American Gangster (2007)

About this LoRA

American Gangster 2007

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word amrcngngst2007 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"amrcngngst2007, A person stands inside a public telephone booth, partially silhouetted against the dim interior light, while a vintage two-door coupe with chrome trim sits parked nearby, its driver-side window down. The scene unfolds at night on a quiet street, with a white station wagon visible in motion behind the coupe, its taillights glowing faintly. The dominant colors are deep shadows of black and charcoal gray, punctuated by the pale glow of the booth’s interior and the car’s reflective surfaces. The camera frames the scene from a low, slightly angled perspective, capturing the booth’s glass panels and the parked car’s profile against the dark urban backdrop."

"amrcngngst2007, the frame is entirely black, with no discernible subject, action, setting, or objects present. The lighting is non-existent, suggesting either a complete absence of illumination or a deliberate choice to render a void. Dominant color is pure black, with no variation or hue. The camera framing is a full, unbroken shot with no angle or perspective distortion, as there is no visual content to frame."

"amrcngngst2007, two individuals are seen from behind, embracing in a dimly lit prison cell, with vertical bars framing the scene and a wooden table visible in the background. The subdued, grayish lighting suggests an interior space during daytime, though the atmosphere feels somber and confined. The dominant colors are muted grays and browns, emphasizing the institutional setting. The camera is positioned at eye level, capturing the emotional moment through the bars, which adds a sense of separation and confinement."

"amrcngngst2007, A hand holds a syringe filled with dark red liquid, poised over a small puncture wound on a person’s skin, with a drop of blood pooling at the site. The scene is dimly lit, casting deep shadows and emphasizing the texture of the skin and the metallic sheen of the needle. The background is blurred and indistinct, suggesting an intimate, confined space. Dominant colors are muted browns and deep reds, with the blood providing a stark contrast. The camera is tightly framed, angled slightly downward to focus on the syringe and wound, creating a tense, close-up perspective."

"amrcngngst2007, A man in a light-colored, short-sleeved collared shirt and dark pants walks purposefully across a grassy lawn, passing a real estate sign that reads “SOLD” and features the logo of “Swan Realty Company.” Behind him, a large, white, columned house is visible through the trees, suggesting a suburban or rural setting. The lighting is soft and diffused, indicating late afternoon or early evening, casting gentle shadows across the scene. The dominant colors are the green of the grass and trees, the white of the house and sign, and the man’s neutral-toned clothing. The camera frames the man in a medium shot, slightly angled to capture both his movement and the sign and house in the background."

"amrcngngst2007, A man in a hat and reddish pants walks across a sunlit urban street, passing under a large metal overpass, while other pedestrians mill about near a small vendor stall shaded by a yellow umbrella. The setting is a gritty city block with brick buildings, a fire hydrant, a parked white van, and a metal staircase leading to an upper level, all bathed in warm, late-afternoon sunlight that casts long shadows. Dominant colors are earthy browns, muted reds, and the bright yellow of the umbrella, contrasted by the dark steel of the overpass. The camera is positioned low and angled upward, capturing the scene from beneath the overpass, emphasizing the imposing structure and the depth of the street."

"amrcngngst2007, A man in a white shirt and dark vest carries a large cardboard box and a smaller item, walking through a dimly lit, sparsely furnished room that appears to be an office or archive space. The room features wooden floors, a leather armchair on casters, a long wooden table, and large stained-glass windows that cast muted, warm light into the space, suggesting late afternoon or early evening. The dominant colors are earthy browns, muted grays, and the soft amber glow from the windows, creating a subdued, quiet atmosphere. The camera frames the man from a medium distance, slightly off-center, capturing his movement as he navigates the room."

"amrcngngst2007, soldiers in olive drab uniforms are carefully carrying a white coffin across a wet tarmac, their postures bent with effort. In the background, a U.S. Army truck and a military police jeep stand near a runway where aircraft are visible, while other personnel observe. The scene is lit by soft, diffused daylight, suggesting an overcast morning or late afternoon, casting muted shadows. Dominant colors are the dull greens of the uniforms and vehicles, contrasted with the stark white of the coffin and the dark gray of the wet pavement. The camera is positioned at a low angle, capturing the solemnity of the moment and emphasizing the weight of the coffin as it’s moved."

"amrcngngst2007, A person in a patterned, light-colored shirt is bent over a kitchen counter, reaching toward a stove where a red pot sits over a blue flame, suggesting active cooking. The setting is a modest, dimly lit kitchen with beige cabinetry, a countertop cluttered with cooking items including a can of A1 sauce, a black frying pan, and a basket of bread on a shelf above the stove. The lighting is warm and focused, casting shadows and indicating evening or nighttime, with a hanging tea light adding a soft glow. Dominant colors are muted beige, cream, and the red of the pot, contrasted by the blue flame. The camera is positioned at a medium distance, slightly angled from the side, capturing the person’s profile and the kitchen’s depth, with a vintage"

"amrcngngst2007, A close-up captures a gloved hand holding a syringe, slowly injecting a clear liquid into a spoonful of white powder resting on a dark, reflective surface. To the left, a glass jar with a metal band sits partially in focus, while scattered cotton swabs and a blurred metallic object lie nearby, suggesting a makeshift or clandestine workspace. The lighting is dim and cool-toned, casting soft shadows and emphasizing the gritty texture of the surface, with muted grays, blacks, and the stark white of the powder dominating the palette. The camera is tightly framed, angled slightly downward, drawing attention to the precise, deliberate action of the injection."

"amrcngngst2007, A group of elegantly dressed individuals, some in fur coats and formal attire, are exiting a dimly lit venue under a glowing neon sign that reads “Smalls,” with a string of warm lights above the entrance. The scene is set at night, with the ambient glow from the sign and car taillights casting a soft, golden hue over the misty street, where vintage black cars are parked nearby. The dominant colors are deep blacks and rich neutrals, punctuated by the vibrant red-orange of the neon and the reflective chrome of the vehicles. The camera is positioned low and slightly angled, capturing the scene from behind a car’s hood, creating a sense of being an observer on the sidewalk."

"amrcngngst2007, A sleek, vintage muscle car speeds forward on a wet urban street, its headlights cutting through the mist and reflecting vividly on the rain-slicked asphalt, while another classic car trails behind with glowing red taillights. The scene unfolds beneath the looming steel trusses of a bridge at night, with traffic lights glowing red and distant headlights piercing the gloom. Dominated by deep reds, cool blues, and the stark white of headlights, the frame is captured from a low, rear-facing angle that emphasizes motion and the reflective sheen of the wet pavement."

"amrcngngst2007, A man in a patterned shirt leans against a silver convertible parked on a city street, while two other men stand nearby near a trash can and cardboard boxes, appearing to converse. The setting is an urban environment with a chain-link fence, brick wall, and a blue pickup truck visible in the background, under bright, direct sunlight suggesting midday. Dominant colors include the metallic silver of the car, muted grays and browns of the surroundings, and the deep blue of the truck. The camera is positioned at a medium distance, capturing the scene from a slightly low angle that emphasizes the car and the figures around it."

"amrcngngst2007, A man in a dark suit stands on a wet sidewalk, facing another man leaning against a black classic sedan parked across the street. The scene unfolds on a rain-slicked urban street, with buildings, trees, and a “Soup Kitchen” sign visible in the background, suggesting a gritty, overcast day. The lighting is dim and diffused, casting muted reflections on the pavement, with dominant tones of gray, black, and deep brown. The camera is positioned at a medium distance, capturing both figures in a wide shot that emphasizes the space between them and the damp, atmospheric setting."

"amrcngngst2007, A hand reaches toward a crumpled one-dollar bill lying on a worn tabletop, near a glass of orange juice resting on a receipt. In the background, a folded newspaper and a plate of food are partially visible, suggesting a casual diner or breakfast setting. The scene is bathed in soft, natural light from a window, casting gentle shadows and indicating early morning. The dominant colors are muted browns and creams, with the yellow-orange of the juice providing a warm contrast. The camera is positioned at a low, close-up angle, focusing tightly on the hand, money, and drink, creating an intimate and still moment."

"amrcngngst2007, A street-level view captures a bustling urban scene framed by the underside of a large, dark canopy and a red paper umbrella in the foreground. Behind, a multi-story building displays vertical Chinese characters on yellow signs, alongside Thai script on lower signage, suggesting a Chinatown district. The lighting is diffused and hazy, casting a muted, overcast tone over the scene, with steam or mist rising from the lower left. Dominant colors include deep reds, faded yellows, and the grayish-white of the building facade, contrasted by the dark browns and blacks of the overhead structures. The camera is angled upward from a low vantage point, emphasizing the verticality of the signs and the layered density of the street environment."

"amrcngngst2007, A group of dancers in matching outfits perform on a raised stage, moving rhythmically under colorful stage lights, while an audience watches from below. The setting is a dimly lit nightclub with neon signs, including one reading “Soul Brothers,” and decorative string lights above the stage; a chandelier hangs from the ceiling, and a pillar with graffiti adds to the gritty ambiance. The lighting is low and atmospheric, dominated by neon blues, greens, and warm orange glows, suggesting a late-night scene. The camera is positioned at eye level from within the crowd, capturing the backs of spectators and the stage performance in a wide, immersive shot."

"amrcngngst2007, A silver Rolls-Royce Phantom V is parked prominently in the foreground, its iconic grille and Spirit of Ecstasy hood ornament gleaming under dim, overcast lighting. Behind it, a row of vintage American cars—including a gold and black sedan and a black coupe—line a wet city street, suggesting a rainy or recently rained-on afternoon. The background reveals a blurred urban setting with tall buildings and faint streetlights, while the camera’s low, slightly angled perspective emphasizes the luxury and solidity of the lead vehicle against the surrounding traffic. Dominant colors are muted grays, blacks, and metallic silver, punctuated by the gold trim of the car behind, creating a contrast between opulence and gritty city realism."

"amrcngngst2007, A man with a closely cropped haircut and a serious expression is seated, his gaze directed slightly off-camera, suggesting deep thought or contemplation. The setting appears to be a dimly lit, possibly industrial or utilitarian interior, with blurred background elements hinting at structural beams or machinery. The lighting is low and directional, casting strong shadows across his face while illuminating his eyes and forehead, indicating either dusk or an artificially lit environment with minimal ambient light. Dominant colors are muted earth tones—dark greens, browns, and blacks—with a faint warm glow in the background. The camera frames him in a tight close-up, emphasizing his facial features and emotional intensity, with a shallow depth of field that blurs the surroundings."

"amrcngngst2007, A group of people, dressed in winter coats and hats, are walking toward or exiting a brightly lit Chinese takeout restaurant at night, with snow falling gently around them. The scene is framed from inside a vintage car, with the hood and windshield visible in the foreground, reflecting the neon signs and streetlights. The restaurant’s windows glow with colorful neon signage advertising “Takeout” and “Chinese Food,” alongside a decorated Christmas tree inside, contrasting with the dark, gritty urban surroundings. The dominant colors are deep blues and blacks of the night, punctuated by the warm yellows and reds of the neon and holiday lights, creating a moody, cinematic atmosphere. The camera is positioned low and angled upward, emphasizing the car’s silhouette and the bustling street life beyond."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.