28 Weeks Later (2007)

About this LoRA

28 Weeks Later 2007

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word 28wksltr2007 in your prompt.

Recommended weight: 0.8 – 1.0.

Prompt Examples

Here are some prompt examples:

"28wksltr2007, A person in a bright yellow and gray tracksuit is running urgently alongside another individual in dark clothing, their motion blurred to convey speed and tension. In the background, a third figure in a light hoodie is also in motion, suggesting a chaotic or fleeing scenario. The setting appears to be an urban alleyway or underpass at night, with cool blue and teal lighting casting long shadows and creating a moody, high-contrast atmosphere. The dominant colors are the vivid yellow of the tracksuit against the deep blues and blacks of the surroundings, emphasizing the subject’s movement. The camera is positioned at a low angle, tracking alongside the runners, enhancing the sense of urgency and immersion in the scene."

"28wksltr2007, A crowd of people is seen moving rapidly down a wide, multi-tiered staircase, suggesting urgency or evacuation. The setting is an urban outdoor area at night, flanked by modern buildings and illuminated by bright, harsh streetlights that cast sharp glares and long shadows. The scene is bathed in a monochromatic teal-blue hue, with digital overlays indicating a security camera feed, including timestamps and location tags. The camera is positioned high above, looking down at a wide-angle view that captures the full expanse of the staircase and surrounding structures."

"28wksltr2007, A person with shoulder-length, tousled hair is seen from behind, gazing intently at a bright, abstract projection on a surface ahead. The projection features swirling, earth-toned patterns against a stark white background, suggesting a digital or artistic display. The scene is dimly lit, with the primary illumination coming from the projection, casting the person’s silhouette in deep shadow and creating a contrast between the dark foreground and the luminous background. The dominant colors are muted browns, blacks, and whites, with the projection’s warm tones standing out. The camera is positioned close behind the subject, capturing the back of their head and shoulders, emphasizing their focused attention on the glowing display."

"28wksltr2007, two figures stand near a small, grounded helicopter in the center of a vast, abandoned stadium, surrounded by rows of red seats that stretch upward into a decaying, metal-framed roof. The foreground is dominated by tall, unkempt green grass, while the stadium’s tiers recede into shadow, punctuated by numbered seat sections and scattered maintenance fixtures. The lighting is dim and diffused, suggesting an overcast day or late afternoon, casting soft shadows and emphasizing the desolation. Dominant colors are the deep red of the seats, the muted green of the grass, and the gray of the weathered concrete and steel. The camera is positioned low to the ground, looking up at the figures and the towering stands, creating a sense of scale and isolation."

"28wksltr2007, A military-style helicopter, painted in muted gray, hovers low over a dense urban landscape, its rotor blades spinning rapidly and casting motion blur. Below, a sprawling cityscape unfolds with a mix of residential terraced houses, modern high-rise blocks, and scattered green spaces, while a construction crane stands out in the distance. The scene is bathed in soft, diffused daylight, suggesting late afternoon, with shadows lengthening across the rooftops. Dominant colors are earthy grays, muted greens from trees, and the beige and white of buildings, creating a realistic, gritty atmosphere. The camera is positioned slightly above and behind the helicopter, offering a dynamic, immersive perspective that emphasizes the aircraft’s proximity to the urban environment."

"28wksltr2007, A train’s headlights blaze ahead in a dark, curved tunnel, illuminating the converging rails that stretch toward the luminous exit. The tunnel’s arched ceiling is lined with evenly spaced, dimly glowing fixtures, while the walls show textured, reinforced panels and metallic supports. The scene is bathed in high-contrast monochrome, with stark whites from the headlights and rail reflections against deep blacks, suggesting nighttime or subterranean darkness. Shot from a low, forward-facing angle, the camera follows the rails’ perspective, creating a sense of motion and depth as the viewer is drawn toward the bright, distant light."

"28wksltr2007, A towering cylindrical building with a glass-encased observation deck and visible mechanical structures on its roof dominates the center of the frame, viewed from a high-angle aerial perspective. The surrounding urban environment is dense with a mix of older brick buildings, modern glass facades, and narrow streets lined with trees, while a construction site with exposed rebar and cranes is visible to the left. Bright, direct sunlight casts sharp shadows, indicating midday, and the palette is dominated by neutral grays, muted browns, and the green of scattered foliage. The camera is positioned directly overhead, looking down at the cityscape, emphasizing the verticality of the central structure and the intricate grid of streets and rooftops below."

"28wksltr2007, A solitary figure stands in silhouette within a vast, curved tunnel, their form dwarfed by the architecture around them. The tunnel’s walls are lined with glowing, intricate patterns resembling circuitry or organic veins, casting a cool, monochromatic blue-white light that contrasts sharply with the deep blackness of the surrounding space. The camera is positioned low and wide, capturing the figure’s smallness against the immense, curved expanse, emphasizing the isolation and scale of the environment. The dominant colors are stark black and icy blue, with the lighting suggesting a nocturnal or artificially lit setting, creating a moody, futuristic atmosphere."

"28wksltr2007, A medical professional wearing white gloves is cleaning a patient’s inner elbow with a cotton swab, while the patient’s arm rests on a surface with a blue elastic band around the upper arm. The setting appears clinical, with muted tones and a focus on the procedure, suggesting a sterile environment. The lighting is cool and diffused, casting soft shadows and giving the scene a bluish tint, likely indicating an indoor, controlled setting during daytime. Dominant colors are white from the gloves and uniform, contrasted with the patient’s pale skin and the blue band, all under a cool, clinical light. The camera is tightly framed on the arm and hands, emphasizing the precision of the action from a slightly elevated angle."

"28wksltr2007, two figures are running down a desolate urban street, their motion blurred slightly as they move away from the viewer’s perspective. The street is littered with debris and trash, flanked by shuttered storefronts including a “Budget Supermarket” and “Meat Master,” with brick buildings rising on either side under a pale, overcast sky. The lighting is flat and diffused, suggesting late afternoon or early evening, casting muted tones of gray, brown, and faded green across the scene. The camera is positioned low, partially obscured by the dark silhouette of a vehicle’s wheel and frame, creating a sense of immediacy and confinement as if viewed from inside a car."

"28wksltr2007, A person with light-colored, disheveled hair is shown in extreme close-up, their head tilted back and covered in blood, suggesting a violent injury or attack. A dark, thin object—possibly a blade or tool—is pressed against their neck, with blood visibly splattering outward. The setting is dimly lit, with a dark, textured background that appears to be a concrete or industrial surface, and the lighting casts harsh shadows, emphasizing the gory details. Dominant colors are deep reds of the blood, pale beige and gray tones of the hair and skin, and stark black from the object and shadows. The camera is positioned at a low, tight angle, focusing intensely on the head and neck, creating a visceral, claustrophobic perspective."

"28wksltr2007, A bloodied, partially severed face is captured in extreme close-up, mouth agape and eyes wide, suggesting a moment of terror or agony. The background is dark and blurred, with indistinct shapes and a single out-of-focus white light source creating a sense of disorientation. The lighting is dim and moody, casting deep shadows and highlighting the gory details in shades of crimson, pale flesh, and murky green. The camera is positioned at a low angle, emphasizing the grotesque anatomy and the visceral horror of the scene."

"28wksltr2007, A woman with dark, disheveled hair lies reclined in a black leather chair, her face marked with bruises and a small cut above her brow, suggesting recent physical trauma. She gazes intently toward someone or something just out of frame to her right, her expression conveying weariness and concern. The scene is dimly lit with cool, bluish tones, casting shadows across her features and the surrounding space, implying an indoor, possibly clinical or somber environment. The dominant colors are muted blues and blacks, contrasted by the pale white of her shirt. The camera frames her in a tight close-up, angled slightly from the side, emphasizing her vulnerable state and the emotional weight of the moment."

"28wksltr2007, A man, partially obscured by a dark scarf covering his lower face, leans intently toward a rain-slicked car window, his brow furrowed in concentration or tension. The scene is set in a gloomy, overcast environment, with blurred city structures visible through the misty glass, suggesting a cold, wet urban street. The lighting is dim and cool-toned, dominated by shades of blue and gray, enhancing the somber, atmospheric mood. The camera frames the man in a tight close-up from a low angle, emphasizing his focused expression and the reflective, water-streaked surface of the car window beside him."

"28wksltr2007, A distant airplane glides across a vast, pale blue sky, its silhouette small and faint against the horizon. On the right, the vertical lines of a modern high-rise building frame the scene, its glass and steel facade catching the soft daylight. The lighting suggests late afternoon, with a gentle, diffused glow that softens the edges of clouds and the building’s structure. Dominated by shades of blue and gray, the composition is minimalist, with the camera angled upward to emphasize the sky’s expanse and the building’s imposing height."

"28wksltr2007, through a circular scope viewfinder, two figures are captured mid-motion, one in a bright yellow high-visibility vest with reflective stripes, the other in a brown jacket, appearing to grapple or struggle. The setting is an industrial or outdoor platform, with metal railings and blurred horizontal structures in the background, suggesting a rooftop or elevated walkway. The lighting is flat and overcast, casting a cool, muted tone across the scene, with the yellow vest standing out as the most vivid color against the gray and brown palette. The tight, centered framing through the scope’s crosshairs creates a tense, voyeuristic perspective, emphasizing the immediacy and danger of the moment."

"28wksltr2007, A military-style helicopter hovers low over a grassy field, its rotors spinning rapidly as two figures move urgently toward it—one in a blue shirt appears to be climbing or being pulled toward the open side door, while the other, in tactical gear and holding a rifle, advances cautiously beside them. The background is a dense forest under an overcast sky, casting soft, diffused light across the scene, which is dominated by muted greens, grays, and earthy browns. The camera is positioned at a low angle, capturing the helicopter’s imposing presence and the tension of the moment as the figures navigate the tall grass."

"28wksltr2007, A person, partially visible in the foreground, leans over the edge of a small canal or pond, their shoulder and arm framing the shot as they appear to observe or interact with the water. The water churns with ripples and white foam near the edge, suggesting recent movement or disturbance. Across the canal, a grassy bank lined with mossy stones slopes upward into a dense, shadowy garden filled with green foliage, wildflowers, and a weathered white stone pillar or sculpture. The scene is bathed in soft, diffused daylight, likely late afternoon, casting gentle highlights on the grass and water while leaving the background in deeper shadow. Dominant colors are lush greens, dark water tones, and muted earthy browns, with a touch of pale white from the stone structure. The"

"28wksltr2007, A motorcyclist, viewed from behind, navigates a curved urban street, their silhouette partially obscured by intense backlighting. The setting is a cityscape with historic stone buildings lining the road, contrasted by modern glass structures on the right, and a metal railing runs along the sidewalk. Harsh, direct sunlight creates a hazy, overexposed effect, casting long shadows and bathing the scene in a monochromatic palette of grays and whites, with subtle hints of muted blue and green from foliage. The camera is positioned low and slightly behind the rider, emphasizing motion and the curve of the road ahead."

"28wksltr2007, A woman in profile gazes intently forward, her expression solemn and absorbed, while another person sits blurred in the background, partially obscured by shadow. The scene is set in a dimly lit interior, likely at night, with cool blue and gray tones dominating the palette, casting deep shadows across the faces and emphasizing the quiet tension. The camera employs a tight close-up, focusing sharply on the woman’s features while leaving the background out of focus, enhancing the intimacy and emotional weight of the moment."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.