Constantine (2005)

About this LoRA

Constantine 2005

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word cnstntn2005 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"cnstntn2005, A lone figure in a dark, wet coat stands center-frame on a rain-slicked urban street at night, facing away from the camera, seemingly confronting or observing something unseen. The scene is illuminated by the glow of streetlights and vehicle headlights, casting reflections on the wet asphalt, with a red van and other cars visible in the background near a gas station. The dominant colors are deep blacks and grays, punctuated by the vivid red of the van and the yellow-orange of the streetlights, creating a moody, cinematic atmosphere. The low-angle shot emphasizes the figure’s isolation and the chaotic energy of the rain-splattered environment."

"cnstntn2005, two figures stand at a wooden table in a dim, atmospheric room, one leaning forward as if in conversation or negotiation while the other gestures toward a small red box on the table. The space is lined with tall windows covered by louvered shutters, through which slanted shafts of natural light pierce the gloom, illuminating dust motes and casting long shadows across the checkered floor. The walls are weathered and textured, and the room is cluttered with rows of large water jugs along the window ledge and a solitary leather chair in the foreground. The dominant palette is muted earth tones—browns, greens, and grays—with the red box providing a stark, solitary pop of color. The camera is positioned at a low, wide angle from a doorway, framing"

"cnstntn2005, two figures stand with their backs to the viewer inside a cluttered, dimly lit shop, gazing toward a counter filled with tools and small items. Above them, hundreds of glass jars hang from the ceiling, each containing colorful liquids, dried herbs, or powders, casting a warm, amber glow that illuminates the scene. The lighting is low and atmospheric, suggesting late afternoon or evening, with shadows pooling in the corners and highlighting the rich browns, deep reds, and earthy greens of the objects. The camera is positioned at eye level, capturing the figures from behind as they explore the dense, nostalgic interior, framed by the overwhelming vertical array of jars."

"cnstntn2005, A chaotic explosion erupts at the center of the frame, sending shards of debris and dust flying outward in all directions, illuminated by a bright, blinding flash. The setting appears to be an interior space, possibly a ruined structure, with fragments of broken material—glass, plaster, and metal—scattered across a dark, shadowy background. The lighting is dramatic and high-contrast, with the explosion casting warm, golden-orange and fiery red hues against deep blacks and muted browns, suggesting a nighttime or dimly lit environment. The camera is positioned close to the blast, capturing the motion blur and disarray from a slightly low angle, emphasizing the violent dispersal of fragments."

"cnstntn2005, A towering, modernist building with a central vertical structure bearing a large cross stands prominently against a dusky sky, flanked by American flags atop its roof. The structure is surrounded by angular, grid-like architectural elements, with adjacent high-rises visible in the background, suggesting an urban downtown environment. The lighting is warm and low, casting long shadows and illuminating the building’s facade in golden and muted brown tones as the sun sets. The camera is positioned at a low angle, looking upward, emphasizing the building’s imposing height and geometric design."

"cnstntn2005, A close-up shot captures the weathered, rusted metal hinge of a heavy wooden door, its ornate, curved design partially obscured by grime and age, as it connects to a thick, light-brown wooden frame. The scene is lit with warm, dim ambient light, casting soft shadows and highlighting the texture of the corroded metal and the grain of the wood, suggesting an interior space at dusk or in low-light conditions. Dominated by earthy browns and muted metallic tones, the frame is tightly angled from below, emphasizing the hinge’s weight and the door’s solidity."

"cnstntn2005, A cluster of police cars with flashing red and blue lights is parked haphazardly across a wet city street at night, their numbers visible on the roofs and sides. The scene is framed from an elevated, bird’s-eye perspective, looking down on the vehicles and a small crowd of people gathered near storefronts, including one labeled “5th Market.” The lighting is dim and moody, dominated by the artificial glow of the police lights and street lamps, casting reflections on the damp asphalt. The dominant colors are deep blacks and grays of the night, punctuated by the bright whites and reds of the emergency lights and the neon signage."

"cnstntn2005, A woman with curly hair, wearing a dark jacket over a light top, is captured mid-stride as she walks through a doorway into a bowling alley. The setting features bold orange-paneled walls with a large, raised “BOWLING” sign, a vintage-style red wireframe pendant light hanging from the ceiling, and a glass door with “BOWL” etched repeatedly on it. The lighting is warm and artificial, casting a slightly dim glow that suggests evening or nighttime, with signs indicating business hours and minor policy rules visible on the walls. The camera is positioned low and centered, framing the doorway as the main entry point, with the woman entering from the right side of the frame."

"cnstntn2005, A vibrant neon sign reading “BOWL BOWL BOWL” in red, blue, and yellow glows across the facade of a building at night, casting a colorful glow on the street below. The scene is set on a quiet urban corner, flanked by older brick buildings with shuttered windows and a pharmacy sign visible across the street; a dark sedan is parked nearby. The lighting is dim, dominated by the artificial glow of the neon and streetlights, creating a moody, atmospheric nighttime cityscape. The camera is positioned at a low angle, looking slightly upward, emphasizing the height of the buildings and the prominence of the glowing sign."

"cnstntn2005, inside a refrigerated beverage display, rows of glass bottles and cans are neatly arranged on wooden shelves, showcasing a variety of alcoholic drinks including Heineken, Moosehead, and branded V.S.O.P. and Joshua Tree wines. The cool, artificial lighting casts a slightly greenish hue over the scene, highlighting the labels and glass surfaces, suggesting a retail setting during evening or nighttime hours. The camera is positioned at eye level, capturing the display through the glass door with a tight, centered framing that emphasizes the orderly arrangement and commercial presentation of the products."

"cnstntn2005, A person in a red and black striped shirt walks across a dusty, open lot, partially obscuring the view, while a beige SUV is parked in front of a roadside store with signs reading “Jalisco Tires” and “Liquor Market.” The setting is a desolate, arid landscape with distant mountains under a partly cloudy sky, and a row of wind turbines visible in the background. The lighting suggests late afternoon, casting long shadows and bathing the scene in warm, golden tones, with dominant colors of beige, dusty red, and muted blue-gray. The camera is positioned at a low angle, capturing the foreground figure in motion while framing the store and landscape in the mid- and background."

"cnstntn2005, A man and a woman stand in a dimly lit urban alleyway at night, framed by the triangular bars of a decorative metal fence adorned with glowing yellow star-shaped lights. Behind them, a parked car and closed storefronts with faded signage suggest a quiet, possibly abandoned commercial area. The scene is bathed in low, moody lighting that casts deep shadows, with the warm glow of the stars providing the only significant illumination. The dominant colors are dark grays and blacks, punctuated by the bright yellow of the stars, and the camera is positioned at a low angle, looking up through the fence structure to emphasize the figures and the surrounding urban decay."

"cnstntn2005, A man in a white suit stands center-frame with both hands extended forward, palms up, as if presenting or reacting to something unseen, his face showing a startled or intense expression. The setting is an indoor space resembling a gym or wellness center, with exercise balls visible in the background, light green walls, and a tiled ceiling with recessed lighting fixtures. The lighting is artificial and even, casting soft shadows and suggesting an interior scene during the day. Dominant colors are muted greens, whites, and grays, with pops of color from the exercise equipment. The camera is positioned at a low angle, looking up at the man, which emphasizes his presence and adds a sense of drama or confrontation."

"cnstntn2005, three figures walk down a central red carpet in a grand, ornate library, flanked by towering bookshelves filled with volumes and supported by classical columns. The space is illuminated by warm, ambient light from chandeliers and wall sconces, casting a golden glow over the checkered marble floor and stained-glass windows at the far end, suggesting an evening or dimly lit interior. Dominant colors are deep reds, rich browns, and cream tones, creating a solemn, scholarly atmosphere. The camera frames the scene from a low, wide angle, emphasizing the architectural grandeur and the figures’ movement toward the viewer."

"cnstntn2005, An open, well-worn book rests on a cluttered wooden desk, surrounded by stacks of papers, tools, and miscellaneous items, suggesting a workspace or study area. The setting is a dimly lit, densely packed room filled with shelves and hanging objects, including clocks, bottles, and mechanical parts, creating a sense of organized chaos. Warm, golden light from a single lamp casts soft shadows, indicating an indoor evening or nighttime scene. The dominant colors are earthy browns, muted greens, and dark wood tones, punctuated by the cream of the book’s pages and the lamp’s glow. The camera is positioned at a low angle, looking slightly upward across the desk, emphasizing the clutter and depth of the surrounding environment."

"cnstntn2005, A man with a dark complexion, wearing a textured brown hat and a fuzzy pink collar over a striped shirt, gazes downward with a contemplative expression as wisps of smoke drift near his face. He sits in a dimly lit interior space, possibly a vintage lounge or car interior, with rich red upholstery and metallic accents visible in the background. The lighting is low and warm, casting deep shadows and highlighting the textures of his clothing and the surrounding surfaces, suggesting an evening or nighttime setting. Dominant colors are earthy browns, deep reds, and muted pinks, with the camera positioned at a close, slightly high angle to emphasize his introspective mood."

"cnstntn2005, A black Chevrolet truck is parked in an underground garage, its headlights and turn signals glowing red and amber, casting a warm, artificial light on the glossy hood and grille. The vehicle’s California license plate is visible, and a large pillar marked “C3” stands to the left, while overhead pipes and dim fluorescent lighting define the utilitarian space. The camera is positioned at a low, head-on angle, emphasizing the truck’s imposing front fascia and the reflective sheen of its paint under the subdued, artificial illumination. Dominant colors are deep black, metallic silver, and the contrasting red-orange glow of the lights."

"cnstntn2005, A man in a dark suit and tie is crouched on a wet pavement, arms outstretched as if bracing against an unseen force, with a chaotic spray of dark debris flying past him. The scene is set at night under artificial, dim lighting that casts a greenish-yellow glow on the slick concrete, with a broken orange-and-white construction barrier visible in the background. The dominant colors are deep blacks and muted grays, punctuated by the wet pavement’s reflective sheen and the barrier’s bright stripes. The camera is positioned at a low angle, capturing the man’s tense posture and the dynamic motion of the debris rushing toward him from the right."

"cnstntn2005, in a dimly lit bedroom, a bald man in a long coat stands poised with a long, thin rod, while another person holds a similar rod above a man lying on a bed, seemingly in a tense confrontation. The room contains a wooden bookshelf filled with books and trinkets, a small nightstand with a lamp, and a cross mounted on the wall, suggesting a personal, lived-in space. Warm, low lighting casts long shadows, indicating either early morning or late afternoon, with a muted palette of browns, beiges, and dark tones dominating the scene. The camera is positioned at a low angle, capturing the action from the side and slightly behind the bed, emphasizing the spatial tension and the figures’ postures."

"cnstntn2005, A man with thick-rimmed glasses is seated, holding a black telephone receiver to his ear while writing with a pen in his other hand, his expression focused and slightly tense. The background is densely packed with hanging glass bottles of various shapes and colors, suggesting a cluttered, dimly lit interior, possibly a bar or storage room. Warm, low lighting casts soft shadows across his face and the surrounding surfaces, indicating an indoor scene during evening or night. The dominant colors are earthy browns and muted greens from his jacket and the bottles, contrasted by the dark tones of the phone and glasses. The camera is positioned at a close, slightly low angle, emphasizing his concentration and the intimate, cluttered environment."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.