warm, golden light that highlights her teeth and eyes, while a dark silhouette of another person stands partially in front of her. Behind them, a wall displays multiple security camera feeds showing urban streets and buildings, alongside a glowing blue digital map, suggesting a surveillance or command center environment. The lighting is dramatic and directional, casting deep shadows and creating a high-contrast, cinematic atmosphere, likely set during late afternoon or early evening. The dominant colors are warm sepia tones on the woman’s face, contrasted with the cool blues and grays of the digital screens and the dark silhouettes. The camera is tightly framed on the woman’s face, with the background elements slightly out of focus, emphasizing her expression while hinting"

"djv2006, A large, textured reptile with a scaly, dark hide glides beneath the surface of murky water, its body partially obscured by ripples and shadows. Sunlight fractures into sparkling highlights on the water’s surface, illuminating the creature’s movement as it navigates through submerged debris and tangled vegetation. The scene is bathed in dappled, low-angle light suggesting late afternoon, with dominant tones of deep green, brown, and shimmering silver. Shot from a low, close perspective, the camera captures the creature’s motion through the water, emphasizing its size and the surrounding natural clutter."

"djv2006, A man with light brown hair and a short beard is captured in profile, his mouth slightly open as if speaking or reacting, with a focused, intense gaze directed off-camera. To his left, a blurred, out-of-focus figure with a metallic or reflective surface partially obscures the view, suggesting a tense or confrontational interaction. The setting appears to be an enclosed, dimly lit space with cool, muted tones—blues and grays dominate the background, contrasted by warm, directional lighting that highlights the man’s face and creates deep shadows. The camera employs a tight close-up, angled slightly from the side, emphasizing the subject’s expression and the shallow depth of field that isolates him from the indistinct surroundings."

"djv2006, A close-up shot captures the rear window of an official government vehicle, displaying a blue decal with bold yellow lettering that reads “OFFICIAL VEHICLE” and “ATF,” along with the U.S. Department of Justice seal and full bureau name. Affixed to the glass is a Louisiana state inspection sticker indicating an expiration date of July 2006, with the vehicle’s registration number visible. The scene is lit with dim, ambient light, suggesting either early morning or late evening, casting soft shadows and highlighting the reflective surface of the window. The dominant colors are deep blue and bright yellow, contrasted by the white and gray of the inspection sticker, framed tightly to emphasize the official markings and regulatory details."

"djv2006, A dimly lit interior room, likely a bedroom or study, is captured through a motion-blurred lens, suggesting movement past the window or through a doorway. Two table lamps with striped shades cast a warm, golden glow on a dark wooden dresser and a bookshelf filled with books, while a wooden door stands slightly ajar in the background. The lighting is low and atmospheric, with streaks of amber and deep shadow dominating the palette, indicating nighttime or late evening. The camera is positioned at eye level, framed to include the doorway and furniture, with motion blur creating horizontal streaks that convey a sense of passing time or hurried movement."

"djv2006, A group of sailors in white uniforms stands on the deck of a large steamship, waving and looking toward the shore, with some raising their arms in celebration or farewell. The vessel, marked with the name “SEN ALVIN T. STUMPF,” emits a plume of smoke from its stack, and a multi-story building with dormer windows is visible in the background. The scene is bathed in the warm, golden light of late afternoon or early evening, casting long shadows and highlighting the white hull and the sailors’ crisp uniforms against the muted tones of the sky and distant architecture. The camera captures the scene from a low, slightly angled perspective, emphasizing the ship’s scale and the crowd’s collective energy."

"djv2006, An aerial view captures a dense urban grid overlaid with a white grid pattern, suggesting a map or blueprint, while a large, dark void dominates the right side of the frame. The left side reveals tightly packed buildings, roads, and a circular structure near the top-left corner, all rendered in high-contrast black and white. The lighting is stark and artificial, casting deep shadows and bright highlights, evoking a nighttime or digitally rendered scene. The camera is positioned directly overhead, offering a top-down perspective that emphasizes the geometric precision of the grid against the organic chaos of the city below."

"djv2006, An aerial view captures a dense urban neighborhood, with a yellow rectangle highlighting a specific block labeled “ATF 9200 Carondelet” and a matching “FIND: 9200 Carondelet” text overlay. The setting is a sprawling cityscape with tightly packed buildings, intersecting roads, and patches of greenery, viewed from a high vantage point that emphasizes the grid-like layout. The lighting suggests late afternoon or early evening, casting long shadows and creating a contrast between sunlit areas and darker, shadowed zones. Dominant colors are muted earth tones—browns, grays, and faded greens—with the bright yellow of the rectangle and text standing out against the subdued background. The camera is positioned directly overhead, offering a bird’s-eye perspective that"

"djv2006, A lone figure is seen from below, silhouetted against a dramatic sky as they stand at the edge of a vast, sunlit chasm. The setting is a rugged, cliffside canyon with steep, shadowed walls, where golden-orange clouds swirl above and a brilliant sunbeam pierces through the opening, casting radiant light across the scene. The lighting is high-contrast, with warm yellows and oranges dominating the upper sky and cool, bluish tones illuminating the lower canyon floor, suggesting either sunrise or sunset. The camera is positioned low, looking upward at an extreme angle, emphasizing the scale of the environment and the figure’s smallness within it."

"djv2006, A man in a light-colored uniform stands beside a white ambulance, holding a bouquet of white and green flowers, while two uniformed officers gesture with raised hands toward him, seemingly in a moment of tense interaction. The scene unfolds outdoors at a paved area with trees in the background, a stone table in the foreground holding coffee cups and food remnants, and other emergency vehicles parked nearby. Warm, golden sunlight suggests late afternoon, casting soft shadows and highlighting the beige, white, and dark gray tones of the uniforms and vehicles. The camera is positioned at eye level, capturing the scene from a medium distance, emphasizing the spatial relationship between the individuals and the ambulance."

"djv2006, A weathered, two-tone Chevrolet pickup truck is captured in motion, its rear and side profile dominating the frame as it travels alongside a large, out-of-focus blue bus. The scene unfolds under warm, golden-hour lighting that casts soft highlights on the truck’s chrome trim and dusty surface, suggesting late afternoon. The dominant colors are muted earth tones—black, silver, and faded blue—with the truck’s metallic accents catching the ambient glow. Shot from a low, rear-quarter angle, the camera emphasizes the vehicle’s rugged texture and movement, while the blurred bus in the background adds a sense of speed and depth."

"djv2006, A man in a light-colored button-up shirt and sunglasses walks purposefully toward the camera, flanked by emergency personnel near an ambulance marked “New Orleans EMS.” Behind him, another uniformed individual gestures while standing near the vehicle’s open rear door, where a blue medical bag rests on the ramp. The scene unfolds in bright daylight under a clear sky, casting sharp shadows on the pavement, with a yellow barrier and a partially visible “Bikes Only” sign adding context to the urban setting. The dominant colors are neutral tones—beige, white, and black—with pops of blue from the bag and yellow from the barrier. The camera is positioned at eye level, capturing the man in mid-stride as he moves forward, with a blurred foreground figure partially obscuring the view, creating a sense"

"djv2006, A white ambulance with green stripes and a blue Star of Life emblem speeds along a road, its emergency lights flashing red and green, suggesting urgent response. The background is blurred with streaks of golden-brown foliage, indicating motion through a wooded or suburban area during late afternoon or early evening. The dominant colors are white, green, and blue on the vehicle, contrasted with warm, golden light casting long shadows. The camera captures a dynamic three-quarter front view, emphasizing the vehicle’s forward momentum and urgency."

"djv2006, A submerged vehicle, likely a sedan, lies upside down in murky, greenish water, its chassis and broken windows visible as it rests near the surface. The scene is viewed from beneath the water, with light filtering down from above, creating a hazy, diffused glow that illuminates swirling particles and the car’s distorted silhouette. The dominant colors are muted teal and dark gray, with the water’s surface shimmering faintly in the background. The camera is positioned low and close to the vehicle, emphasizing its submerged state and the eerie stillness of the underwater environment."

"djv2006, A close-up shot focuses on a corkboard covered in colorful, three-dimensional magnetic letters spelling out “U CAN SAVE HER,” surrounded by personal photos, a newspaper clipping, and small notes. The board is mounted on a metallic surface, possibly a refrigerator, with vertical handles visible to the left, suggesting a domestic kitchen setting. Warm, directional lighting casts soft shadows, indicating an indoor scene during evening or night. The dominant colors are earthy browns and muted tones, punctuated by the bright red, yellow, and green of the letters and the white of the photos. The camera is angled slightly from above, creating an intimate, observational perspective that draws attention to the emotional message on the board."

"djv2006, A decaying fish lies half-buried in wet, muddy sand, its dark, scaled body partially obscured by silt and debris, while a crumpled, bright blue plastic fragment rests nearby, contrasting sharply with the earthy tones. The scene is set in a shallow, muddy shoreline littered with dry twigs and scattered fragments of trash, suggesting neglect or environmental decay. The lighting is flat and diffused, casting no strong shadows, indicating an overcast day or twilight hours. Dominant colors are muted browns and grays of the mud, punctuated by the vivid blue of the plastic and the dark, wet sheen of the fish’s skin. The camera is positioned at a low, close-up angle, emphasizing the textures of the mud, the fish’s scales, and"

"djv2006, A refrigerator door is covered in a collage of personal items, including colorful magnetic letters spelling “U CAN SAVE her,” family photos, a child’s green crayon drawing of a cat, and clipped newspaper ads. The scene is warmly lit, suggesting late afternoon or early evening, with soft shadows accentuating the metallic handles and textured surfaces. Dominant colors are muted browns and grays of the fridge, contrasted by bright red, yellow, and green from the magnets and artwork. The camera is positioned at eye level, offering a close-up, slightly angled view that emphasizes the cluttered, intimate nature of the display."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.