Children of Men (2006)

About this LoRA

Children Of Men 2006

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word chldrnmn2006 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"chldrnmn2006, A man in a dark suit walks away from the camera through a dense forest, his back to the viewer as he steps over a carpet of fallen brown leaves. Tall, slender trees with smooth bark line the path, and a vintage car is faintly visible in the background, partially obscured by foliage. The scene is bathed in soft, diffused light filtering through the canopy, suggesting late afternoon or early evening, with dominant greens and earthy browns creating a muted, natural palette. The camera is positioned at a low angle, close to the ground, with a large tree trunk occupying the right foreground, framing the man’s solitary journey into the woods."

"chldrnmn2006, A person in dark clothing is bent over, interacting with a small, shaggy dog on a forest floor covered in dry ferns and fallen leaves. Tall, slender pine trees rise densely around them, their trunks forming a vertical pattern against a muted, overcast sky. The lighting is dim and diffused, casting soft shadows and suggesting late afternoon or early evening, with dominant tones of deep green, brown, and gray. The camera is positioned at a low angle, capturing the scene from ground level, emphasizing the isolation and quiet tension of the woodland setting."

"chldrnmn2006, in a dilapidated, dimly lit room with peeling walls and wooden floors, a woman in a red jacket gestures toward a man in dark clothing, while another person lies on a mattress with a small dog nearby. A vintage washing machine stands near a window with ornate glass panels, and a third figure is bent over in the background near a small table. The scene is bathed in muted, natural light filtering through the window, casting long shadows and emphasizing the gray, earthy tones of the space. The camera captures the scene from a wide, slightly low angle, emphasizing the room’s emptiness and the quiet tension among the figures."

"chldrnmn2006, from inside a vehicle, a person in the passenger seat extends a dark object toward two uniformed officers standing outside in a wooded area, both aiming handguns at the car. The officers are positioned in a forest with tall, slender trees and dappled undergrowth, suggesting a remote or rural location. The lighting is soft and diffused, indicating either early morning or late afternoon, casting muted tones across the scene. Dominant colors are earthy greens, browns, and grays, with the interior of the car appearing dim and shadowed. The camera is framed from the perspective of the passenger, looking through the windshield and side window, creating an immersive, tense viewpoint."

"chldrnmn2006, A dark-colored station wagon drives slowly down a narrow, leaf-strewn road flanked by dense, autumnal trees. The wet asphalt reflects a muted, overcast sky, and the road curves gently upward into the distance, framed by thick foliage on both sides. The lighting is soft and diffused, casting a cool, grayish tone over the scene, with earthy browns and deep greens dominating the palette. The camera is positioned low and centered, capturing the car’s approach head-on as it moves toward the viewer, emphasizing the isolation and quietness of the wooded path."

"chldrnmn2006, A man stands in a dense pine forest, looking upward with a dog beside him, both appearing alert and still. The ground is covered in dry, brown ferns and fallen pine needles, with tall, slender tree trunks rising around them. The lighting is dim and diffused, suggesting late afternoon or an overcast day, casting muted shadows and creating a somber, earthy palette of dark greens, browns, and grays. The camera frames the scene from a low angle, emphasizing the towering trees and the quiet tension of the moment."

"chldrnmn2006, A man in a dark coat is supporting a person in a red puffer jacket as they move forward through a chaotic, debris-strewn urban environment, with another individual reaching out toward a black bollard. Behind them, a crowd of people navigates a gritty alleyway flanked by graffiti-covered walls and makeshift barricades, while smoke rises into a hazy, overcast sky. The scene is bathed in muted, desaturated tones of gray, brown, and faded red, suggesting late afternoon or early evening under diffused light. The camera frames the subjects in a medium shot from a slightly low angle, emphasizing their movement and the oppressive atmosphere of the surroundings."

"chldrnmn2006, An older man with long white hair sits on a worn couch, gesturing animatedly as if in mid-conversation, while a scruffy dog rests beside him. The room is cluttered with books stacked on shelves and tables, a chessboard, an I Ching book, and various personal items, suggesting a lived-in, intellectual space. Warm, golden light filters through large windows, illuminating greenery outside and casting soft shadows inside, indicating late afternoon. The dominant colors are earthy browns, muted grays, and deep greens, with accents of amber from glassware and the dog’s dark fur. The camera is positioned at eye level, capturing the scene from across a coffee table, creating an intimate, observational perspective."

"chldrnmn2006, A lone figure in a dark coat and knit cap crouches in the foreground, observing a desolate courtyard where a body lies motionless near a crumbling building. The setting is a grim, overcast day, with muted gray and brown tones dominating the scene; a faded “BRAEMAR” sign hangs above a boarded-up storefront, while a vintage red telephone booth stands sentinel beside a parked, dusty vehicle. The camera is positioned low and angled, emphasizing the figure’s tense posture and the bleak, abandoned atmosphere of the environment."

"chldrnmn2006, A woman in a plaid shirt sits alone on a chair in the center of a dilapidated classroom, surrounded by overturned desks and scattered debris, her gaze directed forward as if in quiet contemplation. The room is stripped of its former order, with a large blackboard bearing faded alphabet letters, broken ceiling tiles, and overturned chairs, while sunlight streams in from a high window, casting long shadows across the dusty floor. The dominant colors are muted earth tones—beiges, browns, and faded greens—with stark contrasts from the dark board and the woman’s patterned shirt. The camera frames the scene from a medium-wide angle, capturing the full desolation of the space and emphasizing the isolation of the solitary figure within it."

"chldrnmn2006, A solitary figure, seen in silhouette, leans against a rusted metal grate, one hand reaching out as if grasping or pushing against the bars, while the other hangs loosely. The setting appears to be a dim, enclosed space with a curved stone wall to the left and a hazy, pale greenish backdrop suggesting a distant, obscured view beyond the bars. The lighting is low and atmospheric, casting deep shadows and emphasizing the cold, metallic texture of the bars and the roughness of the stone. Dominant colors are muted tones of dark gray, black, and a sickly greenish hue, evoking a somber, confined mood. The camera frames the subject from behind and slightly to the side, creating a sense of isolation and confinement, with the bars forming a stark, geometric grid"

"chldrnmn2006, A group of armed individuals is moving across the sloped roof of a brick building, some crouching while others advance cautiously, suggesting a tactical operation. The setting is a residential-style structure with multiple chimneys and arched windows, viewed from inside through a dirty, rain-streaked window that adds a gritty, atmospheric layer. The lighting is dim and overcast, casting a muted gray and brown palette across the scene, indicating either early morning or late afternoon under heavy cloud cover. The camera is positioned low, looking upward at the figures against the sky, emphasizing their silhouettes and the tension of their movement."

"chldrnmn2006, A large group of people dressed in yellow rain ponchos march down a city street, holding signs with messages like “REPENT” and “THE BEAST,” suggesting a religious or apocalyptic protest. The setting is an urban thoroughfare lined with historic buildings, including a Tesco Express and Taylor’s Pet Stores, with a red double-decker bus and traffic lights visible; in the distance, a clock tower rises above the rooftops. The lighting is soft and diffused, indicating either early morning or late afternoon, casting a muted, golden hue over the scene. Dominant colors are the bright yellow of the ponchos, contrasted with the gray pavement, red bus, and beige stone architecture. The camera captures the scene from a wide, eye-level angle, emphasizing the scale of the crowd"

"chldrnmn2006, A person in a dark, wet coat is running down a narrow, muddy country road, their coat flapping behind them as they chase after a parked car. The road is flanked by dense green foliage and hedgerows, with rolling hills visible in the hazy distance under an overcast sky. The lighting is dim and diffused, suggesting late afternoon or early evening, casting muted tones of green, gray, and brown across the scene. The camera follows from behind at a low angle, emphasizing the urgency of the movement and the isolation of the rural setting."

"chldrnmn2006, A soldier crouches low in a ruined interior, firing a rifle through a jagged opening in a concrete wall, with spent casings and debris scattered around. Outside, the view reveals a dilapidated, multi-story building under a hazy, overcast sky, suggesting a war-torn urban environment. The scene is lit with muted, grayish tones, emphasizing the grim atmosphere, while the camera frames the action from a tight, eye-level angle that immerses the viewer in the confined, chaotic space."

"chldrnmn2006, A person in a long, dark coat is bent over, reaching toward the side of a weathered, mud-splattered vehicle, possibly preparing to open a door or retrieve something. The scene unfolds at dusk or night in a rural or industrial setting, with a dimly lit building and a distant streetlamp casting a warm glow on the wet ground. The dominant colors are muted browns, grays, and deep shadows, punctuated by the yellowish light from the lamp. The camera is positioned low and close to the vehicle, capturing the subject from behind and slightly to the side, emphasizing the gritty, immersive atmosphere."

"chldrnmn2006, A man with a weathered face and a cap is seated inside a vehicle’s cockpit, gripping the steering wheel with one hand while his mouth is open as if shouting or reacting urgently. The interior is framed by a heavy metal grid, through which the viewer sees a dashboard with glowing blue digital displays and a windshield revealing a blurred, overcast outdoor landscape. The lighting is dim and diffused, suggesting late afternoon or early evening, casting shadows across the man’s face and the cockpit’s utilitarian surfaces. Dominant colors are muted grays, blacks, and the cool blue of the illuminated controls, contrasted by the dull yellowish tint of the exterior light. The camera is positioned outside the grid, looking in at a medium close-up angle that emphasizes the man’s expression and the confinement of the"

"chldrnmn2006, A man in dark, worn clothing and a beanie crouches inside a crumbling, debris-strewn building, gripping a rifle with both hands as he looks out a broken window, mouth open in a shout or cry. The setting is a dilapidated interior with exposed concrete blocks, scattered ammunition, and a tattered jacket draped nearby, while the view outside reveals a damaged, makeshift structure under a gray, overcast sky. The lighting is dim and diffused, casting deep shadows and emphasizing the gritty, desaturated tones of grays, browns, and muted greens. The camera frames the subject tightly from a low angle, enhancing the sense of urgency and confinement within the ruined space."

"chldrnmn2006, A group of individuals, some wearing masks and dark clothing, stand in a narrow, cluttered corridor lined with newspaper clippings and posters, confronting a person whose back is to the camera. The space is bathed in a harsh, golden-yellow light emanating from a bright source ahead, casting deep shadows and creating a tense, enclosed atmosphere. The walls are densely covered with overlapping headlines and images, suggesting a place of media saturation or underground activity. The dominant color palette is warm and monochromatic, dominated by yellows and browns, with the camera positioned low and behind the central figure, enhancing the sense of confrontation and vulnerability."

"chldrnmn2006, two hooded figures stand in a dimly lit, cramped space, their faces obscured, as one leans forward while the other remains still, both seemingly engrossed in the wall before them. The walls are entirely covered in overlapping newspaper clippings, featuring sensational headlines and faded images, creating a chaotic, information-dense backdrop. The lighting casts a warm, yellowish glow, suggesting an artificial source, possibly at night or in a poorly lit interior, with deep shadows accentuating the figures’ silhouettes. Dominant colors are muted yellows, browns, and dark greys, contributing to a gritty, tense atmosphere. The camera frames the scene from a slightly low angle, emphasizing the figures’ hunched postures and the overwhelming texture of the newspaper-covered walls."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.